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ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
Þ
Þ
Originally released : 2003
Release date : 10-02-2008
Album name : Lost In Translation
Artist : OST
Ripped by : Team EOS
Genre : Soundtrack
Label : Emperor Norton
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 15
Size of Files : 63,6 MB
Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
01 00:34 Richard Beggs-Intro Tokyo
02 03:47 Kevin Shields-City Girl
03 03:13 Sebastian Tellier-Fantino
04 01:19 Squarepusher-Tommib
05 04:26 Death In Vegas-Girls
06 02:31 Kevin Shields-Goodbye
07 03:19 Phoenix-Too Young
08 04:05 Happy End-Kaze Wo Atsumete
09 01:09 Brian Reitzel And Roger J Manning Jr-On The Subway
10 01:38 Kevin Shields-Ikebana
11 05:19 My Bloody Valentine-Sometimes
12 04:48 Air-Alone In Kyoto
13 03:27 Brian Reitzel And Roger J Manning Jr-Shibuya
14 01:34 Kevin Shields-Are You Awake
15 12:37 The Jesus And Mary Chain-Just Like Honey
Total time: 53:46 min
Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
Sofia Coppola's impressionistic romance Lost in
Translation features an equally impressionistic and
romantic soundtrack that plays almost as big a role in
the film as Bill Murray and Scarlett Johanssen do. In
the film, Bob and Charlotte are able to stretch their
instant connection as strangers in a strange land into
something that seems to last longer and feel deeper
because of their need to believe in a love like that;
their relationship is a beautiful, fleeting little
world unto itself, and the music that plays behind them
emphasizes the romantic fever dream. The soundtrack's
luminous atmospherics come from a variety of sources,
but My Bloody Valentine's Kevin Shields leads the pack
by contributing the Loveless classic "Sometimes" and
four new tracks penned under his own name. A nearly
perfect song from a nearly perfect album, "Sometimes"
is so incredibly gorgeous, and so effortlessly
accomplished, that in hindsight it's easier (if no less
frustrating) to understand why Shields is so hesitant
about putting out any new material in the wake of songs
like this. However, while his new tracks don't reach
Loveless' peaks, they're not intended to; open-ended
pieces like the naïve, guitar-driven "City Girl" and
the abstractly poignant, Eno-inspired "Goodbye" may be
somewhat disappointing as songs (especially new songs
from one of music's most reticent visionaries), but
they work well as soundtrack material. "Ikebana" and
especially "Are You Awake?" suggest some of the
electronic forays that Shields wanted to explore with
My Bloody Valentine before he stopped working under
that name; while both tracks, particularly the latter,
are lovely, they're so fleeting that it's hard to tell
whether or not they really indicate a new direction in
Shields' work.
As worthwhile as Shields' contributions are, it would
be a mistake to let them eclipse the rest of this fine
soundtrack. Interestingly, many of the other pieces on
Lost in Translation sound more like Shields' previous
work than his own tracks. Chief among them is Death in
Vegas' lovely "Girls," a slow-building epic that
combines breathy vocals, deceptively simple guitars,
and distant but powerful drumming in a way that evokes
My Bloody Valentine but doesn't borrow from them too
shamelessly. Likewise, the Jesus & Mary Chain's "Just
Like Honey" is nearly as swooningly romantic as
"Sometimes." Sebastien Tellier's "Fantino" and
Squarepusher's "Tommib" fit in well with Shields' work
and also recall the work of Air, whose "Alone in Kyoto"
is a smoothly flowing, Asian-inspired piece that
reflects both their own sound and the film's setting.
Ironically enough, Happy End's "Kaze Wo Atsumete" is
the only song by an authentically Japanese group, but
it sounds a lot like Gilbert O'Sullivan's "Alone Again,
Naturally," which was used to devastating effect in The
Virgin Suicides. Phoenix's "Too Young," a stylish
re-creation of '80s soft rock, is another highlight
from Lost in Translation, which works equally well as
background music or as a way to replay the movie in
your head (the hidden track of Bill Murray's drunken
karaoke rendition of "More Than This" heightens this
effect). Perfectly defined in its hazy beauty, this
soundtrack loses nothing in its translation from a
quietly wonderful movie into a quietly wonderful album.
Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
Contact us @ : #eos (EFNet)
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Part: 2 : OST - Training Day (2001)
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