Sunday, April 12, 2009

Nirvana - [CENSORED]icide (1992) Bayside - The Walking Wounded (2008)

Part: 1 : Nirvana - [CENSORED]icide (1992)
Password: sharedmusic.net

Ý Û
ݲ Ý Û
ÝÛ ÛÛÛÛ² ²Þ
² ²ÛÛÛÛÛÛÛÛ ²
ÞÛÛÛÛÛÛÛÛÛÛÛÛÛ
Þ ²ÛÛÛÛÛÛÛÛÛÛÛÛÛ²
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÞ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Û²ÛÛÛÛÛÛÛ²²Û±Û²²²ÛÛÛÛÛÛÛÛÝ
Þ²ÛÛÛÛÛÛ²²ßß°Û²±ßß²²ÛÛÛÛÛÛÛ
ÛÛÛÛÛÛÛ²ÛÛ±°°±°±Û²±Û²ÛÛÛÛÛÛ
ÛÛÛÛÛÛÛ°±°±Ü²Üܲ±°Û²ÛÛÛÛÛÛÛ
ÛÛÛÛÛÛ²±°°°°°±°°°°±±²ÛÛÛÛÛÛ
Û²ÛÛÛÛ±±°±±²²°±²±±°²ÛÛÛÛÛÛÛ
ÞÛÛÛÛÛ±°±²ÛÛ²±²ÛÛ²²±²ÛÛÛÛÛÛ
ÛÛÛÛ²±ÛÛÛÛÛ±±±ÛÛÛÛ²ÛÛÛÛÛÛÝ
Û²Û²°²ÛÛÛÛ²²±²Û²±²ÛÛÛÛÛÛÛ
Þ ÛÛ²ÛÛÛÛÛÛ²±±ÛÛ±²±ÛÛÛ±ÛÛÛ
ÞÛ±²Û²²²²²±±²ÛÛ²²ÛÛÛÛÛÛÝ
Ý Û²ÛÛÛ±±²±°±²ÛÛÛÛÛÛ±²ÛÛ
Þ ÞÛÛÛÛÛÛÛÛ±±²²ÛÛÛÛÛ²ÛÛÝ
Ý ÛÛÛÛÛÛÛÛ²²±±²ÛÛ²Û±ÛÛÛÜ
ÞÜÛÛÛÛÛÛÛ²²±±±±²±ÛÛÛÛÛÛÛß
ÜÜÜÜÜÜÜ ÜÜÛÛÛÛÛÛÛÛÛ²±°°±±²ÛÛÛÛÛÛÛÛÜÜ ÜÜÜÜÜÜÜÜ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²±±²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛÛ
ÛÛÛÛÛÛÛÛÛÛÛ²ÛÛ²ÛÛÛÛÛÛÛÛÛÛÛ²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²ÛÛ²ÛÛÛÛÛÛ
ÛÛÛÛÛÛÛÛ²ÛÛ²ÛÛÛÛÛÛÛÛ²Û²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÛÛÛÛÛÛÛÛ
ÛÛÛÛÛÛ²²²ÛÛÛÛ²²²²²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛÛ
ÛÛÛÛÛÛÛ²ÛÛÛ²²²²²²²²²²²²²ÛÛÛÛÛÛÛÛÛÛÛÛ²²²²ÛÛ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÝ
ÞÛÛÛÛÛÛ²²ÛÛ²²²²±±±²²²²²²²²²²²ÛÛÛ²²²²²²²²²²²ÛÛÛ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
ÛÛÛÛÛÛ²²ÛÛÛ²²²²²±±±±±±±²²²²²²²²²²²²²²²±±±²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
ÛÛÛÛÛ²²²ÛÛ²²²±±±±±±±²²²±±±±±²²²²²±±±±±±±±±±²²²ÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛ
ÛÛÛÛÛ²²²ÛÛ²²±±±±±±°°²°°°°°°±±°°²²±±±±±°°²²ÛÛ²²ÛÛ²ÛÛÛÛÛÛ²²ÛÛÛÛÛÛ
ÞÛÛÛ²Û²ÛÛÛ²²²±±°°°°°°°° °°°°°°±°±±°°²±±±±±²°°²²ÛÛÛÛÛÛÛÛ²²ÛÛÛÛÛÝ
ÞÛÛÛÛÛ²²ÛÛÛ²²² °°°°°°°±±°±±±°°°°°°°°°°°°°²ÛÛÛÛÛÛÛÛÛÛ²°²ÛÛÛÛÝ
ÛÛÛÛ²Û²ÛÛÛÛ²±° °° ±±±±±±±±±°° °°°°°°°°°°²Û²²Û²ÛÛÛÛ°°±ÛÛÛÛÛ
ÛÛÛÛ²²ÛÛÛÛÛÛ°° °°±±±±°±±± °°° °°° °° °°²ÛÛ²ÛÛ² °²ÛÛÛÛ
ÞÛÛÛ²²ÛÛÛÛÛÛÛ°ÛÛÛ °°±±±±±°°°°±±±±± ÛÛÛ°²ÛÛÛ²± °ÛÛÛÛÛ
ÛÛÛ²²ÛÛÛÛÛÛÛ² ßß °°±±±±±±±°°±±±°±±±±±±±°° ° ßß°±ÛÛÛ²±± ²ÛÛÛÛÛ
ÛÛÛÛ²±±ÛÛÛÛÛ²Û²°²±±°±±±±°°°°°°°°±±°°° °±±±±± °² °±²²²ÛÛ±± °ÛÛÛÛÛÛ
ÞÛÛÛ²±± ÛÛÛÛÛ²²²²²²±±±±°° °±± °°°±±±±±±±²²²²²²ÛÛÛ±± °ÛÛÛÛÛÝ
ÛÛÛ²²° °ÛÛÛÝÛ°²²²±±±±±° ±± °°°±²²±²±²²²²²²Û Û°± °ÛÛÛÛÛ
ÛÛÛÛ± ÞÛÛÛ Û ²²²²±±° °±±° °°±±²²±²²²²²²²Û ݰ Û²°²ÛÛÝ
ÞÛÛÛ° °ÛÛÛÝ Þݲ²±±±°± °±±±°° °°±±²²²²²²²²ÛÝ Û°° ² ±ÛÛÛ
ÛÛÛ° °ÛÛÛÝ Þݲ²²±±±±° °±±±±±±±±° °±±±±²±²²²²Û Þ ° ° °²ÛÛ
ÞÛÛÛ° ÞÛÛÛ Û°²²±±±±±±°° °±±±° °°±°°°°±±±° °±±±±²²²²²°Û Ý °° °±ÛÛ
ÛÛÛ±±° °ÛÛÛ²°ÛÛ ²²²²±²²²±±±±° ° ±° °±° °±±±±±±²²²²°ÞÝ Û ° ° °ÛÛ
ÞÛ²ÛÛ±±° ±ÛÛÛÛÛßÛ ²²²±±±²±± ° °±±±±²²²±²²²² Û± Û °° °²Û
Û²±°°ÛÛÛÛÛÛÛ²²°°Û °²²²±±°° °±±±²²²²²²±°Û²±°Þ ° ±Û
ÛÛÛ²±°°°°°°²ÛÛÛÛÛ°²²²²²±±°° ° °°±±±±±°° ±±±±²±²²²² Û²ÛÛÛÛ ±Û
±°ÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²Û°²²²±±±±±±±°±±°° °±° °°±±°° °±±±±²²²²²± ÛÛÛÛÛ ° °Û
Û²°°°ÛÛ²Û²ÛÛ°°Û±±Û ²²²²²±±±±° ° °±±°±±±±±±²²²²²±°ÝÛÛÛÛ°°ßßÜ °°±²
ÛÛÛ²°°°°°°°°²ÛÛÛÛÛ ±²²²±±°° °±±±±±±±²±²²²²°Û°ÛÛÛÛÛ°°°°°°°°°
Û²ÛÛÛÛÛÛÛÛÛÛÛÛ±±Û ±²²²²±°± ° °°±±±²²²²²²²² ÛݰÛÛÛÛÛÛÛÛÛ²²²Û
Û±°°°°°°°°°° ²²²Û °²²²±±°° ± °±±±²±²²²²²± °ÛÛ°°°°°°ÛÛÛÛÛÛÛ
ÛÛÛ²²°°°°ÛÛÛÛÛÛÛÛ° °²±²±°° ² °°±±²±²²²²²²°°ÛÝÛÛÛÛÛ°°°°°°°°°
²²ÛÛÛÛÛÛÛÜÜÜÜÜÜÜÜÛܰ²²±±±°°° °ÜÜÜÜ ±²± °°°°±±²²²±±°ÜÜÛÛÛÜÛÛÛÛÛÛÛÛÛÛ²°±²
ÛÛÛÛÛÛÜßß ÜÜÜÜÜÜÜÜ ßßܲ±±°°Üßß ÜÜ ß ²²² ßßßßßܱ°±² Üßß ÜÜÜÜÜÜÜÜ ßßÜÛ²²ÛÛÛÛÛÛ
²²ÛÛÛÜß ÜÛ²²²²²²²²²²ÛÜ Û Üß ÜÛ²²²Ûܲ²²±°ÜÛ²ÛÜ Û Üß ÜÛÛÛÛÛÛÜÛÛßßÛÜ Û²°²²ÛÛÛ
ÛÛÛ Û ÛÛ²²²ÛÛÛÛÛÛ²²²²ÝÞÝÞÝ Û²²²²Û²±²² ²²Û²²²²Ý ÛÞÝ ÛÛÛÛÛÛÛÛÛÛÛÛÛÜÞÝÞÝÛ°°°²²°
ÛÛÛÞÝÞ²²²ÛÛÛÛ ßÛÛÛ²²² ÛÛ Þ²²ÛÛÛÛÛÛ²²Ü²²ÛÛÛÛ²² ÞÛ ÞÛÛÛÛÛÛÛß ßÛÛÛÛÛ ÛÛÛÛÛÛ²²
ÜÛ ²²²ÛÛÛÛÜ ÜÛÛÛ²²²°Þݰ²²ÛÛÛÛÛÛÛ²²Û²²ÛÛÛÛÛ²Ý Ý ÛÛÛÛÛÛÛ ÛÛÛß ÛÜkickz!
°°°°°²²ÛÛÛÛÛÛÛÛÛÛÛ²²²±°Þ°±²ÛÛÛÛÛÛÛÛ²±Û²²ÛÛÛÛÛ²²°°°²ÛÛÛÛ²°°°°°°°°°°°°°°°°°°°°
°°°°°²²ÛÛÛÛÛÛÛÛÛÛÛ۲߰°°°²ÛÛÛÛÛÛÛß±²ÛÛ²²ÛÛÛÛÛ۲ݰ°²²ÛÛÛ±°°°°ÛÛÛÛÛÛܰ°°°°°°°°
°°°Û°²²ÛÛÛ°°°°°°°°°°°°°°ÞÛÛÛÛÛÛÛݰ²²ÛÛ²²ÞÛÛÛÛÛÛÛ°°Þ²²ÛÛÛ°°°°±ÛÛÛÛÛÛ°Û°°°°°°°
Û ²²ÛÛÛÛÜ ÜÛÛÛÛÝ ÛÛÛÛÛÛÛÛ ²²ÛÛ²² ÛÛÛÛÛÛÛÛ Þ²²²ÛÛÛÜ Û²²°Û
ÛÛÝÛ°±ÛÞÛÛÛÛÛÛÛÛÛÛÛÛÛß ÞÝÛÛÛÛÛÛÝ ²²Þݲ² ÛÛÛÛÛÛÛÛ Û²²²²ÛÛÛÛÛÛÛÛ²²² Û ÛÛÛÛÛÛ
ÛÞÝ°Û ÛÜßÛÛÛÛÛÛÛÛÛÛß ÛÛÜßÛÛÛÛ ²² ²² ÛÞßÜÛß Û²²²²²²²²²²²²²Ý Û Û ÛÛ
Û Û°ßÜ ßÛÛÛÛÛÛÛÛÛß ±²² ßßÛÛÛÛ ±²² ²² ÛÜÜÛ ±²² ßÛÛ²²²²²²²²Ûß Û Û ÛÛ
Û ß ßß ßßßßß ±²²²²²± ß ²² ²² ÛÛ ²²²²²² ßßßßßßßß ß ß ÛÛ
Û° ° ° °°°±²²²²²²²² ±²²²²²²± ²² ±²± ±²²² °±²²²²²²²²²²²²±±° ° °ÛÛ
ÛÝ ° °°±±²²²²²²²± ±²²²²²² ²± °²² ²²²± °±²²²²²²²²±±°° ° ° ° ÛÛ
ÛÝ is proud to ²²² ²² ²²²²²² present ÛÛ
ÛÝ °²±²² ±²²± ÛÛ
ÛÝ R E L E A S E ²²²± i N F O R M A T i O N ÛÛ
ÛÝ ²² ÛÛ
ÛÝ ² ÛÛ
ÛÝ Nirvana - [CENSORED]icide ÛÛ
ÛÝ ÛÛ
ÛÝ Artist : Nirvana ÛÛ
ÛÝ Album : [CENSORED]icide ÛÛ
ÛÝ Year : 1992 ÛÛ
ÛÝ Genre : Rock ÛÛ
ÛÝ Label : Geffen ÛÛ
ÛÝ Type : Album ÛÛ
ÛÝ Rip Date : Apr-01-2004 ÛÛ
ÛÝ Ripper/Encoder: EAC / LAME 3.95.1 ÛÛ
ÛÝ Quality : VBR kbps / 44.1kHz / Joint-Stereo ÛÛ
ÛÝ Source : CDDA ÛÛ
ÛÝ URL : n/a ÛÛ
ÛÝ Release Notes : [CENSORED]icide is all too often tossed aside as a ÛÛ
ÛÝ collection of b-sides and rarities rather than a ÛÛ
ÛÝ full scale Nirvana album. Of course [CENSORED]icide is ÛÛ
ÛÝ a collection of Nirvana songs and covers from the ÛÛ
ÛÝ Peel, Goodier, and other sessions. However, ÛÛ
ÛÝ [CENSORED]icide captures the essence of Nirvana in a ÛÛ
ÛÝ way that Nevermind and In Utero can not. ÛÛ
ÛÝ Nirvana was not like other bands. Nirvana was a ÛÛ
ÛÝ grunge band. They were not in it for the money or ÛÛ
ÛÝ the fame, but for the music. [CENSORED]icide ÛÛ
ÛÝ illustrates this point like no other Nirvana album. ÛÛ
ÛÝ ÛÛ
ÛÝ ÞÛ²
²Û ± ÛÛ°
²ÛÛ °² ÛÛ°²
°ÛÛÛ ²²² ÛÛ°°Û
°²ÛÛÛ ±² ²± ÜÛÛ°°ÛÛ
²°°ÛÛÛÜ ²² ²² ÜÛÛ²°°²ÛÛ
Û²°°°²ÛÛÜÜ ²± ±² ÜÜÛÛÛ²²°°ÛÛÛÛ
ÛÛÛ²°°°²²ÛÛÛÜÜ ±²² ±² ²± ±²² ÜÜÛÛÛÛÛ²±°°²ÛÛÛÛ²
°²ÛÛÛÛ°°°°²²ÛÛÛÛÜܱ²²²²²± ²² ²² ²²²²²²ÜÜÜÜÛÛÛÛÛÛ²²²±°°ÛÛÛÛ²°Û
Û°°²°Û°²°°°±²²²²²²²² ±²²²²²²± ²² ±²± ±²²² °±²²²²²²²²²²²²±±°°²°Û²°°ÛÛ
ÛÛ²°ß°²°°±±²²²²²²²± ±²²²²²² ²± °²² ²²²± °±²²²²²²²²±±°°²°ßß°°²ÛÛ
ÛÛß ²²² ²² ²²²²²² ÞÛÛ
ÛÝ ²²±²² ±²²± ÛÛ
ÛÝ ²²²± ÛÛ
ÛÝ T R A C K ²² i N F O R M A T i O N ÛÛ
ÛÝ ±² ÛÛ
ÛÝ ² ÛÛ
ÛÝ ÛÛ
ÛÝ 01. Dive [03:55] ÛÛ
ÛÝ 02. Sliver [02:17] ÛÛ
ÛÝ 03. Stain [02:41] ÛÛ
ÛÝ 04. Been A Son [01:56] ÛÛ
ÛÝ 05. Turnaround [02:19] ÛÛ
ÛÝ 06. Molly's Lips [01:54] ÛÛ
ÛÝ 07. Son Of A Gun [02:48] ÛÛ
ÛÝ 08. (New Wave) Polly [01:48] ÛÛ
ÛÝ 09. Beeswax [02:50] ÛÛ
ÛÝ 10. Downer [01:44] ÛÛ
ÛÝ 11. Mexican Seafood [01:55] ÛÛ
ÛÝ 12. Hairspray Queen [04:14] ÛÛ
ÛÝ 13. Aero Zeppelin [04:41] ÛÛ
ÛÝ 14. Big Long Now [05:04] ÛÛ
ÛÝ 15. Aneurysm [04:35] ÛÛ
ÛÝ ------- ÛÛ
ÛÝ Total Size: 65,4 MB Total Time: 44:41 min ÛÛ
ÛÝ ÛÛ
ÛÝ ÛÛ
²Û ± ÛÛ°
²ÛÛ °² ÛÛ°²
°ÛÛÛ ²²² ÛÛ°°Û
°²ÛÛÛ ±² ²± ÜÛÛ°°ÛÛ
²°°ÛÛÛÜ ²² ²² ÜÛÛ²°°²ÛÛ
Û²°°°²ÛÛÜÜ ²± ±² ÜÜÛÛÛ²²°°ÛÛÛÛ
ÛÛÛ²°°°²²ÛÛÛÜÜ ±²² ±² ²± ±²² ÜÜÛÛÛÛÛ²±°°²ÛÛÛÛ²
°²ÛÛÛÛ°°°°²²ÛÛÛÛÜܱ²²²²²± ²² ²² ²²²²²²ÜÜÜÜÛÛÛÛÛÛ²²²±°°ÛÛÛÛ²°Û
Û°°²°Û°²°°°±²²²²²²²² ±²²²²²²± ²² ±²± ±²²² °±²²²²²²²²²²²²±±°°²°Û²°°ÛÛ
ÛÛ²°ß°²°°±±²²²²²²²± ±²²²²²² ²± °²² ²²²± °±²²²²²²²²±±°°²°ßß°°²ÛÛ
ÛÛß ²²² ²² ²²²²²² ßÛÛ
ÛÝ ²²±²² ±²²± ÞÛ
Û ²²²± Û
Û G R O U P ²² i N F O R M A T i O N Û
Û ±² Û
Û ² Û
Û Û
Û eMERGE is an internal mp3 group bringing you quality music Û
Û you may have missed. We are doing this for fun and do not Û
Û support the use of P2P file sharing. Û
Û Û
Û We are currently looking for: Û
Û * 10-100mbit sites to affiliate Û
Û * 45bit+ dump site (200gb+) Û
Û Û
Û ** e-merge@hushmail.com ** Û
Û Û
Û Greetings to those groups releasing quality music. Û
Û Û
ÛÝ ± ÞÛ
ÛÝ °² ÛÛ
ÛÛ ²²² Þ°Û
Û°Ý ±²Û²± ÛÛÝ
ÞÛÛ ²²Û²² ÞÛÛ
ÛÛÝ e M E ²±Û±² R G E ÛÛÝ
ÞÛÛÜ ²± ±²ÛÛÛ²± ±²² Û°Û
Û°ÛÛÜܰ ±²²²²²± ° ²²ÛÛÛ²² ° ²²²²²² ° ° ÜÜÛ²ÛÝ
ÞÛ²Û°Û±°°±²²²²²²²²ÛÛ±²²²²²²±° ²²ÛÛÛ±²± ° ±²²²Û°±²²²²²²²²²²²²±±±ÛÛ°ÛÛÛ
° ÛÛ°Û°°±±²²²²²²²±Û²ÛÛÛ±²²²²²²± ²±ÛÛÛ°²²±±²²²±ÛÛÛÛÛ°±²²²²²²²²±±°±Û°ÛÛÛ°
Ü ÛÛÛÛÛ°ÛÛÛÛÛÛÛÛÛÛÛÛ°°²ÛÛÛÛÛ²²²±²²ÛÛÛÛÛ²²²²²²ÛÛÛ²°°ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ Ü
°ÛÛÛÛÛÛ°ÛÛÛÛÛÛÛÛÛÛÛ°°°°°²ÛÛ²²±²²ÛÛÛÛÛ±²²±ÛÛÛ²°°°ÛÛÛÛÛ²²²ÛÛÛÛÛÛÛ°ÛÛÛ ° ²
°²ÛÛÛÛÛÛÛ°ÛÛÛÛÛÛÛÛÛÛÛÛÛ°°²ÛÛ²²²±ÛÛ²²ÛÛÛÛÛÛÛ°°ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²
° ²²²ÛÛÛÛÛÛ°°°°ÛÛÛÛÛÛÛÛÛÛÛ²ÛÛ²²ÛÛ²°°°°°ÛÛ°°ÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²Û°°ÛÛ²² °
Ü ²²ÛÛÛ²ÛÛÛÛ°°°²ÛÛÛÛÛÛÛÛÛÛÛ±²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²²²°°°°ÛÛ²² Ü
² °²²ÛÛÛÛÛÛÛÛ°°°²ÛÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²°°°°°°°ÛÛÛÛ²²°
Û °°°²²ÛÛÛÛÛÛÛÛ°°²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²²°°°°ÛÛÛÛÛÛÛÛÛÛ²°°° °
° °°²²²ÛÛÛÛÛÛÛ°°²²²²²²²²²ÛÛÛÛÛÛ²²²²²²²²°°°°ÛÛÛÛÛÛÛÛÛÛÛ²²°° Û
° °°²²²²ÛÛÛÛÛÛ°°°°²°°°°°²²²²²²°°°°°°°°°ÛÛÛÛÛÛÛÛÛÛÛ²²²²°° °
°°°°°²²²²²ÛÛÛÛÛÛÛÛÛÛ°°°°°°°°ÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²²²²°°°°°
°°°°°°°°²²²²²²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²²²²²°°°°°°°°° ÛÛ
ÛÛ ° °°°°°°°°°°°°²²²²²²²²²²²²²²²²°°°°°°°°°°°° Û ²
² Û °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ° Û ²
² ° ° °°°°°°°°°°°°°°°°°° ° ²

Part: 2 : Bayside - The Walking Wounded (2008)
Password: sharedmusic.net
- Release Info -------------------------------------------------------------- -

Artist: Bayside
Album: The Walking Wounded
Label: Victorryyyyyyyyy!!!!
Playtime: 58:55 min
Genre: Rock
URL: http://www.ourdrummerdiedLOL.com/
Rip date: 2008-07-21
Street date: 2008-07-22
Size: 90.38 MB
Type: Deluxe Edition
Quality: 204 kbps / 4410kHz / Joint Stereo

- Release Notes ------------------------------------------------------------- -

The deluxe edition of the band's last album. I didn't feel like reripping
this whole CD but I decided I should since RTB blows major cock. Enjoy!

- Track List ---------------------------------------------------------------- -

01. The Walking Wounded ( 3:45)
02. They're Not Horses, They're Unicorns ( 3:46)
03. Duality ( 3:00)
04. Carry On ( 4:01)
05. I and I ( 3:50)
06. Choice Hops and Bottled Self-Esteem ( 4:27)
07. Head on a Plate ( 4:03)
08. Dear Your Holiness ( 3:56)
09. Landing Feet First ( 4:04)
10. Thankfully ( 3:24)
11. A Rite of Passage ( 3:39)
12. (POP)Ular SciencE ( 4:11)
13. I and I (Bonus Live Acoustic Track) ( 4:09)
14. Dear Your Holiness (Bonus Live Acoustic Track) ( 4:09)
15. Landing Feet First (Bonus Live Acoustic Track) ( 4:31)

- --------------------------------------------------------------------------- -


Funeral For A Friend - Memory And Humanity (2008) UB40 - Greatest Hits (2008)

Part: 1 : Funeral For A Friend - Memory And Humanity (2008)
Password: sharedmusic.net
Artist:   Funeral For A Friend`
Title: Memory And Humanity
Label: Join Us
Genre: Rock
Bitrate: 221kbit av.
Time: 00:44:20
Size: 74.31 mb
Rip Date: 2008-10-13
Str Date: 2008-10-13

1. Rules And Games 2:48
2. To Die Like Mouchette 3:20
3. Kicking And Screaming 3:23
4. Constant Illuminations 2:56
5. Maybe I Am? 3:36
6. You Can't See The Forest For The Wolves 3:22
7. Building 2:38
8. Beneath The Burning Tree 3:32
9. Someday The Fire... 3:14
10. Waterfront Dance Club 4:22
11. Charlie Don't Surf 3:44
12. Ghosts 3:00
13. Constant Resurrections 4:25

Release Notes:

Fourth album from the Welsh screamo heroes, the follow-up to
2007's 'Tales Don't Tell Themselves' and the first to be
issued on their own label, Join Us. This release sees them
marrying the more overtly stadium rock-inspired style they
explored on the last album with the brutal breakdowns of yore,
whilst retaining their killer knack for melody. The result is
a cohesive, well-structured set which is perhaps their most
rounded to date. Includes the single 'Waterfront Dance Club'.

Part: 2 : UB40 - Greatest Hits (2008)
Password: sharedmusic.net

ß ß ß ß ß
° Û ² ² Ü ² Ü
Ü²Ü ÛÛ ÜÛ Û²Ý ÛÛÛ²²Ü Ü ÛÛ²²Ü Û ÛÛ²²Ü Û
ÜÜÜ Ü ÜÛÛÛ²²Ü ÜÛ ÜÛÛÛ² ÛÛ²² Û² ÛÛÛ²² ß ß²ß Û² ÛÛ²²Ü²Û Û² ÛÛ²²Ü²Û
ÛÛ² ÜÛÛÛÛÛÛÛÛÛ²² ÞÛßÛÛ²² ÛÛÛ²²Ý ÞÛ²Ý ÛÛÛ²² ° ÞÛ²Ý ÛÛÛ²ß ÞÛ²Ý ÛÛÛ²ß
ÛÛ² Û²ß ßÛÛÛ²²ß Þ ÛÛ²²Û ÛÛÛ²² ÛÛ²² ÛÛÛ ²Ü ÛÛ²² ßß ÛÛ²² ßß
ÛÛ² Û²² ßßÜ Ü ÛÛ²Û ÞÛÛ²²Ý ÛÛ²²Ý Û ÛÛ²²Ü ÛÛ²²Ý ÛÛ²²Ý ܲÜ
ÛÛ² ÞÛÛ²²Ü ÜÛ²²Ü ß²ß ÛÛÛ² ÛÛÛ²² ÞÛÛ²² ± ßÛÛ²² ÞÛÛ²² ÞÛÛ²² ß
ÛÛ² ÛÛÛÛÛ²²ÛÛÛÛÛÛ²²Ü ÛÛ²² ÞÛÛÛ²Ý ÛÛ²²Ý Ü ßÛ ÜÛÛÛÛÛÛÛÛß ÜÛÛÛÛÛÛÛÛß
ÛÛ² ÛÛÛÛÛß ßÛÛÛÛÛÛ²² ÛÛ²² ÛÛÛ²² ÞÛÛ²² ÜÛ² ÛÛÛ²² ÛÛÛ²² ÜÜÜ
ÛÛ² ÛÛßÜ ßÛÛÛÛ²² ÛÛ²² ÞÛÛ²² ÛÛ²² ÛÛÛ²² ÛÛÛ²² ÛÛÛ²² ÛÛ²
ßÛÛ²ß ÜÛ²² Ü ßÛÛ²² ÛÛ²² ÛÛ² ÛÛ² ÛßÛÛ²² ÛÛÛ²² ÛÛÛ²² ÛÛ²
ß ÜÛÛÛÛ²² ß²ß ÛÛ²² ÛÛÛÛ²² ÛÛ ÛÛ Þ ÛÛ²² ÛÛÛ²² ÛÛÛ²² ÛÛ²
Üß°²ÛÛÛÛ²² ÛÛÛ ÛÛÛÛÛÛÛ²² Û ÞÛ ÛÛ²² ÛÛÛ²² ÛÛÛ²² ßÛÛ²ß
Ü ÛÛÛÛ²² ÛÛ ÛÛÛÛÛÛÛÛÛÛ² Û Ü²Ü ÛÛ²² ÛÛÛ²Ý ÛÛÛ²Ý ß
ÜÛÛÛÛÜ ÛÛÛÛ²² Û ß ÛÛ²² ÛÛÛ ÜÛ²²Ü ß ÜÛÛÛÛܲ ÛÛÛ² ß ÛÛÛ² ÜÛÜ
ÛÛßß ßßÜ ÛÛÛ²² Û Ü ÛÛ²² Û ÜÛÛÛÛÛ²²Ü ÜÛÛÛÛÛ²²² ÛÛÛÝ ° ÛÛÛÝ ßÛ
ÛÛ Ü ÛÛ²ÛÛ ß²ß ÛÛ²² Ü ßÛÛÛÛÛÛ²²ß ßÛÛÛß ÛÛÛ ² ÛÛÛ ÜÜÛ Ü
ÛÛÛÛÛÛÛÛÜ ÞÛÛÛ ± ÛÛÛ Ü²Ü ßÛÛÛÛß Ü²Ü Û ÛÛÝ Û ÛÛÝ ÛÛÛÛÛÛÛ
ÛÛ ßÛÛÛÛÛ ²Û ° ÛÛ ß ßß²ß ßß ß ± ÛÛ Û ÛÛ ÛÛÛ ÞÛ ß
ÛÛÛ ßÛÛÛÛ ° Ü ÛÝ Ä ÄÄÄÄÄÄÄÄÄÄÄÄÄ Ä Ü Ý Û Û Û ÛÛÛ ÛÛ
ÞÛÛÛ ÛÛÛ Ü Û S P L i F F Û ² Û ² ÞÛÛ ÞÛÛÝ
ÛÛÛÛ ± ± ß Ä ÄÄÄÄÄÄÄÄÄÄÄÄÄ Ä ÛÛ ° Û ° ÛÛÝ ÛÛÛÛ
ÞÛÛÛÛ Ü ± ÛÛÝ Ü Û Ü ÞÛÛ ÞÛÛÛÛ
ÛÛÛÛÛ ² ² ÛÛÝ Û ÛÛ ÛÛÛÛÛÝ
ÛÛÛÛÛ Û Û² ÛÛÛ Û Û² Û ÛÛÛÛÛ
ÛÛÛÛ± Û Û² ÞÛÛÛ ÛÛ Û² ° Ý ÛÛÛÛÛ
ÛÛÛÛÝ Û² ÜÜ ÛÛ² ÛÛÛÛ ÛÝ Û² ² ÞÛÛÛÝ
ÛÛÛÛ Û² ÜÛÛÛÛÛÛÛÜ ÛÛ² ÛÛÛÛ ÛÛ ÛÛÛ
ßÛÛÝ ÛÛ ±ÛÛÛÛÜ ÛÛÛ² ÛÛÛÛ ÛÛ ÜÜÛÛÛÛÛ²ßß ß ÛÛÛ
ßÛ ßß ÜÜ ±ÛÛÛ ÛÛÛ ÛÛÛÛ ÛÛÛÛÛÛÛß Û ÞÛÝ
þ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÜ ÛÛÛÛ±ÛÛ²ÛÛÛÛÛÛÛÛ Þ² Û Û
ÜÜÜÛÛÛÛÛÛÛßßßßß ²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ Þ² Û² Þ
ÜÛÛÛÛßßß Üß ²ÛÛÛ² ²ÛÛß ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ß Û²
Üßßß ÜÜÛÛÛ² ÜÛß ÛÛÛÛÛÛ²ÛÛÛÛÛ ÛÛÛÛÛÛ² ²Û
ÜÜÜÛÛÛÛÛ² ÛÛ ÜÛßÛÛÛÛÛÛÛÛÛÛ ßÛÛÛÛÛÛÜ Û ÜÜÛÛß ß
ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ² ß ÛÛÛÛÛÛÛÛÛ ßßßßßÛÜ ÜÛÛÛ² Ü
ß ²ÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛ ±± Û² ÛÛÛÛß ÜÛÛ²
²ÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛ Û² ÛÛÛß ÜÛÛÛ²
²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜ ÛÛ² ÛÛÛÛÛ
ÜÜ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛ² ÛÛÛÛß
ÛÛ ÛÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛ ßÛÛÛÛÛÛÛ± ÜÛß ÛÛÛÛ ÜÜ
ßß ÛÛÛ ÛÛÛÛÛÛÛ²ÛÛÛ ßÛÛÛÛÛÛ Û ÛÛÛß ÜÛÛÛÛ
ÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßÜÜÛÛÜÜÜÜ ßÛÛÛݲ ÛÛ² ÜÛÛÛÛÛÛ
ÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛÛÛÛÛÜ ÛÛݰ ² ÜÛÛÛÛÛÛßß
ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ±Ü ßßßÛÛÛÜ ±ÛÛ Û ÜÛÛÛÛßß
ÜÛÛÛÛÛÛÛÛÛÛÛßßßß ÜÜ ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜ ßß ±ÛÛÛÛÛßßß
ß ÜÛÛÛÛÛÛÛÛ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜ
ÜÛÛ²ßß ß ÜÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛ±ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÜ ßÛÛÛÛÛÛÛ
Þ ÛÛ²ß ÜÛÛÛÛÛÛÛÛÛ ÞÛÛÛÛÛÝ ÛÛÛ±ÛÛÛ ßßßß ÛÛÛÛ Û ÛÛ² ßÛÛÛÛÛ
Þ ÛÛ² ±ÛÛÛÛÛÛÛ ÛÛÛÛÛÛ ÞÛÛÛ ÛÛÛÛ ÛÛÛÛÛ ² ÛÛÛ² ßßÛ
Þ ÛÛ² Ü ÜÛÛÛ±ÛÛÛÛ ÞÛÛÛÛÛÝ ÛÛÛÝ ÛÛÛÛÝ ÛÛÛÛÛ ² ÞÛÛÛ²
Þ ÛÛÛ² ±ÛÛÛ ÛÛÛÛÛ ÛÛÛÛÛÛ ÞÛÛ ÛÛÛÛÛ ÛÛÛÛ ± ÛÛÛÛ²
ß ßßÛÛ²Ü ÛÛ² ÜÛÛÛß ÛÛÛÛ Û ÛÛÛÛÛÝ ÛÝ ÛÛÛÝ ÛÛÛÛ ° ÞÛÛÛÛ²
ÞßÛÛ² Û² ±Ûß ÛÛÛ Û ÛÛÛÛÛ Û ÛÛݱ± ÛÛÛ ÛÛÛÛÛ²
Þ ÛÛ² Û Üß ÞÛÛ Û °ÛÛÛÛÝ ² ÞÛ ±± ÛÛÛ ° ÞÛÛÛÛÛ²
ÛÛ² ÛÛ ÛÛ °ÛÛÛÛ ° ß ÛÛ Ü ÛÛÛÛÛÛ
Þ ÛÛ² presents ÛÛ Û ±ÛÛÛÝ ÜÛÛÛÛÛÛ²Ü ÛÛ ÞÛÛÛÛÛÝ
ÛÛ² ÛÛ Û ±ÛÛÛ ÜÛÛÛÛÛÛÛÛÛÛ² Û ÛÛÛÛÛÝ
ÛÛ² Û Ý Û ²ÛÛÝ Üß ßÛÛ Û ÜÜÜ ÛÛÛÛÛ
ßß Üܲ Û ²ÛÛ ÜÜÜ²Ü ÜÛÛÛÛÛÛ²Ü ßÛÛÛ
ÛÛÛÛÛÛÛÛÜÜ ÜÛÛÛÛÛßß ÜÜ ÛÛ ÛÛÝ ÜÛÛÛÛÛÛÛÛÜÛÛÛÛÛÛÛÛÛ² ßÛ
ÛÛÛÛÛÛÛÛÛÛÛÛÜ ÛÛÛÛÛß ÜÜÛ²ß Û ÛÛ ÜÛÛÛÛÛÛß ÜÛÛÛ²Ü ßßÛÛÛ² ±
ßÛÛÛÛÛÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÛÛ²ßß ² ²² ÜÛÛÛÛÛÛß ÜÛÛÛÛ ÛÛ² ßßÛ²
ßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ±² ² ² ÜÛÛÛÛÛÛß ÞÛÛÛÛÝ ßÛ² ß
ÛÛ² Üܰ²ÛÛÛÛÛßß ÜÛÛÛÛß ß
ÛÛ²
ÛÛ² Ý UB40-Greatest Hits
ß ÛÛ²ÜÝ
° ßÛÛ²±° ± ÜÜÜÜÜÜÜÜÜ Ü
Ü²Ü Ý ÜÜÜÜÛ² Û²
ß ÜÜÜÜÛÛÛ²ßßßßß ÜÛ²
ÜÛ²ßßßß ÜÜÜÜÛÛÛÛÛ²ß
Û²ß ÜÛÛÛ²ßßßß
ÞÛ² Û² Ü
Û²Ü ßÜ ß²ß ARTiST...... : UB40
ßÛ²ÜÜÜ ß TiTTlE...... : Greatest Hits
ßßßÛÛ²ÜÜ lABEl....... : EMI
Ü ßßÛ²Ü GENRE....... : Reggae
ßßÜ ßÛ² ENCOdER..... : Lame 3.97
ÜÜÜÛ² ÜÛ² QUAlitY..... : VBR 44.1kHz
Þ Û²ßß ÜÜÛ²ß StORE dATE.. : 00-00-2008
Þ ÞÛ² Ûßß RElEASE dAtE : 10-12-2008
Þ Û²Ü ßÜ SiZE........ : 105,2 MB
Þ ßÛ²ÜÜ TRACkS...... : 21
ß ßÛÛ²Ü ÝßßÛ²
ÞßÛÛ² Ý Ü ß ß
Þ ÛÛ² Ý ß²ß °
ÛÛ² ° ܲÜÜ ÜÜÜ Ü ß Ü Þ
Þ ÛÛ² Ü ß ÜÜÜ ß²Ü ²Ü ß²ß
ÛÛ² Ä ÄÄÄÄÄÄÄÄ ß² ÞÛ° ßÛ²ÜÜÜ Þ
ÛÛ² t r a c k s Û² Û±Ý ²Ü ßßßÛÛÛ²ÜÜÜÞ
ÛÛ² Ý ÜÜÜÛ²ß Û²Ý ßÛÛÜÜÜ ßßßÛÜ
ÛÛ²ÜÝ ÜÜÛÛ²ßßß ÜÛ²ß ßßßÛÛÛÛÜ Þ²Ý
ßÛÛ²±° ܲßß ÜÜÜÛ²ßß Ü Û² Þ²Ý
Ý Þ² ÜÛÛ²ßßß ß²ß ²ß ÜÜÛß
Ý ß² ßÛ² Ü ° ß Ü²ßßÞ
ß ßÜ ß²ß Ü ß °
ß Ü ° ß Ü Þ
Ü

01 [I Can't Help] Falling In Love With You 03:26
02 One In Ten 04:34
03 Red Red Wine 03:04
04 If It Happens Again 03:44
05 Here I Am [Come And Take Me] 04:04
06 Sing Our Own Song 04:01
07 I Got You Babe [Ft. Chrissie Hynde] 03:09
08 Groovin' [Out On Life] 03:48
09 My Way Of Thinking 03:24
10 The Way You Do The Things You Do 03:03
11 Higher Ground 04:21
12 Please Don't Make Me Cry 03:26
13 Kingston Town 03:51
14 Come Back Darling 03:29
15 Don't Break My Heart 03:50
16 Cherry Oh Baby 03:18
17 Breakfast In Bed [Ft. Chrissie Hynde] 03:21
18 Rat In Mi Kitchen 03:07
19 Homely Girl 03:25
20 Until My Dying Day 03:54
21 Swing Low [Ft. The United Colours Of Sound] 03:27
75:46 min
ß
Ü ß °
Ü Üß Ü²Ü
Ý Ü² ÜÛ² ß
Ý Þ² ßÛÛ²ÜÜÜ
ÜÛÛ²±° ß²ÜÜ ßßßÛ²ÜÜ
ÛÛ²ßÝ ßßÛÛ²ÜÜÜ ßÛ²Ü
ÛÛ² Ý ßßßÛ²Ü Û²Ý
ÛÛ² n o t e s Û² Û±Ý
ÛÛ² Ä ÄÄÄÄÄÄÄÄ Ü² ÞÛ°
ÛÛ² Ü ßßß Ü²ß
ÛÛ² ß²ßß ßßß
ÛÛ² °
ÛÛ² Ü
ÛÛ² ß
ÛÛ² ° Hollywood (California), USA - For more than 25
ÛÛ² ° years, UB40 has been one of the world's premiere
ÛÛ² ° pop-reggae acts, with several international
ÛÛ² ° chart-topping singles and global sales totaling
ÛÛ² ° more than 70 million albums. On September 30,
ÛÛ² ° Virgin/EMI will release UB40: Greatest Hits, a new
ÛÛ² ° CD and digital collection of 21 hits and standout
ÛÛ² ° tracks spanning the influential group's career.
ÛÛ² °
ÛÛ² ° Included on UB40: Greatest Hits are the group's
ÛÛ² ° first #1 smash, 1984's "Red Red Wine," and their
ÛÛ² ° reggae-splashed hit versions of "Here I Am (Come
ÛÛ² ° and Take Me)," "(I Can't Help) Falling In Love With
ÛÛ² ° You," and "The Way You Do The Things You Do." Also
ÛÛ² ° included are two songs featuring The Pretenders'
ÛÛ² ° Chrissie Hynde, "I Got You Babe" and "Breakfast In
ÛÛ² ° Bed." "Swing Low", the official anthem for the
ÛÛ² ° England rugby team's triumphant 2003 World Cup
ÛÛ² ° campaign in Australia, was the group's 49th UK
ÛÛ² ° chart single.
ÛÛ² °
ÛÛ² ° After many years performing live and developing a
ÛÛ² ° name for themselves, UB40's fortunes changed at the
ÛÛ² ° beginning of 1980, when they were asked to support
ÛÛ² ° The Pretenders on a UK tour. The cover art for
ÛÛ² ° UB40's first album, released that year, was a
ÛÛ² ° reproduction of the UK's unemployment benefit card,
ÛÛ² ° with the title Signing Off rubber-stamped in red.
ÛÛ² ° It referred to "signing off" the dole and getting a
ÛÛ² ° job, both an acknowledgement of the launch of the
ÛÛ² ° band and a celebration of their new status.
ÛÛ² °
ÛÛ² ° Because they were from the West Midlands and they
ÛÛ² ° were a large multicultural group playing music of
ÛÛ² ° Jamaican origin, UB40 were initially thought to be
ÛÛ² ° part of the two-tone music scene which had burst
ÛÛ² ° out of nearby Coventry. Rooted in Caribbean ska,
ÛÛ² ° rock steady and reggae, the two-tone style was
ÛÛ² ° popularized by Coventry bands including The
ÛÛ² ° Specials and The Selecter. Signing Off made it
ÛÛ² ° clear that UB40 were not part of the two-tone
ÛÛ² ° movement. While they were part of the same social
ÛÛ² ° and political tendency, their musical approach was
ÛÛ² ° quite different. Their sound was more relaxed,
ÛÛ² ° sophisticated and sultry.
ÛÛ² °
ÛÛ² ° In 1983, UB40 released the album Labour of Love, a
ÛÛ² ° direct tribute to the musicians who had inspired
ÛÛ² ° and influenced them. The phenomenally popular 'Red
ÛÛ² ° Red Wine' was the album's first single, and it went
ÛÛ² ° straight to #1 on the UK charts upon its release,
ÛÛ² ° remaining on the British charts for two years. In
ÛÛ² ° 1984, the song became UB40's first U.S. #1 and went
ÛÛ² ° on to be a worldwide hit for the group.
Þ ÛÛ² ܲÜ
ÞÜÛÛ² ß Ü Ü ß Ü Þ
Ü ÜÛÛ²ß ÜÜÛ² ²Ü ß²ß
Þ ÜÛ²ßß Ü ßÛ²ÜÜÜ Þ
Þ Û²ß Ü²ß a b o u t g r o u p a n d g r e e t s ²Ü ßßßÛÛÛ²ÜÜÜÞ
ÞÛ² ßÛÜ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ä ßÛÛÜÜÜ ßßßÛÜ
Û²ÜÜ ßÛ²Ü ßßßÛÛÛÛÜ Þ²Ý
ßßßÛ² ßÛ² Ü Û² Þ²Ý
ÜÜß ÜÛ² ß²ß ²ß ÜÜÛß
Þ ß ÜÜÛ²ß ° ß Ü²ßßÞ
Þ ÜÜÜÛÛ²ßß Shout Outs To: Ü ß °
ÜÛ²ßßß Ü Ý ß Ü Þ
Û²ß Üß Ü²Ü DON - YARD - RAC - RKS - RAS - R2R
ÞÛ² Û² ß Ý
Û²Ü ßÛÛÛ²ÜÜÜÜ Ý And All The Other Groups
ßÛ²ÜÜÜÜ ßßßßÛÛÛÛÛ²Ü Putting Out Some Good Vibes
Þ ßßßßÛÛÛ²ÜÜÜÜÜ ßÛ²
Þ Ü ßßßßÛ² Û²
Þ ß ßß²ß ÝÛ² Þ²Ý Ü
ÝÞ²ÝÞ²Ý PuFF PuFF PASS IT ON!!!!
ÝÞ²ÝÞ²Ý Ready To Join the SPLiFF Family?
ÝÞ²ÝÞ²Ý Come Find Us
Þ Ü ÜÜ²Ü ÝÛ² Þ²Ý ° ÜÜÛ²Ü
ß ÜÜÜÛ² Û² ° Þ± Þ²ß ßÛÜ
ÜÜ ÜÜÛÛÛßßß Üß Ü²Ü Ü ÜÛ² Û² ²ß Û²
Û²ßßÛ ²ßß Ü ß ß²ß ÜÜÛ²ß Þ²Ü ßÜÛß
Û² ² Þ² ß²ß Ý ° ÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßÛ²Ü
Û² ²Ü ° Ý ÜÛ²ßß ÜÜ Ü²Ü Þ ± ßÛ²Ü
Û²ÜÜ ßÛÜ Ü Ý Û²ß ÜÜßß Ü²ÜÜ Ü 2 0 0 8 ß Þ Þ²Ü ÛÛ²
ßßÛ²ÜÜ Ý ÜÛ² Û² ß²ß Ä ÄÄÄÄÄÄÄÄÄÄÄÄÄ Ä Þ ßÛ² ÛÛ²
ÜÜÜÜÜÛÛÛÛÛÛÛÛÛ²ÜÜÜÜÜÜ ßßßßß ß S P L i F F Þ Û²ÛÛ²
Ü²Ü ÛÛÛÛÛÛ²ßßßßßßßßßßÛÛÛÛÛ²ÛÛÛÛÛ²ÜÜÜÜÜÜÜ Ý Þ ÜÜÛ²ßÛÛ²
ß²ß Û²ßß ÜÜ ÜÜ ß Ü ÜÜ ßßßßßßÛÛÛÛÛÛ²ÛÛÛÛ²ÜÜÜÜÜÜ ß ßÝ Þßßß ÜÜÛÛ²
Û² Û²ß ßÛÛßÛ±ß ßßßßßÛÛÛÛÛ²ÛÛÛÛ²ÜÜÜÜÝ ÞÜÜÛÛÛ²ß
Û Û² ASCII by fU Û² Û² Þ ßßßßßÛÛÛÛÝ ÞÛ²ßß
Û Û² ÜÜß Û² ² Ý Þ
Û² Ü Ü²Ü ßßß ÜÜÜÛ² ² Ý Þ
ÞÛ² ²ß² ß ÜÜÜÛÛÛÛÛÛÛÛÛ²ßßß Û² Ý
Û²Ü Ü² ÜÛÛ²ßß Ü Ü²Ü Û² Ý
ßÛÛÛß Ü²ß Ý Û² ² ß Û²
Ü²ß Ý Üßß ßÛÜÜ ² ÜÜÛß ßßÜ Ý
Û² ßÛ²ß ÜÜßÛ²ÛßÜÜ ßÛ²ß
ß²Ü Ý ß ÜÛÛÛÛÛÛÛÛÛÛÛÜ ß
ßÜ ÛÛß ßÛßÛßÛß ßÛÛ
ß Ûß ÛÛß ² ßÛÛ ßÛ
Û ÛÛÛ ²Û² ÛÛÛ Û
ß ÛÛÛ ÛÛÛ ÛÛÛ ß
ÛÛ ÛÛ²ÛÛ ÛÛ
Û Û²Û²Û Û
ÛÛ ²ÛÛÛ² ÛÛ
Û ÛÛ²ÛÛ Û
Û ²Û² Û
ß ÛÛÛ ß
Û²Û
²Û²
Û
Û
²
°
Ü

Saturday, April 11, 2009

Fujiya and Miyagi - Transparent Things (2006) The Presidents Of The United States Of America- These Are The Good Times People (2008)

Part: 1 : Fujiya and Miyagi - Transparent Things (2006)
Password: sharedmusic.net
Artist.......: Fujiya & Miyagi
Album........: Transparent Things
Label........: Tirk
Genre........: Alternative
Catnr........: n/a
source.......: CDDA
rip.date.....: Jun-05-2006
str.date.....: 000-00-2006
quality......: VBR/44,1Hz/Joint-Stereo
Url..........: n/a

track title time

01. ankle injuries 05:05
02. collarbone 04:04
03. photocopier 04:05
04. conductor 71 04:10
05. transparent things 02:55
06. sucker punch 02:41
07. in one ear & out the other 03:43
08. cassettesingle 06:31
09. cylinders 03:07

Runtime 36:21 min
Size 56,1 MB


Release Notes:


Fujiya and miyagi's music could best be described
as part krautrock (Can/Neu/Cluster/Kraftwerk), part
new wave guitar rock (Talking Heads/Wire) and part
90's electronica (Aphex Twin/Four Tet/Boards Of
Canada).

Their first three limited 10" releases for tirk,
released in limited quantities of 1,000 through
spring 2004 to winter 2006, all sold out within
weeks of release.

'Transparent Things' collects all of the tracks
from the 3 EP's, along with an exclusive new track,
'Cylinders'.


Part: 2 : The Presidents Of The United States Of America- These Are The Good Times People (2008)
Password: sharedmusic.net
- Release Info -------------------------------------------------------------- -

Artist: The Presidents Of The United States Of America
Album: These Are The Good Times People
Label: Figit!ve Recordinds
Playtime: 39:06 min
Genre: Rock
URL: http://www.myspace.com/thepresidentsoftheunitedstates Of America
Rip date: 2008-02-23
Street date: 2008-03-11
Size: 62.52 MB
Type: Advance
Quality: VBR kbps / 4410kHz / Joint Stereo

- Release Notes ------------------------------------------------------------- -

With THESE ARE THE GOOD TIMES PEOPLE, THE PRESIDENTS OF THE UNITED STATES OF
AMERICA have delivered an inventive, uplifting and often brilliant rock &
roll album. From the opening, celebratory blast of "Mixed Up SOB"--which
embraces the spirit of the band's 4 million-selling eponymous debut--to the
warm, Shins-like lilt of "Loose Balloon," the group commandeers your
attention with fourteen contagious winners.

Simply put, THESE ARE THE GOOD TIMES PEOPLE delivers the goods with PUSA
sounding as vital as ever. With the collective strengths of founding
vocalist, basitar player and principal songwriter CHRIS BALLEW, original
drummer JASON FINN and guitbass player ANDREW MCKEAG--who officially joins
the band with this album--PUSA lend their joy and enthusiasm to any and all
within an earshot.

Recorded by Northwest legends The Fastbacks' own Kurt Bloch (Robyn Hitchcock,
Mudhoney, Les Thugs) and mixed by Martin Feveyear (Epoxies, Amber Pacific,
Screaming Trees), the disc marks an alignment between the band and EMI via
the new imprint Fugitive Recordings. Sharing the landscape with recent,
acclaimed efforts by Ween and They Might Be Giants, PUSA--as masters (and
progenitors) of "Joy Pop"--dig deep and pull off their most diverse and
accomplished record yet.

Case in point is the twangy, swing-informed exuberance of "Flame Is Love,"
which effortlessly shares the company of more recent numbers like the
riff-tastic "Poor Turtle" or the light, countrified "Truckstop Butterfly." As
for the aforementioned "Mixed Up SOB," it was originally penned in 1989 and
first existed as "a slow, 12-string kind of thing," says Chris. "It wasn't
until I decided to Cars-ify it that it came to life."

"Chris is very prolific and there's never a lack of new material," Finn
explains. "He's also got stuff from the last ten years on his computers. And
he's always sort of rifling through fragments of material from hard drives,
cassettes, Dictaphones, wherever. And every time we do a new record, he goes
through that stuff. And every time I think I've heard every song that he's
ever written, he pulls out like eight great songs I've never heard, and I'm
like, 'Why the %$@ didn't we do this one or that one?'"

And then there's the glistening, piano-touched pop winner "More Bad Times,"
which is brand new, sort of.

Replete with an a cappella break and a captivating acoustic shuffle, the
song--which can't help but be one of the main focal points of THESE ARE THE
GOOD TIMES PEOPLE--is essentially a hybrid of Presidents music and the lyrics
to a song by an old, obscure group known as Ed's Redeeming Qualities. "I used
to go see them when I moved to Boston in 1988. They had a ukulele, a violin
and an old man shaking a can of rice," Chris chuckles. "And they had a song,
"More Bad Times," that was very different musically. But I always loved it."

"So, we're goofing around with acoustic guitars," Ballew continues, "and
Andrew started playing a new riff, and all of the sudden that other song came
into my head, and I starting singing those lyrics over it and changed the
rhyme scheme and it just fit. I wound up writing a final verse and discovered
how much fun it is to take an existing song and turn it into something else.
When we finished it I was like, man, this is the feel good hit of the
summer."

"I was just playing this part on this Silvertone guitar that Chris had in his
house and it was tuned an octave higher. And he was like, 'Keep playing that!
Keep playing that!'" Andrew laughs. "He started jumping up and down and got
all excited."

"It's certainly one of the high points and it's in a spot where we rarely
go," Finn acknowledges. "We've gone a little bit further out toward the edges
on this one, but in a totally focused way. Of course, people have always
expected a 'mixed grill' from us stylistically. Our earliest crowds in
Seattle didn't know whether they were going to get loud, soft or all ska on a
given night. That was part of the fun…as long as it wasn't ska very often."

Since the Seattle-based trio first burst into the public eye with its
aforementioned debut – on the strength of radio smashes like "Lump" and
"Peaches" – it has been plugging away in fits and spurts with remarkable
success. Look no further than their twice Grammy- nominated debut The
Presidents of the United States of America, which continues to thrive as an
enduring modern rock disc since peaking at 6 on the Billboard Top 200.
Enjoying the kind of longevity shared by eponymous classics of the genre like
Violent Femmes and Weezer, it's found a new life on digital services like
iTunes since its rights reverted back to the band in 2003.

1996's II rocked just as hard, giving birth to the full throttle, Top 10
single, "Mach Five," which fostered PUSA's most imaginative and infamous
music video. Meanwhile, accelerated fan favorites like "Lunatic to Love" and
"Tiki God" left their imprint on then-up and-comers The Hives.

In advance of a much-deserved hiatus, two well-chosen covers helped leave a
substantial cultural mark. First, a boisterous take on The Buggles' "Video
Killed The Radio Star" musically defined the smash Adam Sandler flick "The
Wedding Singer." Next, "The Drew Carey Show" adopted the Presidents'
rendering of Ian Hunter's "Cleveland Rocks" as its theme, bringing the trio
into millions and millions of living rooms across the fruited plain. "Ohio!"
indeed.

In 2000, Chris, Dave and Jason reconvened for the vibrant studio-only effort
Freaked Out and Small, which boasted the airwave favorite "Tiny Explosions."
Giving PUSA a chance to record songs that Chris had crafted outside of the
band's unconventional 2-string, 3-string format, the project included the
riotous track "Jupiter" and live in-studio performances on the accompanying
DVD. "We weren't officially working again at that point, Jason explains. This
Musicblitz company appeared out of the ether and offered us a chance to make
a record with no touring obligation. Sounds like a hoot, says us, and we had
a blast recording it for 10 days, then didn't give it another thought.
Neither did Mudicblitz, who went out of business a couple of weeks after
putting it out."

A full reformation followed a series of reunion gigs for 2004's Love
Everybody, and while critics were handing out four star reviews and "Some
Postman" was a radio favorite, the band ultimately realized that operating as
a touring band and maintaining its own PUSA record label was a huge
undertaking. As Finn puts it, "Being our own label was interesting, but
ultimately the day-to-day realities of managing a retail operation were
taking too much of our rocking time. Plus, during our frequent DIVA tantrums,
it was less fun calling and screaming at ourselves!"

With Love Everybody, Dave stepped away from the band for touring purposes and
ultimately passed the guitbass to McKeag, a Seattle music vet and longtime
friend of the band who was initially introduced to the group by Dederer years
ago and who first served as a roadie for The Fastbacks when they opened for
PUSA on their June 1996 U.S. tour.

"After 200 shows in the band, I've finally earned my stripes. Woo-hoo!"
Andrew laughs. To which, Finn adds, "Andrew is a huge, huge guitar player. He
takes the rock & roll of the band and capitalizes the 'R's'." It's a notion
upheld by the punchy, rollicking "French Girl," the quirky and undeniably
sharp "Fangs"--which boasts Jason's finest harmony vocals to date--and the
blistering, forceful anchor track "Ghosts Are Everywhere."

Then there's "Deleter," a bona fide funk song with horns that the band built
from a beat that Finn had been playing at soundchecks for years. "One day at
practice we put it together but I couldn't make any lyrics fit," Chris
explains. "Then I remembered an email I had from Robyn Hitchcock--who I've
been friends with and whose records I've been playing on for a while--and he
asked, 'Do you still have that horn part you did?' So I wrote back, 'No man.
If I know you're not going to use it, I delete it. I'm a deleter.' And he
replied, 'She's a deleter.' So we started riffing back and forth. That banter
became the chorus. I wrote the verses and we finished it." Soul singer Fysah
Thomas rounds out the song with the first ever guest vocal appearance on a
Presidents album.

With a cover image of a hand with a pin coming in to pop a balloon, Ballew
says the track "Loose Balloon" fostered the album art. It was also the first
song he wrote for THESE ARE THE GOOD TIMES PEOPLE. Written on Christmas Day
2005, the first he spent alone after his marriage dissolved and his kids were
off with their mom, Ballew says, "The split was a positive one but that day I
was really bummed. My whole life was changing. And that song came out as
therapy."

When it's suggested that although it came from a dark place, it still
translates as a song of strength, Chris is quick to explain. "When you write
a song and you play it live you have to live it," he says. "If you tell a sad
story, you have to live it over and over again each night. So my version of
musical therapy isn't to wallow in the sadness but find that little bright
spot and turn up the volume on it."

That sentiment lends itself to the title of the record: "Whenever we were on
tour over the last couple years and things were sucking and we're sitting
backstage somewhere, cold and eating whipped turkey in some strange third
world country, everyone would be quiet and I would say, 'These are the good
times, people.' Like, this is it! This is what we signed up for! And it sort
of mutated into the record title, when I thought that without the sarcasm, it
could be used as a positive statement. "

Perhaps that outlook also explains why PUSA have persevered and remain able
to make inspiring music on their own terms long after so many of their '90s
alt-rock peers have gone by the wayside. With an average age of show-goers at
around 20, the band's high energy shows continue to pack venues all over the
world, selling out shows in London, Amsterdam, New York, Sydney and Seattle
on its last world trek.

With THESE ARE THE GOOD TIMES PEOPLE, new and old fans alike should find
little problem joining the party with PUSA circa 2008. "I know this stands up
strong against our entire [CENSORED]. And I hope our fans agree. We've finally
gotten to the point where we can let the vibe come to us and then we jump out
at it and reel it in. I think we've really brought our 'A' game to this
album. I feel like we've given as much as we ever have on this record."

Forgoing the director role he has assumed in the past, Ballew says a
democratic dynamic steered the project and greatly improved the energy of the
band. Playing to their strengths on THESE ARE THE GOOD TIMES PEOPLE, Chris
concedes, "I've just kind of learned over time that it's a lot of stress for
me and I don't necessarily end up with something better. I just decided to
lay back and not care while caring deeply, letting the cream rise to the
top."

- Track List ---------------------------------------------------------------- -

01. Mixed Up S.O.B. ( 3:05)
02. Ladybug ( 2:34)
03. Sharpen Up Those Fangs ( 3:05)
04. More Bad Times ( 2:59)
05. French Girl ( 3:04)
06. Truckstop Butterfly ( 2:04)
07. Ghosts Are Everywhere ( 4:08)
08. Loose Balloon ( 2:45)
09. Flame Is Love ( 2:39)
10. So Lo So Hi ( 2:18)
11. Poor Turtle ( 2:48)
12. Rot In The Sun ( 2:25)
13. Warhead ( 1:55)
14. Deleter ( 3:17)

- --------------------------------------------------------------------------- -


Foxboro Hot Tubs - Stop Drop and Roll (2008) Daturah - Daturah (2005)

Part: 1 : Foxboro Hot Tubs - Stop Drop and Roll (2008)
Password: sharedmusic.net

+----------------+------------------------------------------+----------------+
| |
| Artist : Foxboro Hot Tubs |
| Album : Stop Drop And Roll!!! |
| Bitrate : 182 kbps avg |
| |
+-------------------------------[Release Info]-------------------------------+
| |
| Source : CD |
| Label : Jingle Town |
| Year : 2008 |
| Genre : Rock |
| |
| Rip date : 2008-05-17 |
| Store date : 2008-05-20 |
| |
| Encoder : LAME |
| Size : 45 megs |
| |
+--------------------------------[Track List]--------------------------------+
| |
| 1. Stop Drop And Roll 2:24 |
| 2. Mother Mary 2:48 |
| 3. Ruby Room 2:03 |
| 4. Red Tide 2:58 |
| 5. Broadway 3:31 |
| 6. She's A Saint Not A Celebrity 2:26 |
| 7. Sally 3:03 |
| 8. Alligator 2:26 |
| 9. The Pedestrian 2:16 |
| 10. 27th Ave. Shuffle 2:49 |
| 11. Dark Side Of Night 2:58 |
| 12. Pieces Of Truth 3:04 |
| ----------------------------------------------------------------------- |
| 32:46 |
| |
+-------------------------------[Release Notes]------------------------------+
| |
| Green Day side project. Keep hating haters |
| |
+----------------------------------------------------------------------------+


Part: 2 : Daturah - Daturah (2005)
Password: sharedmusic.net
---------------------------------------------------------------------
Daturah - Daturah
---------------------------------------------------------------------

Artist...............: Daturah
Album................: Daturah
Genre................: Instrumental
Source...............: NMR
Year.................: 2005
Ripper...............: NMR
Codec................: LAME 3.92
Version..............: MPEG 1 Layer III
Quality..............: CBR 192, (avg. bitrate: 192kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Information..........:

Ripped by............: NMR
Posted by............: Skid on 9/26/2008
News Server..........: news.easynews.com
News Group(s)........: alt.binaries.sounds.mp3.indie
alt.binaries.sounds.mp3.post-rock

Included.............: NFO, SFV, M3U, PAR v2


---------------------------------------------------------------------
Tracklisting
---------------------------------------------------------------------

1. (00:15:55) Daturah - Shoal
2. (00:16:44) Daturah - Warmachines
3. (00:11:26) Daturah - Lovelight

Playing Time.........: 00:44:05
Total Size...........: 61.14 MB

NFO generated on.....: 9/26/2008 8:23:24 PM


---------------------------------------------------------------------
The proclamation on their website that "Daturah is an instrumental five-piece
from Frankfurt, Germany, playing some kind of ambient noise rock" doesn't
come close to describing the hallucinatory delights found in their epic three-
song, 44-minute debut. "Datura" is the botanical name for Jimson weed, a
powerful psychoactive nightshade used in Native American rituals, the use of
which results in the psychological effects summarized best in the mnemonic
phrase "blind as a bat, mad as a hatter, red as a beet, hot as hell, dry as a
bone, the bowel and bladder lose their tone, and the heart runs alone." The
same could be said for the effects of Daturah's transporting instrumental
soundscapes when experienced under the right circumstances. Even if lazily
deposited in the post-rock genre these three tracks transcend the trappings
of cliché and expand the listener's mind to the point of supreme
enlightenment. "Shoal" opens with grandiose bombast, balancing dark and
light, harsh and sublime, dissonance and euphony. "Warmachines" follows
with a menacing, martial maelstrom of stomach-churning pathos and
disharmony which culminates in a dynamic display rivaled only by brethren
Mono, Mogwai or Explosions in the Sky. And "Lovelight" closes with elegiac
movements and shimmering crescendos that peak majestically then dissolve in
sonic shards. The pharmacological effects of Datura have been described as
a living dream, an apt description for the transcendent music found herein.
AMG - Brian Way
---------------------------------------------------------------------

:: Generated by Music NFO Builder v1.20 - www.nfobuilder.com ::

Friday, April 10, 2009

The Living End - Moment In the Sun (2008) Snow Patrol - Take Back the City (2008)

Part: 1 : The Living End - Moment In the Sun (2008)
Password: sharedmusic.net

ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ
Û²²±°° Û Û²²±°° Û ÛÛ²²²±°° Û ÛÛÛÛ²° Û ÛÛÛ²²° Û
Û²²±±° Û Û²²±±° Û ÛÛ²±±±±±° Û ÛÛÛ²±° Û ÛÛ²±°° Û
Û²±±±±°Û Û²±±±°°Û Û²±±±ÛÛ±±°°Û ÛÛ²²±°°Û Û²²±°°ÛÛ
ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛ Û±±±±°Û Û²±±±°Û Û²±±±Û Û±±±°Û Û²±±±°Û Û²±±±°Û
ÛÛ±±±°° Û Û±±±°° ÛÛ Û±±±±°Û Û±±±±°Û Û±±±±Û Û±±±°Û Û²±±±°Û Û±±±±°Û
Û±±±±±±±°°°ÛÛ±±±±±±°°°±Û Û±±±±°Û Û±±±±°Û Û²±±±Û Û±±±±Û Û±±±±°Û Û±±±±°Û
Û±±±±±²²±±±°±±±²²±±±±°±Û ° Û²±±±±Û Û²±±°°Û ÛÛ²²±ÛÛÛÛÛÛ±±±±ÛÛÛ ° Û±±±±±Û Û±±±±°Û
Û±±±±±ÛÛÛ²±°±±±ÛÛÛ²±±°±Û ° Û²²±±±Û Û²²±°±Û ÛÛÛÛ²²²²±±±±±±±°° Û Û²±±±±Û Û±±±±°Û
Û²±±±Û °Û²±±±Û Û²±°±Û Û²²±±±Û Û²±±°±Û ÛÛÛÛÛÛÛÛÛÛÛ²±±±°ÛÛÛ Û²±±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û ° Û²±°±Û ° ÛÛ²±±±Û²±±±±Û Û²±±±Û ° ÛÛ²±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û Û²±±±Û ° ÛÛ²±±±±±±±Û Û²±±±Û ° ÛÛÛ²²±±Û Û²±±±±±Û
ÛÛ±±±Û ° ÛÛ±±±Û ° ÛÛ±±±Û ± ÛÛÛ²²±±±Û Û²²±°Û °°ÛÛÛÛ²²±±ÛÛÛ²±±±°°±Û
ÛÛ²±±Û° ÛÛ²±±Û± ÛÛ²±±Û° ±° ° ÛÛÛÛ²±Û ÛÛÛÛ²²° ÛÛ°° ÛÛÛÛÛ²²²±±±±±°°ÛÛ°
ÛÛÛ²±Û± ÛÛÛ²±Û± ÛÛÛ²±Û °±± ÛÛÛÛÛ ÛÛÛÛÛ²²°°Û±±°° ÛÛÛÛÛ²²±±±±ÛÛ°
ÛÛÛÛÛÛ ÛÛÛÛÛÛ° ÛÛÛÛÛÛ ±°°° ÛÛÛ ÛÛÛÛÛÛÛÛÛÛ°±±° ±ÛÛÛÛÛÛÛÛÛ±°° °
°±±° ° ±±°°± °°± ° ± ±± °±±° ° ±±°°± °±° ± ±±
°±±° °±° °± ±±°°± °± ±± ° °±±° °±° °± ±±°°± °± ±± °
±°°± ±±° °°±±°° ±± ±± °° ±°°± ±±° °°±±°° ±± ±± °°
±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° ° ±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° °
°±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°° °±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°°
±±° ÛÛ²²²±±±°°°±±ÛÛ² °°± ±±° ÛÛ²²²±±±°°°±±ÛÛ² °°±
±°°Û²²±±±±±±±± °°±Û±±°°± ±°°Û²²±±±±±±±± °°±Û±±°°±
±±±Û±±±±±±±±±±±° °±±Û°±±°° ±±±Û±±±±±±±±±±±° °±±Û°±±°°
° °±Û±±±±±±±±±±±±±±± °±±Û°±±° ° °±Û±±±±±±±±±±±±±±± °±±Û°±±°
±±°Û²±±±±±±±±±±±±±±±°±±Û±±° ±±°Û²±±±±±±±±±±±±±±±°±±Û±±°
° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± ° ° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± °
±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±° ±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±°
°±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°± °±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°±
°±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²±±± °±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²°±±
±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±°± ±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±±°
²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±° ²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±°
²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±° ²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±°
²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±° ²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±°
²²±±±°°ÛÛÛÛÛÛÛ²²²²±° ²²±±±°°ÛÛÛÛÛÛÛ²²²²±°
²±±±ÛÛÛ°±²Û±±±° ²±±±ÛÛÛ°±²Û±±±°
±ÛÛ²²±°Û° Ú mV4U pRESENTS ¿ ±ÛÛ²±±°Û°
°±° ßßßßßßßßßßßßßßßßß °±°

The_Living_End-Moment_In_The_Sun-x264-2008-mV4U

° ° ° °
±° °± Ú iNFO ¿ ±° °±
±²°²°²± ßßßßßßßß ±²°²°²±
±²Û²±²± ±²Û²±²±
Û²±±±°Û Artist: The Living End Û²±±±°Û
Û²²±±°ÛÛ Û²²±±°ÛÛ
Û±±±±±Û°Û Title: Moment In The Sun Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Date: 11/10/2008 Û²±±±ÛÛ
Û²²±Û²Û Genre: Rock Û²²±Û²Û
Û²²Û²²Û Length: 4:23 Û²²Û²²Û
Û²Û²²±Û Filesize: 56.9 MB Û²Û²²±Û
ÛÛ±±±±Û Source: TV ÛÛ±±±±Û
Û±±±°±Û Resolution: 704x304 Û±±±°±Û
Û²±±±±°Û Format: PAL x264 Û²±±±±°Û
Û°Û±²±±°Û Deinterlace: Progressive Û°Û±²±±°Û
ÛÛ²±±±°Û Video Bitrate: 1591kbit ÛÛ²±±±°Û
Û²±±°°Û Audio Source: MP3 Û²±±°°Û
Û²±±Û°Û Audio Format: MP3 Û²±±Û°Û
Û²±±°°Û Audio Bitrate: 223kbit (VBR; 44,1 kHz) Û²±±°°Û
Û²±±°°Û Û²±±°°Û
Û±±±°±Û Û±±±°±Û
Û²±±±°Û Ú Comments ¿ Û²±±±°Û
Û²±±±°Û ßßßßßßßßßßßß Û²±±±°Û
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û±±±±±Û°Û Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Û²±±±ÛÛ
Û²²±Û²Û Û²²±Û²Û
Û²²Û²²Û Û²²Û²²Û
Û²Û²²±Û Û²Û²²±Û
ÛÛ±±±±Û ÛÛ±±±±Û
Û±±±°±Û Û±±±°±Û
Û²±±±±°Û Ú Greets ¿ Û²±±±±°Û
Û°Û±²±±°Û ßßßßßßßßßß Û°Û±²±±°Û
ÛÛ²±±±°Û ÛÛ²±±±°Û
Û²±±±°Û - All our great partners and suppliers. Û²±±±°Û
Û²±±±°Û - All our friends/affils/fans out there. Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Ú Contact iNFO ¿ Û²±±±°Û
Û²±±²²ÛÛÛ ßßßßßßßßßßßßßßßß Û²±±²²ÛÛÛ
Û²±±±±±±°±Û Û²±±±±±±°±Û
ÛÛ²²±±±±±±° °ÛÛ mv4u@hush.ai ÛÛ²²±±±±±±° °ÛÛ
ÛÛÛ²²²²±±±±±±° °±ÛÛ ÛÛÛ²²²²±±±±±±° °±ÛÛ
ÛÛÛ²²²²²²±±±±±±°°°±±Û ÛÛÛ²²²²²²±±±±±±°°°±±Û
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Created by C-M-Dan - 9/2002
Updated by mV4U -- 1/2006
Generated by NFOMake 0.16b

Part: 2 : Snow Patrol - Take Back the City (2008)
Password: sharedmusic.net

ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ
Û²²±°° Û Û²²±°° Û ÛÛ²²²±°° Û ÛÛÛÛ²° Û ÛÛÛ²²° Û
Û²²±±° Û Û²²±±° Û ÛÛ²±±±±±° Û ÛÛÛ²±° Û ÛÛ²±°° Û
Û²±±±±°Û Û²±±±°°Û Û²±±±ÛÛ±±°°Û ÛÛ²²±°°Û Û²²±°°ÛÛ
ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛ Û±±±±°Û Û²±±±°Û Û²±±±Û Û±±±°Û Û²±±±°Û Û²±±±°Û
ÛÛ±±±°° Û Û±±±°° ÛÛ Û±±±±°Û Û±±±±°Û Û±±±±Û Û±±±°Û Û²±±±°Û Û±±±±°Û
Û±±±±±±±°°°ÛÛ±±±±±±°°°±Û Û±±±±°Û Û±±±±°Û Û²±±±Û Û±±±±Û Û±±±±°Û Û±±±±°Û
Û±±±±±²²±±±°±±±²²±±±±°±Û ° Û²±±±±Û Û²±±°°Û ÛÛ²²±ÛÛÛÛÛÛ±±±±ÛÛÛ ° Û±±±±±Û Û±±±±°Û
Û±±±±±ÛÛÛ²±°±±±ÛÛÛ²±±°±Û ° Û²²±±±Û Û²²±°±Û ÛÛÛÛ²²²²±±±±±±±°° Û Û²±±±±Û Û±±±±°Û
Û²±±±Û °Û²±±±Û Û²±°±Û Û²²±±±Û Û²±±°±Û ÛÛÛÛÛÛÛÛÛÛÛ²±±±°ÛÛÛ Û²±±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û ° Û²±°±Û ° ÛÛ²±±±Û²±±±±Û Û²±±±Û ° ÛÛ²±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û Û²±±±Û ° ÛÛ²±±±±±±±Û Û²±±±Û ° ÛÛÛ²²±±Û Û²±±±±±Û
ÛÛ±±±Û ° ÛÛ±±±Û ° ÛÛ±±±Û ± ÛÛÛ²²±±±Û Û²²±°Û °°ÛÛÛÛ²²±±ÛÛÛ²±±±°°±Û
ÛÛ²±±Û° ÛÛ²±±Û± ÛÛ²±±Û° ±° ° ÛÛÛÛ²±Û ÛÛÛÛ²²° ÛÛ°° ÛÛÛÛÛ²²²±±±±±°°ÛÛ°
ÛÛÛ²±Û± ÛÛÛ²±Û± ÛÛÛ²±Û °±± ÛÛÛÛÛ ÛÛÛÛÛ²²°°Û±±°° ÛÛÛÛÛ²²±±±±ÛÛ°
ÛÛÛÛÛÛ ÛÛÛÛÛÛ° ÛÛÛÛÛÛ ±°°° ÛÛÛ ÛÛÛÛÛÛÛÛÛÛ°±±° ±ÛÛÛÛÛÛÛÛÛ±°° °
°±±° ° ±±°°± °°± ° ± ±± °±±° ° ±±°°± °±° ± ±±
°±±° °±° °± ±±°°± °± ±± ° °±±° °±° °± ±±°°± °± ±± °
±°°± ±±° °°±±°° ±± ±± °° ±°°± ±±° °°±±°° ±± ±± °°
±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° ° ±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° °
°±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°° °±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°°
±±° ÛÛ²²²±±±°°°±±ÛÛ² °°± ±±° ÛÛ²²²±±±°°°±±ÛÛ² °°±
±°°Û²²±±±±±±±± °°±Û±±°°± ±°°Û²²±±±±±±±± °°±Û±±°°±
±±±Û±±±±±±±±±±±° °±±Û°±±°° ±±±Û±±±±±±±±±±±° °±±Û°±±°°
° °±Û±±±±±±±±±±±±±±± °±±Û°±±° ° °±Û±±±±±±±±±±±±±±± °±±Û°±±°
±±°Û²±±±±±±±±±±±±±±±°±±Û±±° ±±°Û²±±±±±±±±±±±±±±±°±±Û±±°
° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± ° ° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± °
±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±° ±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±°
°±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°± °±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°±
°±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²±±± °±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²°±±
±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±°± ±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±±°
²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±° ²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±°
²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±° ²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±°
²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±° ²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±°
²²±±±°°ÛÛÛÛÛÛÛ²²²²±° ²²±±±°°ÛÛÛÛÛÛÛ²²²²±°
²±±±ÛÛÛ°±²Û±±±° ²±±±ÛÛÛ°±²Û±±±°
±ÛÛ²²±°Û° Ú mV4U pRESENTS ¿ ±ÛÛ²±±°Û°
°±° ßßßßßßßßßßßßßßßßß °±°

Snow_Patrol-Take_Back_The_City-x264-2008-mV4U

° ° ° °
±° °± Ú iNFO ¿ ±° °±
±²°²°²± ßßßßßßßß ±²°²°²±
±²Û²±²± ±²Û²±²±
Û²±±±°Û Artist: Snow Patrol Û²±±±°Û
Û²²±±°ÛÛ Û²²±±°ÛÛ
Û±±±±±Û°Û Title: Take Back The City Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Date: 11/10/2008 Û²±±±ÛÛ
Û²²±Û²Û Genre: Rock Û²²±Û²Û
Û²²Û²²Û Length: 4:18 Û²²Û²²Û
Û²Û²²±Û Filesize: 75.7 MB Û²Û²²±Û
ÛÛ±±±±Û Source: TV ÛÛ±±±±Û
Û±±±°±Û Resolution: 704x400 Û±±±°±Û
Û²±±±±°Û Format: PAL x264 Û²±±±±°Û
Û°Û±²±±°Û Deinterlace: Manual Û°Û±²±±°Û
ÛÛ²±±±°Û Video Bitrate: 2231kbit ÛÛ²±±±°Û
Û²±±°°Û Audio Source: MP3 Û²±±°°Û
Û²±±Û°Û Audio Format: MP3 Û²±±Û°Û
Û²±±°°Û Audio Bitrate: 227kbit (VBR; 44,1 kHz) Û²±±°°Û
Û²±±°°Û Û²±±°°Û
Û±±±°±Û Û±±±°±Û
Û²±±±°Û Ú Comments ¿ Û²±±±°Û
Û²±±±°Û ßßßßßßßßßßßß Û²±±±°Û
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û±±±±±Û°Û Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Û²±±±ÛÛ
Û²²±Û²Û Û²²±Û²Û
Û²²Û²²Û Û²²Û²²Û
Û²Û²²±Û Û²Û²²±Û
ÛÛ±±±±Û ÛÛ±±±±Û
Û±±±°±Û Û±±±°±Û
Û²±±±±°Û Ú Greets ¿ Û²±±±±°Û
Û°Û±²±±°Û ßßßßßßßßßß Û°Û±²±±°Û
ÛÛ²±±±°Û ÛÛ²±±±°Û
Û²±±±°Û - All our great partners and suppliers. Û²±±±°Û
Û²±±±°Û - All our friends/affils/fans out there. Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Ú Contact iNFO ¿ Û²±±±°Û
Û²±±²²ÛÛÛ ßßßßßßßßßßßßßßßß Û²±±²²ÛÛÛ
Û²±±±±±±°±Û Û²±±±±±±°±Û
ÛÛ²²±±±±±±° °ÛÛ mv4u@hush.ai ÛÛ²²±±±±±±° °ÛÛ
ÛÛÛ²²²²±±±±±±° °±ÛÛ ÛÛÛ²²²²±±±±±±° °±ÛÛ
ÛÛÛ²²²²²²±±±±±±°°°±±Û ÛÛÛ²²²²²²±±±±±±°°°±±Û
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Created by C-M-Dan - 9/2002
Updated by mV4U -- 1/2006
Generated by NFOMake 0.16b

Cage the Elephant - In One Ear (2008) Noah and the Whale - Shape of my Heart (2008)

Part: 1 : Cage the Elephant - In One Ear (2008)
Password: sharedmusic.net

ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ
Û²²±°° Û Û²²±°° Û ÛÛ²²²±°° Û ÛÛÛÛ²° Û ÛÛÛ²²° Û
Û²²±±° Û Û²²±±° Û ÛÛ²±±±±±° Û ÛÛÛ²±° Û ÛÛ²±°° Û
Û²±±±±°Û Û²±±±°°Û Û²±±±ÛÛ±±°°Û ÛÛ²²±°°Û Û²²±°°ÛÛ
ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛ Û±±±±°Û Û²±±±°Û Û²±±±Û Û±±±°Û Û²±±±°Û Û²±±±°Û
ÛÛ±±±°° Û Û±±±°° ÛÛ Û±±±±°Û Û±±±±°Û Û±±±±Û Û±±±°Û Û²±±±°Û Û±±±±°Û
Û±±±±±±±°°°ÛÛ±±±±±±°°°±Û Û±±±±°Û Û±±±±°Û Û²±±±Û Û±±±±Û Û±±±±°Û Û±±±±°Û
Û±±±±±²²±±±°±±±²²±±±±°±Û ° Û²±±±±Û Û²±±°°Û ÛÛ²²±ÛÛÛÛÛÛ±±±±ÛÛÛ ° Û±±±±±Û Û±±±±°Û
Û±±±±±ÛÛÛ²±°±±±ÛÛÛ²±±°±Û ° Û²²±±±Û Û²²±°±Û ÛÛÛÛ²²²²±±±±±±±°° Û Û²±±±±Û Û±±±±°Û
Û²±±±Û °Û²±±±Û Û²±°±Û Û²²±±±Û Û²±±°±Û ÛÛÛÛÛÛÛÛÛÛÛ²±±±°ÛÛÛ Û²±±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û ° Û²±°±Û ° ÛÛ²±±±Û²±±±±Û Û²±±±Û ° ÛÛ²±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û Û²±±±Û ° ÛÛ²±±±±±±±Û Û²±±±Û ° ÛÛÛ²²±±Û Û²±±±±±Û
ÛÛ±±±Û ° ÛÛ±±±Û ° ÛÛ±±±Û ± ÛÛÛ²²±±±Û Û²²±°Û °°ÛÛÛÛ²²±±ÛÛÛ²±±±°°±Û
ÛÛ²±±Û° ÛÛ²±±Û± ÛÛ²±±Û° ±° ° ÛÛÛÛ²±Û ÛÛÛÛ²²° ÛÛ°° ÛÛÛÛÛ²²²±±±±±°°ÛÛ°
ÛÛÛ²±Û± ÛÛÛ²±Û± ÛÛÛ²±Û °±± ÛÛÛÛÛ ÛÛÛÛÛ²²°°Û±±°° ÛÛÛÛÛ²²±±±±ÛÛ°
ÛÛÛÛÛÛ ÛÛÛÛÛÛ° ÛÛÛÛÛÛ ±°°° ÛÛÛ ÛÛÛÛÛÛÛÛÛÛ°±±° ±ÛÛÛÛÛÛÛÛÛ±°° °
°±±° ° ±±°°± °°± ° ± ±± °±±° ° ±±°°± °±° ± ±±
°±±° °±° °± ±±°°± °± ±± ° °±±° °±° °± ±±°°± °± ±± °
±°°± ±±° °°±±°° ±± ±± °° ±°°± ±±° °°±±°° ±± ±± °°
±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° ° ±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° °
°±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°° °±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°°
±±° ÛÛ²²²±±±°°°±±ÛÛ² °°± ±±° ÛÛ²²²±±±°°°±±ÛÛ² °°±
±°°Û²²±±±±±±±± °°±Û±±°°± ±°°Û²²±±±±±±±± °°±Û±±°°±
±±±Û±±±±±±±±±±±° °±±Û°±±°° ±±±Û±±±±±±±±±±±° °±±Û°±±°°
° °±Û±±±±±±±±±±±±±±± °±±Û°±±° ° °±Û±±±±±±±±±±±±±±± °±±Û°±±°
±±°Û²±±±±±±±±±±±±±±±°±±Û±±° ±±°Û²±±±±±±±±±±±±±±±°±±Û±±°
° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± ° ° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± °
±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±° ±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±°
°±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°± °±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°±
°±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²±±± °±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²°±±
±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±°± ±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±±°
²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±° ²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±°
²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±° ²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±°
²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±° ²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±°
²²±±±°°ÛÛÛÛÛÛÛ²²²²±° ²²±±±°°ÛÛÛÛÛÛÛ²²²²±°
²±±±ÛÛÛ°±²Û±±±° ²±±±ÛÛÛ°±²Û±±±°
±ÛÛ²²±°Û° Ú mV4U pRESENTS ¿ ±ÛÛ²±±°Û°
°±° ßßßßßßßßßßßßßßßßß °±°

Cage_The_Elephant-In_One_Ear-x264-2008-mV4U

° ° ° °
±° °± Ú iNFO ¿ ±° °±
±²°²°²± ßßßßßßßß ±²°²°²±
±²Û²±²± ±²Û²±²±
Û²±±±°Û Artist: Cage The Elephant Û²±±±°Û
Û²²±±°ÛÛ Û²²±±°ÛÛ
Û±±±±±Û°Û Title: In One Ear Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Date: 11/10/2008 Û²±±±ÛÛ
Û²²±Û²Û Genre: Indie Rock Û²²±Û²Û
Û²²Û²²Û Length: 3:28 Û²²Û²²Û
Û²Û²²±Û Filesize: 43.3 MB Û²Û²²±Û
ÛÛ±±±±Û Source: TV ÛÛ±±±±Û
Û±±±°±Û Resolution: 672x336 Û±±±°±Û
Û²±±±±°Û Format: PAL x264 Û²±±±±°Û
Û°Û±²±±°Û Deinterlace: Progressive Û°Û±²±±°Û
ÛÛ²±±±°Û Video Bitrate: 1538kbit ÛÛ²±±±°Û
Û²±±°°Û Audio Source: MP3 Û²±±°°Û
Û²±±Û°Û Audio Format: MP3 Û²±±Û°Û
Û²±±°°Û Audio Bitrate: 208kbit (VBR; 44,1 kHz) Û²±±°°Û
Û²±±°°Û Û²±±°°Û
Û±±±°±Û Û±±±°±Û
Û²±±±°Û Ú Comments ¿ Û²±±±°Û
Û²±±±°Û ßßßßßßßßßßßß Û²±±±°Û
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û±±±±±Û°Û Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Û²±±±ÛÛ
Û²²±Û²Û Û²²±Û²Û
Û²²Û²²Û Û²²Û²²Û
Û²Û²²±Û Û²Û²²±Û
ÛÛ±±±±Û ÛÛ±±±±Û
Û±±±°±Û Û±±±°±Û
Û²±±±±°Û Ú Greets ¿ Û²±±±±°Û
Û°Û±²±±°Û ßßßßßßßßßß Û°Û±²±±°Û
ÛÛ²±±±°Û ÛÛ²±±±°Û
Û²±±±°Û - All our great partners and suppliers. Û²±±±°Û
Û²±±±°Û - All our friends/affils/fans out there. Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Ú Contact iNFO ¿ Û²±±±°Û
Û²±±²²ÛÛÛ ßßßßßßßßßßßßßßßß Û²±±²²ÛÛÛ
Û²±±±±±±°±Û Û²±±±±±±°±Û
ÛÛ²²±±±±±±° °ÛÛ mv4u@hush.ai ÛÛ²²±±±±±±° °ÛÛ
ÛÛÛ²²²²±±±±±±° °±ÛÛ ÛÛÛ²²²²±±±±±±° °±ÛÛ
ÛÛÛ²²²²²²±±±±±±°°°±±Û ÛÛÛ²²²²²²±±±±±±°°°±±Û
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Created by C-M-Dan - 9/2002
Updated by mV4U -- 1/2006
Generated by NFOMake 0.16b

Part: 2 : Noah and the Whale - Shape of my Heart (2008)
Password: sharedmusic.net

ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ
Û²²±°° Û Û²²±°° Û ÛÛ²²²±°° Û ÛÛÛÛ²° Û ÛÛÛ²²° Û
Û²²±±° Û Û²²±±° Û ÛÛ²±±±±±° Û ÛÛÛ²±° Û ÛÛ²±°° Û
Û²±±±±°Û Û²±±±°°Û Û²±±±ÛÛ±±°°Û ÛÛ²²±°°Û Û²²±°°ÛÛ
ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛ Û±±±±°Û Û²±±±°Û Û²±±±Û Û±±±°Û Û²±±±°Û Û²±±±°Û
ÛÛ±±±°° Û Û±±±°° ÛÛ Û±±±±°Û Û±±±±°Û Û±±±±Û Û±±±°Û Û²±±±°Û Û±±±±°Û
Û±±±±±±±°°°ÛÛ±±±±±±°°°±Û Û±±±±°Û Û±±±±°Û Û²±±±Û Û±±±±Û Û±±±±°Û Û±±±±°Û
Û±±±±±²²±±±°±±±²²±±±±°±Û ° Û²±±±±Û Û²±±°°Û ÛÛ²²±ÛÛÛÛÛÛ±±±±ÛÛÛ ° Û±±±±±Û Û±±±±°Û
Û±±±±±ÛÛÛ²±°±±±ÛÛÛ²±±°±Û ° Û²²±±±Û Û²²±°±Û ÛÛÛÛ²²²²±±±±±±±°° Û Û²±±±±Û Û±±±±°Û
Û²±±±Û °Û²±±±Û Û²±°±Û Û²²±±±Û Û²±±°±Û ÛÛÛÛÛÛÛÛÛÛÛ²±±±°ÛÛÛ Û²±±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û ° Û²±°±Û ° ÛÛ²±±±Û²±±±±Û Û²±±±Û ° ÛÛ²±±±Û Û²±±±°Û
Û²±±±Û Û²±±±Û Û²±±±Û ° ÛÛ²±±±±±±±Û Û²±±±Û ° ÛÛÛ²²±±Û Û²±±±±±Û
ÛÛ±±±Û ° ÛÛ±±±Û ° ÛÛ±±±Û ± ÛÛÛ²²±±±Û Û²²±°Û °°ÛÛÛÛ²²±±ÛÛÛ²±±±°°±Û
ÛÛ²±±Û° ÛÛ²±±Û± ÛÛ²±±Û° ±° ° ÛÛÛÛ²±Û ÛÛÛÛ²²° ÛÛ°° ÛÛÛÛÛ²²²±±±±±°°ÛÛ°
ÛÛÛ²±Û± ÛÛÛ²±Û± ÛÛÛ²±Û °±± ÛÛÛÛÛ ÛÛÛÛÛ²²°°Û±±°° ÛÛÛÛÛ²²±±±±ÛÛ°
ÛÛÛÛÛÛ ÛÛÛÛÛÛ° ÛÛÛÛÛÛ ±°°° ÛÛÛ ÛÛÛÛÛÛÛÛÛÛ°±±° ±ÛÛÛÛÛÛÛÛÛ±°° °
°±±° ° ±±°°± °°± ° ± ±± °±±° ° ±±°°± °±° ± ±±
°±±° °±° °± ±±°°± °± ±± ° °±±° °±° °± ±±°°± °± ±± °
±°°± ±±° °°±±°° ±± ±± °° ±°°± ±±° °°±±°° ±± ±± °°
±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° ° ±±° °±°°±±ÛÛÛÛÛÛÛ °± °° ±° °
°±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°° °±±° °°±ÛÛ²±±±±±±ÛÛ°°±²± °°°
±±° ÛÛ²²²±±±°°°±±ÛÛ² °°± ±±° ÛÛ²²²±±±°°°±±ÛÛ² °°±
±°°Û²²±±±±±±±± °°±Û±±°°± ±°°Û²²±±±±±±±± °°±Û±±°°±
±±±Û±±±±±±±±±±±° °±±Û°±±°° ±±±Û±±±±±±±±±±±° °±±Û°±±°°
° °±Û±±±±±±±±±±±±±±± °±±Û°±±° ° °±Û±±±±±±±±±±±±±±± °±±Û°±±°
±±°Û²±±±±±±±±±±±±±±±°±±Û±±° ±±°Û²±±±±±±±±±±±±±±±°±±Û±±°
° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± ° ° ±°°Û²±±±±±±±±±±±±±±±±°±Û±°± °
±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±° ±°°±°ÛÛ²±±±±±±±±±±±±±±±°±Û±°±°
°±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°± °±±°ÛÛ²²±±±±±±±±±±±±±±°±Û±±°±
°±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²±±± °±°ÛÛÛ²²²±±±±±±±±±±±±±±Û²°±±
±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±°± ±±±°ÛÛÛ²²²±±±±±±±±±±±±Û²±±°
²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±° ²±°°ÛÛÛÛ²²²²±±±±±±±±Û²²±°
²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±° ²±±°ÛÛÛÛÛ²²²²²±±±ÛÛ²²²±°
²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±° ²²±±°°ÛÛÛÛÛÛ²ÛÛÛÛ²²²²±°
²²±±±°°ÛÛÛÛÛÛÛ²²²²±° ²²±±±°°ÛÛÛÛÛÛÛ²²²²±°
²±±±ÛÛÛ°±²Û±±±° ²±±±ÛÛÛ°±²Û±±±°
±ÛÛ²²±°Û° Ú mV4U pRESENTS ¿ ±ÛÛ²±±°Û°
°±° ßßßßßßßßßßßßßßßßß °±°

Noah_And_The_Whale-Shape_Of_My_Heart-x264-2008-mV4U

° ° ° °
±° °± Ú iNFO ¿ ±° °±
±²°²°²± ßßßßßßßß ±²°²°²±
±²Û²±²± ±²Û²±²±
Û²±±±°Û Artist: Noah And The Whale Û²±±±°Û
Û²²±±°ÛÛ Û²²±±°ÛÛ
Û±±±±±Û°Û Title: Shape Of My Heart Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Date: 11/10/2008 Û²±±±ÛÛ
Û²²±Û²Û Genre: Indie Rock Û²²±Û²Û
Û²²Û²²Û Length: 3:04 Û²²Û²²Û
Û²Û²²±Û Filesize: 31.7 MB Û²Û²²±Û
ÛÛ±±±±Û Source: TV ÛÛ±±±±Û
Û±±±°±Û Resolution: 688x416 Û±±±°±Û
Û²±±±±°Û Format: PAL x264 Û²±±±±°Û
Û°Û±²±±°Û Deinterlace: Progressive Û°Û±²±±°Û
ÛÛ²±±±°Û Video Bitrate: 1225kbit ÛÛ²±±±°Û
Û²±±°°Û Audio Source: MP3 Û²±±°°Û
Û²±±Û°Û Audio Format: MP3 Û²±±Û°Û
Û²±±°°Û Audio Bitrate: 217kbit (VBR; 44,1 kHz) Û²±±°°Û
Û²±±°°Û Û²±±°°Û
Û±±±°±Û Û±±±°±Û
Û²±±±°Û Ú Comments ¿ Û²±±±°Û
Û²±±±°Û ßßßßßßßßßßßß Û²±±±°Û
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û²±±±±ÛÛ Û²±±±±ÛÛ
Û±±±±±Û°Û Û±±±±±Û°Û
Û±±±±±²Û Û±±±±±²Û
Û²±±±±Û Û²±±±±Û
Û²±±±ÛÛ Û²±±±ÛÛ
Û²²±Û²Û Û²²±Û²Û
Û²²Û²²Û Û²²Û²²Û
Û²Û²²±Û Û²Û²²±Û
ÛÛ±±±±Û ÛÛ±±±±Û
Û±±±°±Û Û±±±°±Û
Û²±±±±°Û Ú Greets ¿ Û²±±±±°Û
Û°Û±²±±°Û ßßßßßßßßßß Û°Û±²±±°Û
ÛÛ²±±±°Û ÛÛ²±±±°Û
Û²±±±°Û - All our great partners and suppliers. Û²±±±°Û
Û²±±±°Û - All our friends/affils/fans out there. Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Û²±±±°Û
Û²±±±°Û Ú Contact iNFO ¿ Û²±±±°Û
Û²±±²²ÛÛÛ ßßßßßßßßßßßßßßßß Û²±±²²ÛÛÛ
Û²±±±±±±°±Û Û²±±±±±±°±Û
ÛÛ²²±±±±±±° °ÛÛ mv4u@hush.ai ÛÛ²²±±±±±±° °ÛÛ
ÛÛÛ²²²²±±±±±±° °±ÛÛ ÛÛÛ²²²²±±±±±±° °±ÛÛ
ÛÛÛ²²²²²²±±±±±±°°°±±Û ÛÛÛ²²²²²²±±±±±±°°°±±Û
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Created by C-M-Dan - 9/2002
Updated by mV4U -- 1/2006
Generated by NFOMake 0.16b

Thursday, April 9, 2009

Bruce Springsteen - Greatest Hits (1995) Kayak - Coming Up For Air (2008)

Part: 1 : Bruce Springsteen - Greatest Hits (1995)
Password: sharedmusic.net

Þ
Þ
Ý ÞÝ Þ
ÛÛ
ÞÝ ÛÛ
ÛÛ ÛÛÛÛ Ý Þ
ÛÛ ÛÛÛÛ ÞÝ
Ý ÛÛÛÛ ÜÜ ÛÛÛÛÛÛ Ý ÛÛ
Û ÜÜÜ ÛÛÛÛ ßßÛÛÛÛÛÛÛÛÛ ÞÛ ÛÛ
ÛÛÛÛßßßÛÛÛÛÛÛ ÛÜÜÜ ßßß ÜÜ ÞÛ ÞÛÛÝ
ÛÛÛ ² ßÛÛÛÛÛÜ ÜÜ ÛÛÛÛÛÛÛÛÛ²² ÛÛÝ r!0t/BAFH ÛÛÛÛ Ý
ÛÛÛ ÛÛ²Ü ßßÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ²² ÜÜ ß ÛÛÛÛ ÛÛÛÜÜÜ ÜÛÛÛÛÛÛÛÛÛÛÝ
ÛÛÛ ÛÛÛÛÛ²²Ü ßßÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ²² ßÛÛÛÛ ÛÛÛÛÛÛÛÛ ßßßÛÛÛßßßßßß Ü ÛÛ
ÛÛÛ ÜÛÛÛÛÛÛÛÛ²²ÜÜ ßßÛÛ ÛÛÛÛÛÛÛ²²ÞÛÜ ßÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÜÜÜÜÜÛÛÛÛÛ²² ÛÛÛ
ÛÛß ÜÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÜÜ ÛÛÛÛÛÛÛÛ²²ÞÛÛÜÜ ßßÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ
ÛÛÛß ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÜÜÜÜ ßßßß ÛÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ
ÛÛß ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ
ÛÛ ßÛÛÛÛÛÛÛ²²ÛÛÛßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ
ÛÛÛÜ ßÛÛÛ²²ß ÛÛÛÛ²ßßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßÜßÛÛÛ²² ÛÛ Þ
ÞÛÞÛÛÜ ß²ß ÞÛÛÛÛ²²Ü °°°°±±° ÜÛÛÛÛÛÛ²²ß ÛÛÛÛÛÛÛ²²ßÛÛÛÛÛÛÛÛÛßܲ²ÜßÛ²² ÛÛ
ÞÛ ÛÛÛÜÜÜÛ ÛÛÛÛÛÛÛ²²ÜÜ °°°°ßßÛÛÛÛ²²ß ° ß ßßÛÛÛÛ²² °ßßÛÛÛÛßÜÛÛÛ²²Üß²² ÛÛÛ Þ
Û ÛÛÛÛ ÞÛÛÛÛÛÛÛÛÛÛÛ²²ÜÜ °°°° ßß °°°°° ²ÜÜ ßßß²Ü °°° ß ÛÛÛÛÛÛ²²² ß ÛÛ Þ
Ý ÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²ÜÜ °°±±°° ÜÛÛÛÛ²²Ü ßßßÜÜÜÛÛÛÛÛÛÛÛÛÛ²² ÛÛÛ Û
ÛÛÛ ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²² °±±°° ÜÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ßßÛÛÛÛÛÛÛÛÛ²²Ü ÛÛÛÜ ÛÛ
Ý ÛÛÛÝ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²² °±°° ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ßÜÛÜÛÛÛÛÛÛÛ²²Ü ÛÛÛÛÛÛ
ÛÛÛÛ ÞÛÛÛÛÛÛÛ²² ßßÛÛÛÛÛÛßÜß²² °°° ÜÛÛÛ²² ßßÛÛÛÛÛÛÛ²²ÞÛÛ ßÛÛÛÛÛÛÛ²²Ü ßÛÛÛÛ
ÛÛÛÛÛ ÛÛÛÛÛÛÛ²² °°°° ßßßÜÛ²²Üß ° ÜÛÛÛÛ²² °°° ÛÛÛÛÛÛ²²ÝÛß °° ßÛÛÛÛÛÛÛ²² ÛÛÛ
ÛÛÛÛÛÛ ÛÛÛÛÛÛÛ²²Ý °±°°° ÜÛÛÛÛÛ²²Ü ÛÛÛÛÛ²² °±±° ÛÛÛÛÛÛ²²ß °±°° ßÛÛÛÛÛÛ²² ÛÛ
ÛÛßßßßß ÛÛÛÛÛÛÛÛ²² °°±° ÜÛÛÛÛÛÛÛÛÛ²²ÜßÛÛ²ß °°°±° ÞÛÛÛÛÛ²² °°°±±°°° ßÛÛÛÛÛ²² Û
ÛÛ Û²²Ü ÛÛÛÛÛÛÛ²² °°±° ßÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÜÜ °°° ÞÛÛÛÛÛ²² °°°°°°°±° ßÛÛÛÛ²²
Û ÜÛÛÛ²²° ÛÛÛÛÛÛÛ²Ý °°±°° ßÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÜܰ° ÛÛÛÛÛ²²ÝÜÜÜÜÜÜ °°°°° ßÛÛÛÛ²²
ÜÛÛÛÛÛ²²° ÛÛÛÛÛÛ²²Ü °°°°°° ßÛÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÛÛÜ ÛÛÛÛÛ²²ÞÛÛÛÛÛÛ²²Üܰ° ßÛÛÛ²²
ÜÛÛÛÛÛÛÛ²²° ÛÛÛÛÛÛÛ²²ÛÛÛ²²ÜÜÜÜÛßÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÛÛÛÛÛÛÛÛ²ÜÞÛÛÛÛÛÛÛÛÛ²²ÜÜ ÛÛ²²
ÛÛÛÛ²²ßÜÜÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÛÛÛÛÛÛ²²ÜÞÛÛÛÛÛÛÛÛÛÛÛÛßÛÛ²²
ÛÛÛÛÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²Üß²ÛÛÛÛÛÛÛ²² ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²²
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ß ÜÜ ßß²ÛÛ²² ßÛÛÛÛÛÛÛÛÛ²²ß
Ü ÛÛÛÛÛÛÛÛÛÛßßßßßß ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ßßßÛÛÛÛÛÛÛÛ²² ÜÛÛÛÛÛÜÜ ßÛ²² ÛÜ ÛÛÛÛÛÛ²²ß ÜÛÛ
ÛÜ ÛÛÛÛßß ÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛÛÛ²² ÜÛÛÛÛÛÛÛÛÛÜÜ ß ßÛÜ ßÛÛ²²ß ÜÛÛÛÛ
ÛÛÜ ß ÜÜÛÛÛÛÛßßßßßß ßßßÛÛÛÜ ßÛ²² ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜßÛÛ ß²ß ÜÛÛÛÛÛÛ
ÛÛÛÛÜÜÛÛßß < E O S > Ü ßÛÛÜ ² ÜÛÛßß ßßßß ÛÛ ß ÛÛÛÛÛÛÛÛ
ÛÛÛÛÛÛ ÛÛ < M P 3 > ÛÛÛ ßÛÛÜÜÜÛÛ Ü ÛÛÜÛÛÛÛÛÛÛ
ÛÛÛÛ ÛÛÝ ÛÛ ÛÛÛÛÛÛ ÛÛÛ ßßßß ÛÛÛÛ
ÛÛÛÛ ÛÝ P r o u d l y Û ÛÛÛÛ ÛÛ ÛÛ
ÛÛ Ý P r e s e n t s . . Ý ÛÛÛÛ Û ÛÛ
ÛÛ Ý ÛÛ Ý ÞÝ
ÞÝ Ý ÛÛ Þ
ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
Þ
Þ
Originally released : 02-28-1995
Release date : 07-04-2007
Album name : Greatest Hits
Artist : Bruce Springsteen

Ripped by : Team EOS
Genre : Rock
Label : Columbia

Encoding Software : Lame EOS
Quality : -V 2

Tracks : 18
Size of Files : 103,2 MB

Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä


01 04:31 Born To Run
02 04:49 Thunder Road
03 04:03 Badlands
04 05:01 The River
05 03:20 Hungry Heart
06 03:57 Atlantic City
07 04:03 Dancing In The Dark
08 04:41 Born In The Usa
09 04:13 My Hometown
10 03:49 Glory Days
11 04:16 Brilliant Disguise
12 05:10 Human Touch
13 03:45 Better Days
14 03:17 Streets Of Philadelphia
15 04:28 Secret Garden
16 03:58 Murder Incorporated
17 04:34 Blood Brothers
18 04:54 This Hard Land


Total time: 76:49 min
Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

Compiling a greatest-hits collection for Bruce
Springsteen should be an easy task, yet Greatest Hits
manages to miss the mark. Nothing from his first two
albums is included, and the set includes such non-hits
like "Atlantic City" and "The River" instead of hits
like "Cover Me," "Tunnel of Love," and "Fade Away." In
fact, a good portion of his hits are missing, as are
important album tracks like "Backstreets," "Rosalita,"
and "Candy's Room," making this neither a straight hits
collection nor a compilation of his best tracks. What's
left are some of his biggest hits and best songs ("Born
to Run," "Glory Days," "The River"), but not all of
them, as well as four new tracks, the best of which is
an outtake from the Born in the U.S.A. sessions
("Murder Incorporated"). Aside from "Murder
Incorporated," the new tracks follow the synth-laden
adult contemporary direction Springsteen began pursuing
with "Streets of Philadelphia," only without the
lyricism or melody. So, it's a mixed bag, drawing an
incomplete portrait of one of the prime rockers of the
'70s and '80s. Casual fans would be better served by
Born in the U.S.A., which encompasses all of
Springsteen's sides.

Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

Contact us @ : #eos (efnet)

Ûßß ß ß ßßÛ
ßÛß²ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß²ßÛß
ßßßßßß ß RIPPING AT ITS FINEST -- ECONOMY OF SOUND ß ßßßßßß



Part: 2 : Kayak - Coming Up For Air (2008)
Password: sharedmusic.net
Kayak  - Coming Up for Air

Release Date.: 01/30/2008
Store Date...: 01/30/2008
Source.......: CDDA
Style........: Rock
Record Label.: SMH
Cat Nr.......: n/a
Encoder......: Lame
Quality......: VBRkbps Joint-44,1

01.Alienation 03:55
02.Man in the Cocoon 02:54
03.Time Stand Still 03:22
04.Freezing 03:51
05.Medea 03:47
06.Daughter of the Moon 03:41
07.Undecided 04:10
08.Sad State of Affairs 04:23
09.About You Without You 03:16
10.The Mask and the Mirror 04:46
11.Selfmade Castle 03:34
12.What I'm About to Say 04:24
13.Wonderful Day 03:41
14.Broken White 04:22
15.Coming Up for Air 06:13
-----
60:19 min
81,3 MB

release notes




Contact:

dohmusic@gmail.com

Info:

No no no, dont worry, it's not another new group releasing fakes, re-encodes
or mislabeled shit. We're just a few experienced scene dudes who enjoy
releasing but are not satisfied with our old groups.
Hope you all will support us in this.