Wednesday, February 25, 2009

Bob Seger - Greatest Hits Vol. 2 Niels Vejlyt - The Pretador (2006)

Part: 1 : Bob Seger - Greatest Hits Vol. 2
Password: sharedmp3.net
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Artist : Bob Seger
Album : Greatest Hits 2
Tracks : 16
Time : 1:07 hours
Bitrate : 192kbps
Size : 92MB
Label : Capitol
Str.date: 11/04/2003
Rip.date: 11/04/2003
Ripper : Team aAF




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In 2003, when Deluxe Editions and Definitive Collections
are the name of the game in reissues, it's refreshing to
see Bob Seger's defiantly retro Greatest Hits, Vol. 2
hit the shelves. The title and the approach hearken back
to the days when a hits compilation was followed a few
years later by a supplement, covering roughly the same
territory and adding a few new singles. Seger's first
Greatest Hits had all the big hits, from "Night Moves"
to "Old Time Rock N Roll," and while it was very
effective at that level, many of his big hits weere
ballads, so by extension the hits collection downplayed
his rock & roll, which is was kind of odd for a
singer/songwriter known as a passionate rocker. And
while there was no arguing with what was on Greatest
Hits, it left off many songs that illustrated his depth
as a songwriter - and that's not even counting that it
left his handful of non-LP singles and songs unaccounted
for or the fact that it ignored his early Cameo/Parkway
singles, the Bob Seger System or his first seven albums.
Greatest Hits, Vol. 2 solves a lot of these problems and
it's a stronger album than the first Greatest Hits
because of it. While it's still frustrating that Seger
ignores his early material (the Cameo/Parkway songs are
owned by somebody else, but he certainly could dip into
the first seven albums, at least for "Rambling Gambling
Man"), it's also true that they're of a different
aesthetic than the anthemic blue collar rock that he
first etched out on 1975's Beautiful Loser. That is the
music that made him a star, and that's the music that
fuels this collection, all the way through to the
lesser-known latter-day sides "Manhattan" and "New Coat
of Paint," as well as the brand-new cuts "Satisfied" and
"Tomorrow," two hard-rocking songs that are some of his
best music in years. These are good, but they are
naturally overshadowed by the songs that form the heart
of this collectIon: the terrific plea for compassion
"Understanding," previously only available on the
soundtrack to Teachers; grinding hard rockers "The Fire
Down Below," "Her Strut" and "Sunspot Baby;" the
delrious Chuck Berry homage "Katmandu," one of his
funniest and toughest songs; the country-tinged ballads
"Shame on the Moon" and "Fire Lake;" the aching elegy
"Beautiful Loser;" the life-afirming "Rock & Roll Never
Forgets," one of the best songs about aging within rock
& roll. In this context, even the too-produced
heavily-synthesized "Shakedown" - his contribution to
1987's Beverly Hills Cop II and his only number one hit,
never available on a Seger album until now - turns into
a good time. Sure, there are a few songs that probably
should have made the cut - most notably "Feel Like a
Number" and "Even Now" - but as it stands Greatest Hits,
Vol. 2 is an excellent supplement to the first
collection and a hell of a lot more fun to listen to, as
well.




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01 Understanding 3:44
02 The Fire Down Below 4:27
03 Her Strut 3:51
04 Beautiful Loser 3:27
05 Sunspot Baby 4:37
06 Katmandu 6:09
07 Shame on the Moon 4:53
08 Fire Lake 3:31
09 Tryin' To Live My Life Without You (live) 4:10
10 Shakedown 4:03
11 Manhattan 5:23
12 New Coat of Paint 3:28
13 Chances Are 4:18
14 Rock and Roll Never Forgets 3:51
15 Satisfied 3:30
16 Tomorrow 3:39



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Rippers: Umm Yea We Have a few ;)


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The Scene!


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ßÛÛÛÛÛÛ²ÛÛÛÛÛ²ÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛÛ²ß


aAF was created in Jan 2001 to fill a void left in the scene
by groups who would refuse to release anything but current
year music.Well since that time we have been rocking the
scene with classic rock rips.We have made classic music
mainstream in the scene and have been on top in that area as
the number one group in classic rips. We finished 2001 with
3800 rips.As we moved forward in 2002 we found we were also
releasing alot of quality 2k2 rips and saw that we were competing
in that area.In 2002 we finished with over 5000 rips.In 2003 we
plan to move forward and continue to release "THE NEW STUFF" and
strive to be on top in 2k3 rips.We will also continue to remain
on top like we have for 2 years in the classic rock scene.
It's not the Year that Matters it's the Music
aAF Forever

What We're looking for :

ppl who can get promos or pre street rls
ppl who have large cd collections
ppl with skill and experience who feel they can help us
ppl who can supply legal shells or bnc's
ppl who can supply hardware
siteop's who host 100mbit+ 500 gig+ mixed sites for affils
Siteop's invite the force to pre 2k3 on your site

Come to the force with us




° °Ý °Þ ° ° °°
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° Ü²Ü ßßÜÜÛÜ ÜÛ²ÛÛÛ² ßÛÛ²ÛÛ²ÛÛÛß ß²ÛÛÛÛ²ÛÛß ÛÛÛÛÜ ÜÛÛÛ²ÛÛ
ß ÛÛÛ²ÛÛ²ÛÛ²²ÛÛÛ Û²Û²ÛÛÛÛÛ²ÛÛ²Û
° °° ßÛÛÛÛÛÛ²ÛÛÛÛ²ß [STILL GOiNG STRONG] ßÛÛÛÛ²Û²ÛÛ²ÛÛß
° Û Þ Þ Û

Part: 2 : Niels Vejlyt - The Pretador (2006)
Inspired by artist such as Shawn Lane, Allan Holdsworth, George Bellas, Paganini, Symphony X, J.S. Bach, Yngwie Malmsteen, Borislav Mitic, Vitalij Kuprij and Mark Boals, My Empty Room guitarist Niels Vejlyt has relesaed his instrumental solo CD, entitled The Predator. Filled with shred, neo-classical and hard rock riffs, solos and six-string mayhem, Vejlyt plays off of drummer Jakob Vnad (also from My Empty Room) and bassist Mads Damgaard. Vejlyt invokes the classical masters on "Paganini Vs. Strauss", and gives Paganini the spotlight on the album's closer "Moto Perpetuo". The Predator is ready for fans of classically inspired metal tracks. Instrumental Guitar (Electric (Heavy)/Shred/Neo-Classical Metal), total running time, 43:39

Romantic Dark Ballads (2006) Godsmack - Faceless (2003)

Part: 1 : Romantic Dark Ballads (2006)
Gothic Rock/Rock/Hard Rock
mp3, stereo
320 kbps
-----------------------
1. Mogwai-Friend Of The Nigth (5:32)
2. Spiritual Beggars-No One Heard (5:04)
3. Axel Rudi Pell-Forever Angel (6:02)
4. Peter Frampton-While My Guitar (6:57)
5. Forgive Me Not-Mourning Outside (5:06)
6. Blackmores Night-Wish You Where Here (5:08)
7. Helloween & Candice Night-Light The Universe (5:03)
8. Olga Romanova/Dark Princess-My fragile Winter Dream (6:08)
9. Savage Circus-Beyond Reality (5:25)
10. Moray Eel-Forbidden Waters (3:36)
11. Katatonia-Omerta (3:00)
12. Dragonforce-Trail Of Broken Hearts (5:57)
13. Fusspils 11-Wo Die Wilden Rossen (5:15)
----------------------------------------
PASS: KroMvEL
Part: 2 : Godsmack - Faceless (2003)
Password: sharedmp3.net
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ܲ²²ßßÜܲ²ÛÛÛÝ ßß²²ÛÛÛÛÛÛÜ ÜÜÛÛÛÛÛÜ ÞÛÛÛÛÛÛÛÝÞÛÛÛÛÛÛ Þ²ÛÜÜÛÛßßß
ÜÛÛÛÛ ÛÛÛÛÛÛÛ ß²ÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛ² ÛÛÛÛÛÛÛ ÛÛÛÛÛÛÝ Ü²Ûßßß ÜÜÜÜ
²ÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛ²ÝÛÛÛÛÛÛÛÜ ÞÛÛÛÛÛÛ ÞÛÛÛÛÛÛÜ Üܲ²ÛÛÛÛÛÛÛÜ
ÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛßÞ²ÛÛÛÛÛÛÛÜ ÛÛÛÛÛÛÝ ßÛÛÛÛÛÛÛÛÛÛßßßßÛÛÛÛÛÛÛÛ²
ßÛÛÛÛ²Ü ÞÛÛÛÛÛÛ² ÜÛÛÛÛÛÛß Þ²ÛÛÛÛ°ÛÛÛÛÜ ÞÛÛÛÛÛÛ ßßßß ÜÜ ßÛÛÛÛÛÛ²
ßÛÛÛ²²ÜÜÛÛÛÛÛÛÛÛÜÜÛ²²²ßß ²²ÛÛÛÛÝ ßÛ²²ÛÜ ²ÛÛÛÛÛÝ ÜÜÛÛß ÞÛÛÛÛÛÛ
ßßßÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ÜÛ²ÛÛÛÛÝ ßÛÛÛÛÜÞÛÛÛÛÛÛ ÜÜÜÛÛÛß ÞÛÛÛÛÛÛ
ÞÛÛÛÛÛÛÛÛßÛÛÛÛÛÛÛ²ÜÜÜ ßßßÛÛ ßßÛÛ²ÛÛÛÛÛÝÛÛÛÛÛÝ ÛÛÛÛÛÛ
ÜÜÜÛÛÛÛÛÛÛß ßßßÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜ ßßÛ²ÛÛÛÜßÛÛÛÛÜ ÜÛÛÛÛ²²
ÜÛÛßß ßßß²²²ÜÜ ßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜ ßßß²ÜÜßßÛ²²ÜÜÜÛÛÛÛ²ÛÛ²²
²ÛÛÝ ß²Ü ßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ÜÜÜÜÜÜÜÛÛÛÛÛÛÛܱ²ÛÛÛßßß
ß²²Ü ÞÛÛÜ ÜÜÛÛ²ß þÜÜ ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²ßß ßßßßÛÛÛÛÛÛÛÛÛÛÜÜ
ßÛÛ²ÜÜ ÜÛÛÛÛÝÛ²ÛÛÛÝ ß²²Ü ÞÛÛÛÛÛÛÛÛßß ± ÜÜþ ßßÛÛÛÛÛÛÛÝ
ܲ²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛß ßÛÛÛÛÛÜÜ ÞÛÛÛÛÛÛ²²ßß ° ÜÜÜܲ²²Ý ÞÛÛÛÛÛß
ß Ü²ßßßܲßÛÛ²ßßßßß ßßßßÛÛÛÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛÛÛÛßßß ßß²Ü Ü²²²ßß
ÜÛÛß ²ÛÛÛÛÜ ßßßßßßßßßßßßßßß ÜÜÜÜÜÜÜ ßßÜÜÜ
ÛÛÛÝ ÞÛÛÝß²ÛÜ Ü²²²²ß Üܲ²Ûßßß²ßßÛÛÛÛÜÜ ßßÛÛÛÜÜ
ÛÛÛÛÜ ÜÜÛÛß ßß²ÜÜ Üܲ²²ßß ÜÜܲ۲ßß°° ß²ÛÛÛÛÜ ßÛÛÛÛÜ
ßÛÛÛÛÛÛÛÛß ÜÜÜÜ ßßßÜÜÛÛÛÛßßÜÜÜÜÛÛÛ²ßß ßÛÛÛÛÜ ÞÛÛÛÛÛ
ÜÛ²ÛÛÛ²²Ü²ß²ß ÜÜÜÜÜÛÛÛÛÛÛßßßßßßßßßßßßßßßß ß ßÜßÛÛܲÛÛßß
ܲßß ßÛÛÛÛ²ÜÛ²²²ÛÛÛ²Û²ßßß TEAM RNS PRESENTS Üþ ÞÛܲÛÛ
ß ßÛÛ°ÞÛÛßß ÞÛÜ ÜÛÛÝ ÜÛÛÝ°ÛÝ
ß ÜÜ ßÛÜßÛÛÜÜÛÛÛÛÝARTIST: Godsmack ÞÛÛÛÛÜÛÛÛßÜÛß ÜÜ
ÜÛÛÝ ß²ÜßÛÛÜßßß ßßßÜÛÛßÜ²ß ÞÛÛÜ
ÛÛÛÛÛÜ ÞÛÝÞÛÛÛÜ TITLE: Faceless (Retail) ÜÛÛÛÝÞÛÝ ÜÛÛÛÛÛ
ÛÛÛÛÛÛÛÜÜܲ° ²ÛÛÛÛÛ ÛÛÛÛÛÛÜ°²ÜÜÜÛÛÛÛÛÛÛ
ßÛÛÛÛÛ²ÜÜÜÛÞ²ÛÛÛÛÛÝ LABEL: Universal ÞÛÛÛÛÛ²ÝÛÜÜܲÛÛÛÛÛß
ßßÛÛÛÛßßÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜßßÛÛÛÛßß
ÜÜßß ÜÛÛÛÛÛÛß RIPPER: Spinal Tap ßÛÛÛÛÛÛÜ
Ü ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ
ÜÛ²ß ÜÛÛÛÛÛÛß ßÛÛÛÛÛÛÜ
ÛÛÝ ÞÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÝ
ßÛÛÜ ÞÛÛÛÛÛÛ 192kbps - Hard Rock Þ²ÛÛÛÛÛÝ
ßÛÛÜ ßÛÛÛÛÛÝ 0hr 47min total- 68.3mb ÛÛÛÛÛÛß
ÜÜßßÛÛÛÜÜßßÛÛÛÜ ÛÛÛ²ßß
Û² ßßÛÛÜ ßÛÛÜ RELEASE DATE: 2003-04-08 ÛÛß
ß²Ü ÞÛÛÝ ÞÛÛ²Ü RIP DATE: 2003-03-15 ÜÛÛÝ
ßßÜÜÜÜÛÛÛß Ü²²Û²ÛÛÜ Üܲ²Û²²Ü
ßßß ÜÛÛÛÛÛß ßßÛÛÜÜÜ ÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÜ
ÜÛÛÛÛÛßÜ ßßßÛÛÛÜÜÜÜÜÜ ÜÜÜÜÜÜÛÛÛÛÛÛÛßßßß ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ÛÜ ßßßßÛÛÛÛÛÛÛÛÛßßßßß ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ Þ²Û ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÜÛ²Û ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ Ü²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß track list ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ ---------- ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² 01 Straight Out Of Line 4:19 ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý 02 Faceless 3:35 Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß 03 Changes 4:19 ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß 04 Make Me Believe 4:08 ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ 05 I Stand Alone 4:06 ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² 06 Re-Align 4:20 ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ 07 I Fucking Hate You 4:07 ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² 08 Releasing The Demons 4:12 ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß 09 Dead And Broken 4:11 ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ 10 I Am 3:59 ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² 11 The Awakening 1:29 ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý 12 Serenity 4:34 Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ release notes ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý Here it is, you have been waiting and Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß this time you get it without promo drops ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß and still a month early! ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² Godsmack: ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² Sully Erna: Vocals, guitar ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß Tony Rombola: Guitar ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ Robbie Merrill: Bass ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² Shannon Larkin: Drums ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß On the brink of unleashing its third ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß full-length album, FACELESS, the ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ multi-platinum hard-rock group GODSMACK ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² has already achieved more than most ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ bands could ever dream of. ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß The Boston-based group's 1998 ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ self-titled debut has sold four-million ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² copies, propelled by the riff-tastic ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý sorcery of runaway hits such as "Bad Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß Religion," "Whatever" and "Keep Away." ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ Its critically acclaimed follow-up, ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² AWAKE -- fittingly released by the ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ scary-flick aficionados on Halloween ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² 2000--has thus far shipped nearly ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß three-million units. That album's title ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ track dominated radio request lines and ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² broke chart records throughout 2000 and ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý 2001. Another track from the album, Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß Vampires, was nominated in the Best ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß Instrumental category at the 2001 Grammy ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Awards. ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ In 2002, GODSMACK mainman Sully Erna ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² was tapped by The Rock himself to A&R ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß the soundtrack to The Scorpion King, the ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ third installment in The Mummy saga. The ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² song that GODSMACK itself contributed ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý lived up to its title: "I Stand Alone" Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß was the No. 1 single at rock radio ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß formats and the most played Active Rock ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ track in 2002. This track garnered two ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² Grammy nominations for Best Hard Rock ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ Performance and Best Rock Song for the ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² 2003 Grammy Awards. ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ The band closed out its promotional cycle ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² for AWAKE with a victory lap of sorts: ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý well-attended arena tour on which they Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß finally brought to life the over-the-top ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß gothic staging the band members had always ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ envisioned. GODSMACK's real triumph was ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² visible nightly from the stage when the ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ band's high-on-fire pyrotechnics ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² illuminated arenas across the world. ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß Crowds would explode with applause when ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ guitarist Tony Rombola and bassist Robbie ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² Merrill kicked off their dark, churning ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý super-riffs. And if you were to scan Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß the arena during any one of those ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß GODSMACK performances, the band's true ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ feat quickly came into focus. The ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² quartet holds sway over a ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ pan-generational audience of male and ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² female hard-rock fans--not fickle ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß trend-hoppers. ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² On this U.S. tour the band showed their ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý patriotic side when, post 9/11, they Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß donated 100% of the sales of their merch ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß and portions of the venues ticket sales to ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ The Solidarity Foundation, an ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² organization benefiting the widows and ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ orphans of New York City firefighters ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² and policemen. ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ Sure, Erna has copped to a fascination ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² with white magick. But that isn't how ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý the band conjured its success. Through Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß the monolithic power of its tune-age, ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß and a dedication to fans via the road, ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ GODSMACK has inherited the love and ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² respect generally accorded metal ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ mainstays such as Black Sabbath, ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² Metallica and Pantera. Of course, the ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß band didn't become the next link in that ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ chain overnight. ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý GODSMACK's earlier lineup solidified Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß when Rombola joined in 1995 . His ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß pitch-black riffage perfectly complemented ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ Erna's lion's roar of a voice. After ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² honing its sound and songs on the club ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ circuit, the band demoed an album's ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² worth of tracks with local ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß producer-on-the-rise Andrew "Mudrock" ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ Murdock. The cost: $2500. The result: ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² fame. ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß A Boston radio station put a few of the ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß band's tracks into rotation. Listener ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ response was instantaneous. Soon, a ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² local record chain was selling 1000 ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ copies per week of the band's ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² self-released disc. Major labels took ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß note. Shortly thereafter, Rombola and ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ Erna were able to quit their day jobs in ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² carpentry and collections, respectively. ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý Universal/Republic ultimately won the Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß bidding war for GODSMACK, and released a ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß re-mastered version of the self-titled ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ debut in summer 1998. Those above-noted ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² sales figures and accolades followed ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ only after the band toured ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² relentlessly, including wildly received ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß stints on Ozzfest, as well as on ßÛÛÛÛÛÛÛß²ÜÜÜ
ÜÜÜ ßßÛÛÜ Woodstock '99. ÜÛÛßßþ ßÛÛÛÛÜ
ÜÛÛÛÛßßßÜ ÞÛÛ² ²ÛÛÝ ÞÝ ÞÛÛÛÛ
ÞÛÛÛÛÝ Üܲ²Û²Ý Now, in 2003, GODSMACK is ready for Þ²Û²²Ü ßÛÜÜÜÛÛÛß
ßÛÛÛÛÜÜÜÜÛÛÛÛÛÛÛß round three: FACELESS. With the aid of ßÛÛÛÛÛÜ ßßß
ßßÛÛÛßÜÛÛÛÛÛß veteran producer David Bottrill (Tool, ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ King Crimson) and new drummer Shannon ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² Larkin (formerly of agit-rockers Amen), ²ÛÝ ÛÛÛÛÛÝ
ÛÛÛÛÛÝ ÛÛÛÝ GODSMACK has evolved its sound in ÞÛÛÛ ÞÛÛÛÛÛ
ßÛÛÛÛÛÜ ²ÛÛ² surprising new ways, while retaining ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß its unmistakable power and vision. As ßÛÛÛÛÛÛÛÛÛ
ßßÛÛÜ Erna puts it, GODSMACK is ready once ÜÛÛßßÛÛÛ ß Ü
ÜÜÜÜÜ ÞÛÛ² again to "kick a new ass in this ²ÛÛÝ ÛÛÛÛÜ ÜÛÝ
ß ßßÛÛÛÜ Ü²²Û²Ý planet." Remain on heightened alert, Þ²Û²²Ü ßÛÛÛÛÛÛÛß
ÞÛÛÛÝÜÛÛÛÛÛß planet. ßÛÛÛÛÛÜ ßßß
Ü ÜÛÛÛÜÛÛÛÛÛß ßÛÛÛÛÛÜ
ßßÛÛÛßÛÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ
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ßÛÛÛÛÛÜ ²ÛÛ² ²ÛÛ² ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß ßÛÛÛÛÛÛÛßß
ÜÛÛÛÛÛß ßÛÛÛÛÛÜ
ÜÛÛÛÛÛß ßÜÜ ÜÜß ßÛÛÛÛÛÜ
ÞÛÛÛÛÛ ÞÛ² ²ÛÝ ÛÛÛÛÛÝ
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ßÛÛÛÛÛÜ Ü²ÛÛ² ÜÛÛÛ²²ÜÜ Üܲ²ÛÛÛÜ ²ÛÛ²Ü ÜÛÛÛÛÛß
ßßÛÛÛÛÛÛÛß ÜÜÛÛß ßÛÛÜ ÜÛÛß ßÛÛÜÜ ßÛÛÛÛÛÛÛßß
ÜÛÛÛßÛÜÛÛßß ÜÛÛßÜÜÜÜÜ ÜÜÜÜÜßÛÛÜ ßßÛÛÜÛßÛÛÛÜ
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ÜÛÛÛÛÛÝÞÛÛÛÛÜ ÜÜÜÛÛÛßßÛÛÜÜÜÛÛÛßÛÛÛÛÜÜÜÛÛßßÛÛÛÜÜÜ ÜÛÛÛÛÝÞÛÛÛÛÛÜ
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ßßÛÛÛÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛßß ßßÛÜÜ ßßÛÛÛÛÛÛÛßß ÜÜÛÛÛÛßß
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ßßÛÛÜÛÛÛÛÛÛßßß ²ÛÛÛÛ ßßßÛÛÛÛÛÛÜÛÛßß
ßßßß ÞÛÛÛÛÛÛ ßßßß
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