Wednesday, April 22, 2009

Forgive Durden - Razias Shadow a Musical (2008) Bayside - The Walking Wounded (2008)

Part: 1 : Forgive Durden - Razias Shadow a Musical (2008)
Password: sharedmp3.net
- Release Info -------------------------------------------------------------- -

Artist: Forgive Durden
Album: Razia's Shadow: A Musical
Label: Fueled By Ramen/Atlantic
Playtime: 63:57 min
Genre: Rock
URL: http://www.myspace.com/forgivedurden
Rip date: 2008-10-25
Street date: 2008-10-28
Size: 88.33 MB
Type: Normal
Quality: 182 kbps / 4410kHz / Joint Stereo

- Release Notes ------------------------------------------------------------- -

Thomas Dutton has always had a tendency to use music as a way of telling a
story. Forgive Durden's 2006 release, WONDERLAND, played with the notion of a
'concept album' by describing a metropolitan landscape reveling in success
and power but driven by greed and corruption. The theme encompasses an
album's worth of material complete with a cast of characters including the
deity and creator of Wonderland, curious newcomers, fallen and debased
citizens; and a young man determined to steer clear of the money-driven
tactics of Wonderland.

So it was a natural progression for Thomas to undertake his next project
–creating an actual musical, complete with elaborate characters, powerful
themes, and a hauntingly beautiful story. Razia's Shadow tells the story of a
world divided in two by the selfish actions of a powerful and egotistical,
yet insecure angel. After generations of darkness, the world is eventually
brought back together by the love and sacrifice of a couple brave enough to
fulfill their destinies

- Track List ---------------------------------------------------------------- -

01. Genesis (Feat. Casey Crescenzo) ( 4:19)
02. The Missing Piece (Feat. Lizzie Huffman) ( 4:45)
03. Life Is Looking Up ( 5:20)
04. The Spider And The Lamps (Feat. Max Bemis) ( 5:10)
05. Toba The Tura (Feat. Chris Conley) ( 4:25)
06. The Oracle (Feat. Danny Stevens) ( 5:23)
07. A Thousand Year, Minute-Long Intermission ( 1:01)
08. The Exit (Feat. Brendon Urie And Dan Young) ( 5:39)
09. It's True Love (Feat. Greta Salpeter) ( 5:37)
10. Meet The King (Feat. Greta Salpeter And Nic Newsham) ( 5:24)
11. Holy The Sea (Feat. John Gourley and Kris Anaya) ( 6:05)
12. Doctor Doctor (Feat. Shawn Harris) ( 4:57)
13. The Apex (Feat. Greta Salpeter and Brendon Urie) ( 5:52)

- --------------------------------------------------------------------------- -



Part: 2 : Bayside - The Walking Wounded (2008)
Password: sharedmp3.net
- Release Info -------------------------------------------------------------- -

Artist: Bayside
Album: The Walking Wounded
Label: Victorryyyyyyyyy!!!!
Playtime: 58:55 min
Genre: Rock
URL: http://www.ourdrummerdiedLOL.com/
Rip date: 2008-07-21
Street date: 2008-07-22
Size: 90.38 MB
Type: Deluxe Edition
Quality: 204 kbps / 4410kHz / Joint Stereo

- Release Notes ------------------------------------------------------------- -

The deluxe edition of the band's last album. I didn't feel like reripping
this whole CD but I decided I should since RTB blows major cock. Enjoy!

- Track List ---------------------------------------------------------------- -

01. The Walking Wounded ( 3:45)
02. They're Not Horses, They're Unicorns ( 3:46)
03. Duality ( 3:00)
04. Carry On ( 4:01)
05. I and I ( 3:50)
06. Choice Hops and Bottled Self-Esteem ( 4:27)
07. Head on a Plate ( 4:03)
08. Dear Your Holiness ( 3:56)
09. Landing Feet First ( 4:04)
10. Thankfully ( 3:24)
11. A Rite of Passage ( 3:39)
12. (POP)Ular SciencE ( 4:11)
13. I and I (Bonus Live Acoustic Track) ( 4:09)
14. Dear Your Holiness (Bonus Live Acoustic Track) ( 4:09)
15. Landing Feet First (Bonus Live Acoustic Track) ( 4:31)

- --------------------------------------------------------------------------- -


David Bowie - iSelect (2008) Hedley - Hedley (2006)

Part: 1 : David Bowie - iSelect (2008)
Password: sharedmp3.net
ARTIST     : David Bowie
TITLE : iSelect
LABEL : EMI
GENRE : Rock
BITRATE : LAME v3.97 VBR V2
SOURCE : CD
SIZE : 85.9 MB
STORE DATE : 2008-??


Track List
----------
01. Life On Mars? [3:50]
02. Sweet Thing / Candidate / Sweet Thing (Reprise) [8:48]
03. The Bewlay Brothers [5:21]
04. Lady Grinning Soul [3:51]
05. Win [4:44]
06. Some Are [3:14]
07. Teenage Wildlife [6:53]
08. Repetition [3:00]
09. Fantastic Voyage [2:56]
10. Loving The Alien [7:07]
11. Time Will Crawl (MM Remix) [4:54]
12. Intro / Hang On To Yourself (Live) [3:08]

http://www.davidbowie.com
http://www.myspace.com/davidbowie


Part: 2 : Hedley - Hedley (2006)
Password: sharedmp3.net
ARTIST: Hedley
TITLE: Hedley
LABEL: Universal/Capitol
GENRE: Rock
BITRATE: 229kbps avg
PLAYTIME: 0h 55m total
RELEASE DATE: 2006-11-21
RIP DATE: 2006-11-21

Track List
----------
1. Villain 4:09
2. On My Own 3:39
3. Trip 4:00
4. Street Fight 3:17
5. 321 3:45
6. Gunnin' 4:13
7. Sink Or Swim 3:25
8. Johnny Falls 3:38
9. Saturday 3:41
10. Sugar Free 3:39
11. I Don't Believe It 3:01
12. Daddy-O 3:28
13. On My Own (Remix) 3:29
14. Trip (Acoustic) 3:56
15. Gunnin' (Full Mix) 4:13

Release Notes:

"Platinum Edition" of the 2005 release with four bonus tracks.
Three previously Un-released. Enjoy.

Tuesday, April 21, 2009

The Verve - Forth (2008) Joy Wants Eternity - You Who Pretend To Sleep (2007)

Part: 1 : The Verve - Forth (2008)
Password: sharedmp3.net
 #####################################################################
########### http://www.usenetrevolution.net ###########
## ##
## The friendly Usenet board for all ##
## ##
## Completely free of charge ##
## ##
## Simply times clean-look ##
## ##
## With a guest entrance only once without obligation look around ##
## ##
## Who buys gladly the cat in the bag? Only look, announce then ##
## ##
#################################################################
#####################################################################
-----------------------------------------------------------------------
General Information
-----------------------------------------------------------------------
Artist.......: The Verve
Album........: Forth
Genre........: Rock
Year.........: 2008
Cover........: Front
-----------------------------------------------------------------------
NewsGroup....: alt.binaries.usenetrevolution
Rip-Date.....: 2008-08-18
Size.........: 96,92 MB
Validate.....: 10% PAR2
-----------------------------------------------------------------------
Tracks.......: 12
Playtime.....: 01:13:11
Codec........: MPEG 1 Layer III
Encoder......: LAME 3.97
Tags.........: ID3v1 ID3v2.3
Quality......: 184 kbps VBR
Channels.....: 44100 khz / Joint Stereo
-----------------------------------------------------------------------
Tracklist
-----------------------------------------------------------------------
01. Sit and Wonder 06:50
02. Love Is Noise 05:26
03. Rather Be 05:25
04. Judas 06:15
05. Numbness 06:33
06. I See Houses 05:12
07. Noise Epic 08:13
08. Valium Skies 04:34
09. Columbo 07:18
10. Appalachian Springs 07:28
11. Mover 03:52
12. Chic Dub 06:05
-----------------------------------------------------------------------
NFO produced on 18.08.2008 with Mp3tag v2.41
#####################################################################
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############# ##############
############ http://www.usenetrevolution.net #############
############# ##############
###################################################################
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Part: 2 : Joy Wants Eternity - You Who Pretend To Sleep (2007)
Password: sharedmp3.net
ARTIST: Joy Wants Eternity
TITLE: You Who Pretend to Sleep
LABEL: Beep Repaired Records
GENRE: Instrumental Rock
BITRATE: 194kbps avg
PLAYTIME: 0h 37m total
RELEASE DATE: 2007-05-22
RIP DATE: 2007-05-16

Track List
----------
1. Existences Rust 3:41
2. Above The Clouds Lies Eternal 3:53
Sun
3. From Embrace To Embrace 6:23
4. Death Is A Door That Opens 6:13
5. What Lies Beyond 3:27
6. Yet Onward We Marched 3:41
7. Uriel 6:06
8. You Are The Vertical, You Are 4:11
The Horizon

Release Notes:

Awesome post rock! RIYL: Explosions, Godspeed, Mogwai, Mono, etc etc etc. rock
on.

Powerful music renders imagery. Hidden beneath the dexterity of instrumental
music sits emotion, somewhere within emotion sit symbols, and amongst this
diverse ocean of thought, there are symbols which clash. There are some things
in post-rock we can't deny having mentally visualized at least once: lights
illuminating darkness, night skies glittered with stars, and horizons, a
conceptually infinite phenomenon—infinite because we know the end of our
peripheral is only due to the curvature of the Earth, and what lies beyond is
literally endless.

Eternity is akin to infinity. The name Joy Wants Eternity stands boldly as an
in-your-face post-rock moniker. Eternity is one thing the genre seems to strive
for in its continuously lengthening compositions and vast expansions in spaces
of relative finitude. Must You Smash Your Ears… proved that they could take the
emotional dynamics of post-rock we knew existed and amplify them broodingly and
thoughtfully. Their debut album, You Who Pretend to Sleep, displays an ability
to create staggeringly beautiful epic imagery, but their epic strive isn't for
vast landscapes like fjords and valleys and so forth, but rather the
nocturnalism of city lights and moonlit skies.

"Existences Rust" ushers in an opening so loud and visceral it promises
something special—something live, breathing, and utterly remarkable in form.
Drawing focus away from sadness and melancholia, and emphasizing hope and, well,
joy, You Who Pretend drowns itself in reverb and disperses its melody and raw
cathartic releases, epitomized by pieces like "Above the Clouds," "From Embrace
to Embrace," and "You are the Vertical." After a litter of short, droning gems,
there's "Uriel," arguably the highlight of the album. From its frail,
reverb-filled opening and its emotive layering of a spectrum of textures
(violins, orchestral bells, and especially closing on acoustic guitar), the
track is held together by an intense, haunting melodic guitar element. The
lushness of the track characterizes Joy Wants Eternity at its best.

The fairly modest transition between Must You Smash and this album was initially
something that appeared before me as a shortcoming. The transformation we
witnessed with Caspian when it delivered The Four Trees raised the bar for debut
LPs; the full and intense experience of this album rendered You Are the
Conductor a tame and distant preview. It exhibited an evolution, a dynamic
transformation that nurtured a maturity. Joy Wants Eternity milk every bit of
its emotional arsenal—clusters of quiet-loud transits dispersed in reverb, epic
strumming and melodic guitar-driven passages—but it all stays well within the
boundaries established on Must You Smash. There's no drastic reconstruction;
even the length is hardly extended, clocking in at less than 40 minutes and a
mere four longer than the EP. Venturing outside the boundaries and expanding the
band's repertoire never seems to be a priority, as if by choice. Compared to the
transformation Caspian made between its debut EP to the debut album, You Who
Pretend pales in comparison.

With this in mind, I must stress that it is not a criticism per se, as hard as
it is to believe. Joy Wants Eternity have flourished in their own right as a
bold and technically sophisticated group, almost enough to mask the inevitable
fate of being, at times, a near dead ringer for they-who-shall-not-be-named.
Even short and sweet gems like "Yet Onward We Marched" encapsulate the retention
of hope in darkness and glowing visions of stadium lights, and together with a
deceivingly alluding title, could have been subservient in anchoring the imagery
of Friday Night Lights. You Who Pretend is a complementary effort to this, and
to itself. Joy Wants Eternity's bind between EP and LP is not a destructive one;
the strength of Must You Smash, and indeed the saga-like open-endedness of its
EP format, left room for a release like this. The quality of thought in
composition vindicates itself as something that has to exist, not merely a
substitute reiteration. You Who Pretend to Sleep will resonate.

Blueneck - Scars of The Midwest (2006) Driver Side Impact - Lion (2008)

Part: 1 : Blueneck - Scars of The Midwest (2006)
Password: sharedmusic.net
Artist: Blueneck
Title: Scars of The Midwest
Label: Don't Touch
Release Date: 22 May 2006
Genre: Post/Good Music/Whatever

Was talking to some nice person from Greece on slsk who recommended
these guys to me. Sumptuous. Reviewers slobbered all over this thing,
here's one of them:

http://www.musicomh.com/albums/blueneck_0406.htm


In the shape of Scars Of The Midwest, Somerset four-piece Blueneck have
produced an incredibly ambitious debut and an album that will have fans
of post-rock icons like Mogwai and Godspeed You Black Emperor salivating
over their cornflakes.

It has taken six years for this release to come to fruition since the
group's formation in 2000, a period in which they have transformed from
regulars on the West Country gig scene to virtual recluses.

Locked away in the studio for a year and a half with producer Corin
Dingley - one half of trip hop duo Alpha - the band must have been
depressed on those cold, dark nights when the tracks just wouldn't come
together and it shows with the results of their stay being at times
throat-slittingly bleak.

The whole album segues together into one extended dark soundscape with
clear influences from past and present post-rock luminaries. Indeed the
leanings go even further back on opening track, The Hills Have Eyes, with
its very old school Pink Floyd psychedelic sound.

It would have to be said that it is the element of psychedelia, be it
through the use of keyboards or samples, constant throughout the album
that stands Blueneck apart from the likes of Mogwai and Godspeed and
gives them an identity of their own, something not easy to achieve in
such a crowded genre.

The links to these bands is undeniable however, especially in the
threatening piano on the brooding Judas! Judas!, a track that slowly
builds from a sparse landscape to one filled with those monsters that had
been lurking around the corner since its beginning.

Around half of the tracks on Scars Of The Midwest are instrumental, the
first to feature the breathy voice of Duncan Attwood though is the
bizarrely titled Oig, another slow burner that transcends into a wall of
sound. Meanwhile, the distorted vocal on the tranquil Le:465 is just
beautiful, sounding just like an English Sigur Ros.

Ub1 is Eno-inspired ambience and a chance to reach for the tissues before
the tear-jerkingly depressing Epiphany, a track of epic proportions and
one of the most emotional you are likely to hear in 2006. Samples are
used to very scary effect on this one, distorted to give the impression
of ghostly voices coming from your stereo speakers.

The sonic effect during Ub2 is also quite something as the sound crashes
around the listener like waves in a violent ocean, thanks in the main to
Ben Green's soaring guitars. The stunning Amoc is the album's masterpiece
however. By far the most uplifting track as lightly caressed drums are
merged with vocal harmonies and atmospherics.

Yesterday's Forgotten rounds off the album, a re-working of an early
Blueneck song, stripped down with careful precision into a spooky finale
for what is a fine debut effort for the West Country outfit. If we are
lucky maybe they will come out of the studio and perform it live for us
now.

Part: 2 : Driver Side Impact - Lion (2008)
Password: sharedmp3.net
- Release Info -------------------------------------------------------------- -

Artist: Driver Side Impact
Album: Lion
Label: Victory
Playtime: 37:18 min
Genre: Rock
URL: http://www.myspace.com/driversideimpact
Rip date: 2008-10-24
Street date: 2008-10-28
Size: 64.83 MB
Type: Normal
Quality: 229 kbps / 4410kHz / Joint Stereo

- Release Notes ------------------------------------------------------------- -

DRIVER SIDE IMPACT started out 2007 with a deal from VICTORY RECORDS and
several promising US tours ahead. The band's debut, The Very Air We Breathe,
showcased the band's knack for heavy melodies and heavier moshable
dance-parts. DRIVER SIDE IMPACT hit the road to take on the world with their
fusion of post-hardcore, dance rock and punk. They faced and dealt with the
natural challenges that face any band this day and age and made it through
with more determination than ever. Their DIY attitude and charisma ended up
earning them a spot on the massive VICTORY RECORDS TOUR of 2007 and made them
one of Victory's newest staple artists.

For fans of: Boys Like Girls, Angels And Airwaves, and Silverstein.

- Track List ---------------------------------------------------------------- -

01. Walking On Water (Feat. Derek Sanders) ( 3:30)
02. Patience (Gave It Up) ( 3:58)
03. Rumor Mill ( 2:52)
04. The Ties That Bind And Break Within ( 1:30)
05. The Lion ( 4:18)
06. Elysium ( 3:27)
07. Better In The Rain ( 2:31)
08. The Day You Made The Sky Fall ( 3:22)
09. All For Nothing ( 3:30)
10. Ascending ( 4:53)
11. Heaven ( 3:27)

- --------------------------------------------------------------------------- -


Monday, April 20, 2009

VA - Party Bangaz 09 (2008) Fleetwood Mac - Greatest Hits [CBS-1971]

Part: 1 : VA - Party Bangaz 09 (2008)
Password: sharedmusic.net
Artist     : VA
Album : Party Bangaz 09
Label :
Genre : Top 40
Bitrate : 187 kbps avg
Source : CD (LP)
Playtime : 01:08:11 (95.7MB)
Rls date : 2008-10-18
Store date : 2008-00-00


[Track List]
1. M.I.A - PAPER PLANES 85 3:45
2. T Pain feat. Lil Wayne & Akon - CAN'T BELEIVE 5:22
IT 89
3. The Dream - I LUV YOUR GIRL 89 4:25
4. E-40 feat. Akon - WAKE IT UP 108 4:28
5. Kevin Rudolph feat. Lil Wayne - LET IT ROCK 4:14
111
6. Gym Class Heroes - COOKIE JAR 115 4:04
7. Pussycat Dolls - WHATCYA THINK ABOUT THAT 120 4:21
8. Michael Jackson vs. Akon - DANGEROUS THRILLER 5:39
120
9. The Beatles - TWIST AND SHOUT 122 3:15
10.Steely Dan vs. ODB - PEGS GOT YOUR MONEY 122 3:50
11.Pitbull - KRAZY 124 3:52
12.Pink - SO WHAT 126 4:21
13.Christina Aguilera - KEEPS GETTING BETTER 129 3:21
14.Flo Rida - IN THE AYER 130 4:43
15.Tracy Byrd - WATERMELON CRAWL 136 3:38
16.T.I. feat. Rihanna - LIVE YOUR LIFE 137 4:53



Part: 2 : Fleetwood Mac - Greatest Hits [CBS-1971]
This was the first greatest hits package from the rock band Fleetwood Mac. covering the period from the band's beginning in 1968 through 1971, in its original incarnation led by guitarist Peter Green.

01. The Green Manalishi (With The Two-Pronged Crowned)
02. Oh Well- Part I
03. Oh Well- Part II
04. Shake Your Money Maker
05. Need Your Love So Bad
06. Rattlesnake Shake
07. Dragonfly
08. Black Magic Woman
09. Albatross
10. Man Of The World
11. Stop Messin' Round
12. Love That Burns

Mae - The Everglow (2006 Reissue) Mae - Destination: Beautiful (2003)

Part: 1 : Mae - The Everglow (2006 Reissue)
Password: sharedmusic.net
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Mae - The Everglow
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ÞÝ ²Ûß titleúúú[ The Everglow ßÛ² ÞÝ
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ÞÝß ßÛÛÛ²ÛÜ ÜÛ²ÛÛÛß ßÞÝ
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ÞÛ²ß ²ÛÝ ÜÜÜ supplierúúúú[ Team LOCALs ÜÜÜ ÞÛ² ß²ÛÝ
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° ÛÛ 1 Prologue 1:16 ÛÛ ÿ°
ÛÛ 2 We're So Far Away 3:50 ÛÛ
° ÛÛ 3 Someone Else's Arms 5:09 ÛÛ ÿ°
ÛÛ 4 Suspension 4:00 ÛÛ
° ÛÛ 5 This Is The Countdown 3:56 ÛÛ ÿ°
ÛÛ 6 Painless 4:20 ÛÛ
° ÛÛ 7 The Ocean 4:41 ÛÛ ÿ°
ÛÛ 8 Breakdown 4:14 ÛÛ
° ÛÛ 9 Mistakes We Knew We Were Making 5:07 ÛÛ ÿ°
ÛÛ 10 Cover Me 4:33 ÛÛ
° ÛÛ 11 The Everglow 3:28 ÛÛ ÿ°
ÛÛ 12 Ready And Waiting To Fall 4:20 ÛÛ
° ÛÛ 13 Anything 4:03 ÛÛ ÿ°
ÛÛ 14 The Sun And The Moon 7:16 ÛÛ
° ÛÛ 15 Epilogue 0:54 ÛÛ ÿ°
ÛÛ 16 Where The Falls Begin 3:40 ÛÛ
° ÛÛ 17 A Day In The Life 4:40 ÛÛ ÿ°
ÛÛ 18 Suspension (Demo) 3:49 ÛÛ
° ÛÛ ÛÛ ÿ°
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ÛÛ 118 megs ÛÛ
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Part: 2 : Mae - Destination: Beautiful (2003)
Password: sharedmusic.net
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¡¡¡¡¡¡¡¡¡¡¡¡¡¡ ¼ PROVIDERS OF SOUND ¼ ¡¡¡¡¡¡¡¡¡¡¡¡¡¡

¡¡¡¡¡¡???¡¡¡¡¡¡ éêêêêêêèêêêêêêêêêêêêêêêêêêêêêêêèêêêêêêê? ¡¡¡¡¡¡???¡¡¡¡¡¡

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¡±?±?±¡±?± ?GENRE:......: Punk Rock ? ¡±¡?

±¡?¡±±¡?± ?RIP DATE:...: 17-04-2003 ? ¡?±¡¡¡±

±?¡±±? ?RETAIL:.....: 25-02-2003 ? ¡?±¡±?±?¡

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?±¡¡?¡ ƒêêêêæêêêêêêêêêêêêêêêêêêêêêêêêêêêêêêêêêêæêêêêÈ ¡±?¡±¡±±?

?¡???±±¡?¡? ¼01 Embers and Envelopes ¼ ¡±???±¡

?¡???±±¡?¡? ¼02 This Time is the Last Time ¼ ¡±???±¡

?¡???±±¡?¡? ¼03 All Deliberate Speed ¼ ¡±???±¡

?¡???±±¡?¡? ¼04 Runaway ¼ ¡±???±¡

?¡???±±¡?¡? ¼05 Sun ¼ ¡±???±¡

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?¡???±±¡?¡? ¼07 Skyline Drive ¼ ¡±???±¡

?¡???±±¡?¡? ¼08 Soundtrack for Our Movie ¼ ¡±???±¡

?¡???±±¡?¡? ¼09 Summertime ¼ ¡±???±¡

?¡???±±¡?¡? ¼10 Giving it Away ¼ ¡±???±¡

?¡???±±¡?¡? ¼11 Goodbye, Goodnight ¼ ¡±???±¡

±?±¡?¡±?¡±¡¡± éêêêêêêêêêêêêêêêêêêê¡êêêêêê?¡êêêêêêêêêê±êêêêê? ?±¡??±¡±?

?±±¡?¡¡±¡?±¡±¡¡ ??±¡¡ ¡?¡ ?±¡?¡?¡± ?±¡ ?±¡?±¡?¡±?±?±

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±?¡±?¡? ¡?±¡?±¡?¡±¡

±¡±?±¡¡? ¡±±¡?¡??¡

±?±±¡? This album is very good! It has lush melodies and ?±¡¡±?¡¡

±?±±¡? touching lyrics. Get it today! ?±¡¡±?¡¡

±?±±¡? ?±¡¡±?¡¡

±?±±¡? Members: ?±¡¡±?¡¡

±?±±¡? Dave Gimenez (Guitars, Vocals), Matt Beck (Guitar), ?±¡¡±?¡¡

±?±±¡? Mark Padgett (Bass), Jacob Marshall (Drums), Rob ?±¡¡±?¡¡

±?±±¡? Sweitzer (Keyboards) ?±¡¡±?¡¡

±?±±¡? ?±¡¡±?¡¡

±?±±¡? Reviewer: BleachAce ?±¡¡±?¡¡

±?±±¡? Date: March 11, 2003 ?±¡¡±?¡¡

±?±±¡? This cd is Awesome!!!!, buy it! ?±¡¡±?¡¡

±?±±¡? Music: 10 Vocals: 10 Message: 10 ?±¡¡±?¡¡

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Sunday, April 19, 2009

VA - Rock Heroes Anberlin - Blueprints For the Black Market (2003)

Part: 1 : VA - Rock Heroes
Password: sharedmusic.net

Part: 2 : Anberlin - Blueprints For the Black Market (2003)
Password: sharedmusic.net

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Marillion - Happiness Is the Road (2008) (2 CD) [The Gigantics - Die Already (2008)

Part: 1 : Marillion - Happiness Is the Road (2008) (2 CD)
Password: sharedmusic.net

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[dmc]




ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ Doom Generation Noises ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ

ÄÄÄÄ[rlsnfo]ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ

Artist : Marillion
Title : Happiness Is The Road
Year : 2008
Label : Intact Records
Genre : Progressive Rock
Type : CD

ÄÄÄÄ[ripnfo]ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ

Ripped on: 10/21/2008
Ripper : Team DGN
Quality : VBR kbps
Size : 137,4 MB
Playtime : 108:16 min
Grabber : EAC
Encoder : Lame

ÄÄÄÄ[trax]ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ

CD1

01. Marillion - Dreamy Street 01:58
02. Marillion - This Train Is My Life 04:46
03. Marillion - Essence 06:25
04. Marillion - Wrapped Up In Time 05:02
05. Marillion - Liquidity 02:08
06. Marillion - Nothing Fills The Hole 03:20
07. Marillion - Woke Up 03:36
08. Marillion - Trap The Spark 05:38
09. Marillion - A State Of Mind 04:29
10. Marillion - Happiness Is The Road 10:01
11. Marillion - (Hidden Track) 01:59
12. Marillion - (Half Full Jam) 06:47

CD2

01. Marillion - Thunder Fly 06:20
02. Marillion - The Man Form The Planet Marzipan 07:51
03. Marillion - Asylum Satellite #1 09:28
04. Marillion - Older Than Me 03:08
05. Marillion - Throw Me Out 03:57
06. Marillion - Half The World 05:04
07. Marillion - Whatever Is Wrong With You 04:12
08. Marillion - Especially True 04:33
09. Marillion - Real Tears For Sale 07:34

ÄÄÄÄ[Release Note]ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ

Here it is, awaited 15th album of Marillion :-) Enjoy ! /DGN

ÄÄÄÄ[Group Notes]ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ

Dgn is around since 1998...

After a few years, a few rippers who left, a few who joined, people
greeting,people yelling, people threatening, people helping, people
watching, we're still enjoying our aime: Let ppl listen to what they
are gonna buy b4 they pay a single penny.


There have been also some people and groups that helped out during the
last few years, maybe it's because of them that (against all odds) we
are still releasing and doing well, those know who they are, and we'll
thank forever.


We remind our beloved public, we're against all kind of distrubution,
don't search our rips neither in your preferred XDcc channel, nor in
your local 127.0.0.1 p2p program, We do not distribute ! But it's not
nice to buy when you do not know what you're buying.
As a matter of fact, DGN is a private group, and do not need rippers,
fast or slow shells, traders, t1+ sites, couriers, prewhores, and hw
suppliers, we need only a nice chalet in Switzerland/Canada or a Villa
in the Caribbean sea where to listen to some chillout music.
If you can supply any of those, for free, feel free to contact us for
an application form.


Remember to support the artists.

DGN Crew, 2003

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Nfo file by [dmc]/DGN using Elton's and Morgoth's tools

Part: 2 : [The Gigantics - Die Already (2008)
Password: sharedmusic.net
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ÛÛ° The Gigantics - Die Already °
ÛÛ
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° ° °±²Û²²Ü Ü Û
°± ° ²ÜÜÛÛÛ
° ßß ß ß²ßß ßßßÛÛÛÛÛÛÛÛ²ß
° ± °²ÛÛÛÛÛ
° ±ÛÛÛß
Title [Die Already ] °ÛÛ²
Artist [The Gigantics ] ÛÛ±
Label [Camobear Records ] Genre [Hip-Hop ] ÛÛ°
Quality/Size [44.1 @VBR 74,4 MB] Ripped [10-19-2008 ] ±ÛÛ
Grabbed from [CDDA ] Enc [Lame 3.97 ] ²ÛÛ
Website [myspace.com/thegiganticsdiealready ] ±ÛÛ
°ÛÛ
°ÛÛ
Track Time Title ÛÛ
©--öª ©-- ©-- -ö- -ò óª - ª ÛÛ
ÛÛ
01 00:44 Die Already Feat The Gigantics, Sapient ÛÛ
02 02:58 The Explanation Feat Aesop Rock, Reason, Eligh ÛÛ
03 02:37 Ball & Chain Of Squares Feat Solilaquists Of Sound ÛÛ
04 02:53 Biological Nothing Feat Candidt ÛÛ
05 02:00 Memories Feat Jfk.Ninjaface ÛÛ
06 02:39 Ghettoblastertelevision Feat Aurora ÛÛ
07 02:10 Mr Anaya Feat P.O.S, Michael ÛÛ
08 03:27 10 Brovas Strong Feat Cancer Rising, Pale Soul ÛÛ
09 03:11 Keep Walking Feat Macklemore, Xperience ÛÛ
10 03:21 Safe Feat Vursatyl, Blak, Lmno ÛÛ
11 03:08 Shut Up Feat Murs, Vitamin D, Mr Lif ÛÛ
12 02:59 The Redtown Feat Norman, Cool Nutz ÛÛ
13 03:28 Grownfolks Feat Candidt, Nyqwil, Anaxagorous ÛÛ
14 01:38 So You Suffer Feat Swollen Members ÛÛ
15 02:46 Memory Loss Feat Count Draven, Pigeon John, ÛÛ
Mis'fatale ÛÛ
16 03:07 Deadpeoplepeprally Feat Onryozzborn, A.D.F, Awol ÛÛ
One ÛÛ
17 02:22 Slicktalk Feat Reason, Karim, Gold ÛÛ
18 02:02 Poor Thing Feat Josh Martinez ÛÛ
19 02:42 Medicine Feat Onryozzborn, N8thegr8, Pricey ÛÛ
20 01:45 Faingool Feat Azrael, Syndel, Gold ÛÛ
21 02:01 Don't Feat 2mex, Iame, Coleycole ÛÛ
22 02:29 Electric Men Feat Destro, Brad B, Snafu ÛÛ
23 03:42 Time's Still Up Feat Peegee 13, Jace, Mako ÛÛ
24 05:34 Las Vegas Swimming Pool Feat Sapient, Qwel ÛÛ
Totals ÛÛ
24 65:43 min ÛÛ
ÛÛ
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° ±Û²ÛÛÛÛÛ°²ÛÛÛÛÛ
° ßÛÛÛÛÛ±ÛÛÛß
Release Notes: °ÛÛ²
ÛÛ±
ÛÛ°
"The Gigantics is a five-man production team assembled by ÛÛ
Onry Ozzborn (a.k.a. Reason and Count Draven of ÛÛ
Grayskul/Oldominion). Die Already is their debut and ÛÛ
features the voices of over 50 of the most influential and ÛÛ
talented people in independent hip hop today. Far from a ÛÛ
compilation, this album pulls disparate artists from their ÛÛ
respective groups and weaves them together into a dream ÛÛ
team. Among the many outstanding individuals appearing here ÛÛ
are Aesop Rock, Murs, Mr. Lif (Def Jux), Swollen Members, ÛÛ
Eligh (of Living Legends), Pigeon John (Quannum), P.O.S. ÛÛ
Rhymesayers), Solillaquist of Sound, Josh Martinez, and Awol ÛÛ
One. Though Die Already is primarily a hip hop album, The ÛÛ
Gigantics' production takes you through alternative, metal, ÛÛ
punk, pop, electronic, street, and club, providing a disc ÛÛ
that will satisfy any listener." ÛÛ
--------- ÛÛ
ÛÛ
Ladies &Gentlemen ...THe GIGANTICs is FINISHED!! ÛÛ
ÛÛ
After over 2 years of hard work ,the debut album "DIE ÛÛ
ALREADY" is good to go &displays 53 voices of talent ,in ÛÛ
just 1hr/6mins! ÛÛ
ÛÛ
THE ALBUM FEATURES: ÛÛ
Aesop Rock ÛÛ
Murs ÛÛ
Swollen Members ÛÛ
P.O.S. ÛÛ
Mr.Lif ÛÛ
Eligh (of Living Legends) ÛÛ
Pigeon John ÛÛ
Solillaquists Of Sound ÛÛ
Awol One (ShapeShifters) ÛÛ
Vursatyl (of Lifesavas) ÛÛ
LMNO (Visionaries) ÛÛ
2Mex (Visionaries) ÛÛ
N8theGr8 (The Cuf/Deep Fried Funk Bros.) ÛÛ
Qwel (Typical Cats) ÛÛ
Brad B. (Of Drunken Immortals) ÛÛ
Josh Martinez (of Chicharones) ÛÛ
Mis'Fatale ÛÛ
ÛÛ
OLDOMINION MEMBERS: ÛÛ
JFK /Ninjaface (of Grayskul) ÛÛ
Sleep (of Chicharones /Aurora) ÛÛ
OnryOzzborn (of Grayskul /Aurora /Norman) ÛÛ
ÛÛ
Snafu ÛÛ
Destro (of Boom Bap Project) ÛÛ
NyQwil ÛÛ
Candidt ÛÛ
PeGee13 ÛÛ
Pale Soul ÛÛ
Mako ÛÛ
Syndel ÛÛ
Anaxagorous ÛÛ
Barfly (of Saturday Knights /Norman) ÛÛ
ÛÛ
Azrael ÛÛ
Karim (of Boom Bap Project) ÛÛ
Coley Cole ÛÛ
Iame ÛÛ
Xperience (of Step Cousins) ÛÛ
Zebulon Dak ÛÛ
Nickels ÛÛ
A.D.F. ÛÛ
Nicholas Sire ÛÛ
Dore Wyld Page ÛÛ
ÛÛ
&THE REST OF THE NORTHWEST BEST: ÛÛ
Silent Lambs ÛÛ
Cool Nutz ÛÛ
Pricy ÛÛ
Macklemore (of Step Cousins) ÛÛ
Cancer Rising ÛÛ
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Sapient (of Debaser) ÛÛ
Gold (of Clockwerk) ÛÛ
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ALL CUTS by The Legendary D.J. WICKED!! ÛÛ
ÛÛ
CD/Vinyl Layout &Art will be done by MK LARADA (Creator of ÛÛ
Atmospheres "When Life Gives You Lemons ,You Paint That Shit ÛÛ
Gold" art-layout &illustrations ,&has worked also on ,P.O.S. ÛÛ
,Mac Lethal ,Oddjobs ,Doomtree ,&many more brilliant ÛÛ
projects). ÛÛ
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ALL SONGS produced by the 5man production team assembled by ÛÛ
OnRyOzZbOrN ..THE GIGANTICS!!!!! ÛÛ
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happen. ÛÛ
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The album will be released Aug 26th on Camobear Records. ÛÛ
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those who didn't know ..well now YOU KNOW!! ÛÛ
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DONOT SLEEP on 1 of the most innovative ,crazy ,mindblowing ÛÛ
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This is NOT a COMPILATION!! It is a strategic massacre upon ÛÛ
all who create terrible music. ÛÛ
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DIGEST THE HARDCORE!! ÛÛ
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THE GIGANTICS ÛÛ
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Saturday, April 18, 2009

ABC - Traffic (2008) REM - In Time (The Best Of REM) (2005)

Part: 1 : ABC - Traffic (2008)
Password: sharedmusic.net
Artist:   ABC
Title: Traffic
Label: Borough Music
Genre: Rock
Bitrate: 201kbit av.
Time: 00:47:10
Size: 71.51 mb
Rip Date: 2008-04-28
Str Date: 2008-00-00

1. Sixteen Seconds To Choose 3:11
2. The Very First Time 3:38
3. Ride 3:37
4. Love Is Strong 4:06
5. Caroline 4:45
6. Life Shapes You 3:49
7. One Way Traffic 3:44
8. Way Back When 4:12
9. Validation 3:57
10. Lose Yourself 4:02
11. Fugitives 4:02
12. Minus Love 4:07

Release Notes:
ABC was the epitome of the flashy "new pop" sound that
dominated the British charts in the first half of the '80s.
The band's roots lay in the Sheffield electro-pop group Vice
Versa, which shifted gears when singer/songwriter Martin Fry
joined, moving towards a glam/soul sound that fitted in nicely
with the Duran Duran/Spandau Ballet New Romantic school. Fry's
Bowie/Roxy Music-influenced image and witty lyrics, along with
the band's smashing pop hooks and Trevor Horn's lush
production, earned the band a batch of hits straight out of
the gate with 1982's THE LEXICON OF LOVE. While ABC never
duplicated that album's success, they persevered through
stylistic shifts and personnel changes, achieving a longevity
few might have predicted.

Part: 2 : REM - In Time (The Best Of REM) (2005)
Password: sharedmusic.net

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ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
Þ
Þ
Originally released : 05-01-2005
Release date : 03-28-2007
Album name : In Time (The Best Of REM)
Artist : REM

Ripped by : Team EOS
Genre : Alternative
Label : Warner

Encoding Software : Lame EOS
Quality : -V 2

Tracks : 18
Size of Files : 112,1 MB

Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä


01 05:14 Man On The Moon
02 05:07 The Great Beyond
03 04:08 Bad Day
04 04:01 What's The Frequency, Kenneth
05 04:46 All The Way To Reno
06 04:29 Losing My Religion
07 05:26 E-Bow The Letter
08 03:53 Orange Crush
09 03:58 Imitation Of Life
10 03:41 Daysleeper
11 04:03 Animal
12 04:08 The Sidewinder Sleeps Tonite
13 03:12 Stand
14 04:08 Electrolite
15 02:48 All The Right Friends
16 05:19 Everybody Hurts
17 03:36 At My Most Beautiful
18 04:18 Nightswimming


Total time: 76:15 min
Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä

R.E.M. began their Warner contract in 1988 as the
biggest band to emerge from the college-radio-fueled
American underground. Fifteen years later, they
released In Time: The Best of R.E.M. 1988-2003, the
first overview of their long stint at Warner Records.
During that decade and a half, R.E.M. had a turbulent
journey. At the outset, their legend and influence as
one of the key -- if not the key -- bands of the
American underground was firmly in place, but their
success kept growing, culminating in a breakthrough to
international stardom in 1991 thanks to "Losing My
Religion" and Out of Time. For a few years there, they
were one of the biggest bands in the world, standing as
role models and godfathers for the alt-rock explosion
of the '90s; even as grunge ruled the U.S. and U.K.,
R.E.M. were having their biggest hits with the brooding
Automatic for the People (1992) and the guitar-heavy
return-to-rock Monster (1994). Then, midway through the
decade, the road got a little bumpy. The Monster tour
was plagued with problems, the most noteworthy being
drummer Bill Berry's on-stage aneurysm in 1995. He left
the band the next year, not long after the band parted
ways with Jefferson Holt, their longtime manager who
was immortalized in their 1984 song "Little America."
Singer Michael Stipe, guitarist Peter Buck, and Mike
Mills struggled to find their footing as a trio as they
tackled more ambitious projects that found an ever more
selective audience. Truth be told, this transition
started on the final Berry album, 1996's New Adventures
in Hi-Fi, which found R.E.M. expanding their sonic
template to acclaim from critics and hardcore fans,
even if they started to see the audience they won over
the previous decade start to shrink.

All this means the Warner era for R.E.M. doesn't
represent one particular phase of their career --
during their time at Warner, they went through two
phases, with the first half being the culmination of
their rise and the second being their awkward return to
cult status. This divide is clear and fairly easy to
pinpoint. In his track-by-track liner notes (neatly
mirroring his notes for the 1987 rarities comp Dead
Letter Office), Buck claims that dividing line is pre-
and post-"Losing My Religion," which is true at least
as far as stardom goes, but it could be argued that the
classic period ended with Automatic, since that
follow-up to Out of Time showed that R.E.M. could not
only live with the fame, but flourish within it.
Everything that followed Automatic came from a
different narrative and derived from a different
starting point, one that was removed from the jangle
pop that lay at the heart of their first ten years as
recording artists. Related, yes, but quite different --
more self-conscious, heavily produced, and deliberate,
occasionally reaping great results but just as often
sounding labored. It was a great contrast to early
R.E.M., where the music seemed to flow naturally and
easily. Though it has no early IRS material, In Time
paints this contrast effectively, not only through the
Green and Automatic material, but even through more
recent material -- the new song "Bad Day" and the 2001
revamp of "All the Right Friends" (contrary to Buck's
claim in the liners that the band did cut this for IRS;
it even appeared as a bonus track to a European reissue
of Dead Letter Office). Both are built on a swirling,
jangling folk-rock guitar line, propulsive rhythms,
intertwined vocal harmonies, and urgent vocals from
Stipe. In other words, they sound like classic R.E.M.,
and they should -- they date from the '80s and bear
co-writing credits with Berry. Unfortunately, they
sound much fresher than the other new song, the overly
fussy "Animal," which is the problem with In Time in a
nutshell: the two phases of R.E.M.'s career don't sit
well together, but here, they're given close to equal
space. R.E.M. the quartet does get more time than
R.E.M. the trio, and the latter did produce some really
nice tracks, which are chronicled here: "The Great
Beyond" is a minor masterpiece, "All the Way to Reno"
is the best of their faux-lounge phase, and "Imitation
of Life" and "Daysleeper" are good classicist R.E.M.
Still, the immaculate production of Pat McCarthy's work
with Buck, Mills, and Stipe has a denser, heavier, more
laborious feel than Scott Litt's work with Berry, Buck,
Mills, and Stipe, and the two not only don't fit
together, the oddity of the pairing points out that
there are a number of missing singles -- a full 17, if
international releases and radio-only hits are counted
(and, given the nature of '90s rock, they do count).
And these aren't minor songs, either; they're modern
rock radio staples: "Pop Song 89," "Texarkana,"
"Drive," "Ignoreland," "Bang and Blame," "Strange
Currencies," "Crush With Eyeliner," "Bittersweet Me,"
and "Shiny Happy People," the latter of which is
roundly hated by the band yet nevertheless should be on
a hits compilation for the sake of completeness. Of
course, not all the songs could fit on a mere 18-track
compilation -- and if they went for a double-disc set,
they'd be better off with a career-spanning set -- but
the song selection leaves something to be desired, even
if it does present a reasonably accurate portrait of
R.E.M. the adult alternative pop band, and it certainly
does point out the inconsistencies of the band's Warner
work. So, in that sense, In Time is an effective
collection, but it also remains a little disappointing
since it not only could have been done better, but by
its very nature, this compilation can't help but point
out the creative cul-de-sac R.E.M. found themselves in
at the end of their Warner career. It's not the fate
that anyone would have predicted in 1988.

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