Sunday, May 24, 2009

Ufo - covenant limited edition 2000 The four horsemen

Part: 1 : Ufo - covenant limited edition 2000
divdiva href="http://pixhost.ws/avaxhome/big_show.php?/avaxhome/ac/82/000b82ac.jpeg"img src="http://pixhost.ws/avaxhome/ac/82/000b82ac_medium.jpeg"/a/divbr bUFO - Covenant Limited Edition 2000/bbr APE - CUE - LOG | 581 MB RS| 2 CD | ART | Original Recording | From Our House to Yours/divbr This release by hard rock favorites UFO is actually a two-disc set. The first disc consists of new material while disc two is a live album. The new studio material finds many of the old UFO sounds and trademarks, but is perhaps a bit rawer, both in terms of production and performance. In many ways, the new tracks feel a lot like they might have been leftovers from the previous CD, the brilliant Walk on Water. This one should certainly please longtime fans of the band, but probably is not a good introduction to the group. The lineup this time out is veteran drummer Aynsley Dunbar, guitar hero Michael Schenker, and vocalist Phil Mogg.
Part: 2 : The four horsemen
divimg src="http://i39.tinypic.com/e17wd3.jpg" border="0" alt=""br br ---------------------------------------------------------------------br The Four Horsemen - Nobody Said It Was Easybr ---------------------------------------------------------------------br Artist...............: The Four Horsemenbr Album................: Nobody Said It Was Easybr Genre................: Hard Rockbr Source...............: NMRbr Year.................: 1991br Ripper...............: NMRbr Codec................: LAME 3.98br Version..............: MPEG 1 Layer IIIbr Quality..............: Insane, (CBR 320kbps)br Channels.............: Joint Stereo / 44100 hzbr Tags.................: ID3 v1.1, ID3 v2.3br ---------------------------------------------------------------------br Tracklistingbr ---------------------------------------------------------------------br 1. (00:04:13) The Four Horsemen - Nobody Said It Was Easybr 2. (00:04:37) The Four Horsemen - Rockin' Is Ma' Businessbr 3. (00:05:34) The! Four Horsemen - Tired Wingsbr 4. (00:02:19) The Four Horsemen - Can't Stop Rockin'br 5. (00:03:28) The Four Horsemen - Wanted Manbr 6. (00:05:13) The Four Horsemen - Let It Rockbr 7. (00:03:31) The Four Horsemen - Hot Headbr 8. (00:03:41) The Four Horsemen - Moonshinebr 9. (00:02:32) The Four Horsemen - Homesick Bluesbr 10. (00:02:29) The Four Horsemen - 75 Againbr 11. (00:02:29) The Four Horsemen - Lookin' For Troublebr 12. (00:08:08) The Four Horsemen - I Need A Thrill / Somethin' Goodbr Playing Time.........: 00:48:14br Total Size...........: 110.51 MBbr NFO generated on.....: 01/03/2009 12:45:34br br br img src="http://i42.tinypic.com/2nuhfdx.jpg" border="0" alt=""br br For a brief moment at the start of the #39;90s, everyone seemed to be doing the retro-rock thing, and while most bands were digging back to the late #39;60s for inspiration, the Four Horsemen#39;s ambitions went no further than the late #39;70s -- more specifically AC/DC. There#39;s not a single origina! l riff on all of their first full album, Nobody Said It Was Ea! sy, mind you, but the band#39;s raunchy guitars and gritty delivery make up for this in spades. And had he not been arrested seemingly every six months for one misdemeanor or another, outlaw frontman Frank Starr may have even challenged Axl Rose for his quot;king of the bad boysquot; crown.br br Starr#39;s whiskey and broken glass vocal style literally ignites the album#39;s best moments, including the title track, quot;Can#39;t Stop Rockin#39;,quot; and the incredible quot;Rockin#39; Is Ma#39; Business.quot; And while quot;Hot Head lifts its main riff directly from AC/DC#39;s quot;Rock#39;n#39;Roll Damnation,quot; the slightly more original quot;Tired Wingsquot; actually received some MTV rotation thanks to its mellower Southern rock vibe and slide guitars. br br Rounded out by the easy strut of quot;Moonshine,quot; the all-out fury of quot;Lookin#39; for Trouble,quot; and the lazy jamming of quot;I Need a Thrill/Somethin#39; Good,quot; this album scores low on originality, but hig! h on honesty and charisma. A sure winner for lovers of no-image, no-class rock amp; roll. :bravo br br br div style="margin:20px;margin-top:5px" div style="margin-bottom:2px"Code:/div hrcode style="margin:0px" dir="ltr"/codehr /divdiv style="margin:20px;margin-top:5px" div style="margin-bottom:2px"Code:/div hrcode style="margin:0px" dir="ltr"Pass: tiger/codehr /divimg src="http://i44.tinypic.com/zsshts.jpg" border="0" alt=""br ---------------------------------------------------------------------br The Four Horsemen - Gettin' Pretty Good...At Barely Gettin' Bybr ---------------------------------------------------------------------br Artist...............: The Four Horsemenbr Album................: Gettin' Pretty Good...At Barely Gettin' Bybr Genre................: Hard Rockbr Source...............: NMRbr Year.................: 1996br Ripper...............: NMRbr Codec................: LAME 3.98br Version..............: MPEG 1 Layer IIIbr Quality..............: Insane, (CBR 3! 20kbps)br Channels.............: Joint Stereo / 44100 hzbr Tag! s....... ..........: ID3 v1.1, ID3 v2.3br ---------------------------------------------------------------------br Tracklistingbr ---------------------------------------------------------------------br 1. (00:04:10) The Four Horsemen - Still Alive And Wellbr 2. (00:04:04) The Four Horsemen - Gettin' Pretty Good At Barely Gettin' Bybr 3. (00:04:36) The Four Horsemen - Drunk Againbr 4. (00:04:15) The Four Horsemen - Livin' These Bluesbr 5. (00:06:20) The Four Horsemen - Song For Absent Friendsbr 6. (00:03:54) The Four Horsemen - Keep Your Lifebr 7. (00:04:48) The Four Horsemen - Hot Rodbr 8. (00:03:45) The Four Horsemen - Rock My Universebr 9. (00:05:43) The Four Horsemen - Back In Business Againbr 10. (00:05:03) The Four Horsemen - Hit The Roadbr 11. (00:05:28) The Four Horsemen - Keep On Keepin' Onbr 12. (00:02:34) The Four Horsemen - My Songbr 13. (00:06:58) The Four Horsemen - What The Hell Went Wrongbr Playing Time.........: 01:01:38br Total Size...........: 141.19 MBbr NFO generat! ed on.....: 01/03/2009 12:32:36br br The Four Horsemen were quite literally a shattered band come 1996. Five years on from their simplistic but infectious retro-rock debut, they#39;d been dropped by Def American, been abandoned by their main songwriter guiding force in founding guitarist Haggis, and, most heartbreaking of all, lost drummer Ken quot;Dimwitquot; Montgomery to a drug overdose. As the band#39;s last remaining original members, it came down to guitarist Dave Lizmi and troubled singer Frank C. Starr (more on him later) to assemble a new lineup and attempt to shoulder the load themselves on the snidely named Gettin#39; Pretty Good at Barely Gettin#39; By. And they did an OK job.br br The album still featured much of the Four Horsemen#39;s stripped-down, hard-rocking style, but standout cuts such as quot;Hot Rodquot; and the poignant quot;Song for Absent Friendsquot; generally lacked the Southern Skynyrd flavor, and especially the power boogie AC/DC crunch of old. ! Instead, the album mostly resorted to a mellower, more soulful! , decide dly sleeker Black Crowes-type groove for tracks like the title song and quot;Drunk Againquot; (note background lady singers). A few songs also forced the quot;we#39;re still rockin#39;#39;#39; storyline ad nauseam (see cheesy opener quot;Still Alive and Wellquot; and the edgier, frankly biographical quot;Back in Business Againquot;), while others simply lacked originality (for example, quot;Livin#39; These Blues,quot; which apes the debut#39;s hit, quot;Tired Wings,quot; a tad too closely).br br Still, the fact that#39;s it#39;s clearly inferior compared to its predecessor shouldn#39;t entirely detract from this album#39;s good-time blue-collar rock amp; roll, and fans of the Horsemen will likely want to give it a chance anyway. Sadly, Gettin#39; Pretty Good at Barely Gettin#39; By proved to be the final musical testament for singer Starr, who passed away under tragic circumstances a few years later. :D br br div style="margin:20px;margin-top:5px" div style="margin-bottom:2p! x"Code:/div hrcode style="margin:0px" dir="ltr"br /codehr /divdiv style="margin:20px;margin-top:5px" div style="margin-bottom:2px"Code:/div hrcode style="margin:0px" dir="ltr"Pass: tiger/codehr /div/div
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Van halen sheet music for piano, guitare, paroles David powers-louder-2008-ssr

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Saturday, May 23, 2009

Motley Crue - Colour Collection (2007) Rush - Retrospective 3 : 1989-2008 (2009)

Part: 1 : Motley Crue - Colour Collection (2007)
Password: sharedmp3.net
Artist     : Motley Crue
 Album      : Colour Collection
 Label      : Universal
 Genre      : Hard Rock
 Bitrate    : 221 kbps avg
 Source     : CD (LP)
 Playtime   : 01:01:38  (102.MB)
 Rls date   : 2009-02-26
 Store date : 2007-00-00
 
 
 [Track List]
 1. Piece Of Your Action                            4:40
 2. Shout At The Devil                              3:16
 3. To Young To Fall In Love                        3:33
 4. Home Sweet Home                                 4:00
 5. Girls, Girls, Girls                             4:31
 6. All In The Name Of...                           3:41
 7. Kickstart My Heart                              4:44
 8. Rock 'n' Roll Junkie                            4:02
 9. Anarchy In The U.K.                             3:20
 10.Hooligan's Holiday                              5:49
 11.Generation Swine                                4:41
 12.Hell On High Heels                              4:17
 13.Smokin' In The Boys Room                        3:28
 14.Too Fast For Love                               3:23
 15.Same Ol' Situation (S.O.S.)                     4:13

Part: 2 : Rush - Retrospective 3 : 1989-2008 (2009)
Password: sharedmp3.net
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                                             ßßÛÜÜÛÛÛÛ
 
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  Û ARTIST: Rush                                                              Û
  Û TITLE: Retrospective 3 (1989-2008)                                        Û
  Û LABEL: Atlantic                                                           Û
  Û GENRE: Progressive Rock                                                   Û
  Û GRABBER: EAC (Secure Mode)                                                Û
  Û ENCODER: LAME 3.97 / -V2 --vbr-new                                        Û
  Û QUALITY: 214 Kbps Avg / 44.1 KHz / Joint Stereo                           Û
  Û PLAYTIME: 1h 11min 50sec total                                            Û
  Û SIZE: 110.6MB                                                             Û
  Û RELEASE DATE: 2009-03-03                                                 ÞÝ
  Û RIP DATE: 2009-02-27                                                     Û
  ÛÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜßß
 
  ÜÜÜ [ TRACK LIST ] ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜ ÜÜ ÜÜ Ü
  Û
  Û 01. One Little Victory (Remix)                                         5:10
  Û 02. Dreamline                                                          4:39
  Û 03. Workin' Them Angels                                                4:48
  Û 04. Presto                                                             5:48
  Û 05. Bravado                                                            4:37
  Û 06. Driven                                                             4:29
  Û 07. The Pass                                                           4:52
  Û 08. Animate                                                            6:05
  Û 09. Roll The Bones                                                     5:32
  Û 10. Ghost Of A Chance (Live)                                           5:51
  Û 11. Nobody's Hero                                                      4:56
  Û 12. Leave That Thing Alone                                             4:07
  Û 13. Earthshine (Remix)                                                 5:38
  Û 14. Far Cry                                                            5:18
 
  ÜÜ [ RELEASE NOTES ] ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜ ÜÜ ÜÜ Ü
  Û
  Û Few bands warrant, let alone deserve, a three-volume retrospective. Rush,
  Û however, make the case. As a concern, Rush are still going strong -- perhaps
  Û stronger than ever as a live attraction -- and their studio albums in the
  Û 21st century have been as heavy as anything they've ever cut, and very
  Û consistent in terms of quality. Rush have issued many compilations, but this
  Û makes three that bear the title Retrospective. The first volume covered the
  Û years 1974-1980, which addressed the period between their self-titled debut
  Û long-player and Permanent Waves; the second covered 1981-1987, bookmarked by
  Û the recordings Moving Pictures and Hold Your Fire; and this set covering
  Û 1989-2007 tracks the full-lengths Presto through Snakes & Arrows. Taken as a
  Û whole, these three CDs provide an excellent overview of a band that has
  Û continued to develop its sound, push its own boundaries, and remain timeless
  Û without concessions to trends or music biz nonsense. This third volume is on
  Û its surface the most unspectacular of the three, but appearances -- in this
  Û case at least -- prove deceptive. Arranged aesthetically rather than
  Û chronologically, Retrospective, Vol. 3 has been assembled to play through as
  Û an album. There are two tracks from each of the seven albums documented here,
  Û including "One Little Victory" and "Earthshine," both from the acclaimed
  Û return to hard-edged rock of Vapor Trails in 2002. In addition, there is a
  Û live version of "Ghost of a Chance," from 1991's controversial but underrated
  Û Roll the Bones. But what really transpires through this listen is the feeling
  Û that Rush are still very much a band; they reached the end of a lull only to
  Û get hungry again, reached for a new zenith, and shook off the complacency of
  Û their position as a ponderous and progressive veteran stadium juggernaut. In
  Û turn, they became a taut, wily rock & roll band again, putting on epic shows
  Û and creating thought-provoking, ass-shaking hard rock records. This is the
  Û latest evidence. Here's hoping there is a Retrospective, Vol. 4.
  Û
  Û Enjoy.
  Û
  Û Don't forget to support the artists! We did.
 
  ÜÜÜ [ GROUP NEWS ] ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜÜ ÜÜ ÜÜ Ü
  Û
  ° Questions? Comments? Contact us.
  ±
  ² Greets to all who put out quality and those who have helped along the way.
  Û
  ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß ßßßß ßß ßß ß
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Robert plant - sixty six to timbuktu Alice cooper - school's out (1972) [24karat+ gold cd, 2009] lossless.

Part: 1 : Robert plant - sixty six to timbuktu
divdiva href="http://pixhost.ws/avaxhome/big_show.php?/avaxhome/ed/7b/000b7bed.jpeg"img src="http://pixhost.ws/avaxhome/ed/7b/000b7bed_medium.jpeg"/a/divbr bRobert Plant - Sixty Six To Timbuktu/bbr FLAC | Classic Rock, Hard Rock | TT: appr. 146:34 | appr. 972 MBbr iSource: My CD Collection | ECDDAE, cue, coversbr 2003 | Label: Mercury/i/div
Part: 2 : Alice cooper - school's out (1972) [24karat+ gold cd, 2009] lossless.
a href="http://nl.tinypic.com"img src="http://i44.tinypic.com/au712s.jpg" border="0" alt="Image and video hosting by TinyPic"/abrbrbiAlice Cooper - School's OutbrWV+CUE+LOG | 36:53 min | Complete Artwork | 240 MBbrbrSchool's Out was the album that put Alice Cooper over the top. brThe opening title track contains one of the all-time classic and instantly recognizable guitar licks in Rock amp; Roll history. brThis is one of Alice Cooper's most consistent albums. brThe album is a veritable greatest hits package including such classic tracks as "My Stars", "Luney Tune" and "Alma Mater". br"School's Out" became Alice Cooper's first major hit single, and propelled the album to #2 on the Billboard 200. brThe song reached #1 on the UK singles chart for three weeks in August 1972. brMany music styles are incorporated: cool jazz, space rock, hard rock, and broadway show tunes. brSchool's Out has remained a staple song in Alice Cooper's live setlist and receives regular airplay on man! y "Classic Rock" radio stations. brMastered for this CD by Steve Hoffman./i/b
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Friday, May 22, 2009

Hughes/thrall Ufo - ufo (ufo 1) 1971-1999

Part: 1 : Hughes/thrall
--------------------------------------------------------------------- Hughes/Thrall - Hughes/Thrall --------------------------------------------------------------------- Artist...............: Hughes/Thrall Album................: Hughes/Thrall Genre................: Rock Source...............: CD Year.................: 2007 Ripper...............: Exact Audio Copy (Secure mode) Codec................: LAME 3.97 Version..............: MPEG 1 Layer III Quality..............: Insane, (CBR: 320kbps) Channels.............: Joint Stereo / 44100 hz Tags.................: ID3 v1.1, ID3 v2.3 Information..........: My Rip --------------------------------------------------------------------- Tracklisting --------------------------------------------------------------------- 1. (00:03:37) Hughes/Thrall - I Got Your Number 2. (00:03:54) Hughes/Thrall - The Look In Your Eye 3. (00:03:50) Hughes/Thrall - Beg, Borrow Or Steal 4. (00:03:01) Hughes/Thrall - Where Did The Time Go 5. (00:04:19) H! ughes/Thrall - Muscle And Blood 6. (00:04:47) Hughes/Thrall - Hold Out Your Life 7. (00:03:47) Hughes/Thrall - Who Will You Run To 8. (00:03:58) Hughes/Thrall - Coast To Coast 9. (00:05:40) Hughes/Thrall - First Step Of Love 10. (00:05:49) Hughes/Thrall - Still The Night (Bonus Track) 11. (00:03:51) Hughes/Thrall - Love Don't Come Easy (Bonus Track) Playing Time.........: 00:46:32 Total Size...........: 106.61 MB NFO generated on.....: 21/02/2009 14:45:21 After the break-up of Deep Purple, Glenn Hughes had not been prolific in his out-put, by 1981 he had only produced one solo album; 1976's Play Me Out, an album focused on Hughes' love for soul and funk. By comparison, guitarist Pat Thrall had worked on several albums with Automatic Man and Pat Travers. Thrall had come to Hughes' attention while he was trying to write new material in Los Angeles. The two got together and quickly struck up a working partnership. The result was the Hughes/Thrall album. Hughes/Thrall mar! ks a return to hard rock for Hughes, the album itself has a de! finite A OR sound, but with influences of new-wave and post-punk. Thrall makes good use of guitar synthesizers and many have cited the album as being quite influential to the direction of rock music in the 80s and it was critically well received upon its release. However, despite the positive reception from critics the album failed to sell well at the time. It has since become something of a cult album. Along with Hughes and Thrall the album also featured keyboardist Peter Schless and drummers Gary Ferguson (who went on to work on many of Hughes' albums in the 90s and 00s), Frankie Banali of W.A.S.P. and Quiet Riot fame and prolific session player Gary Mallaber. The album was co-produced and mixed by Andy Johns, who had previously worked with the likes of Led Zeppelin, Free and The Rolling Stones. The song Coast to Coast had originally featured on the T ze album You Are the Music...We're Just the Band; the version on the Hughes/Thrall album is similar in arrangement to the original! . Promotional videos were shot for the songs The Look in Your Eyes and Muscle and Blood, these received some airplay on music channels at their time of release. In January 2007 the album was reissued. This new version featured the original album, fully remastered as well as two bonus tracks, both outtakes from the original sessions. The first bonus track, Still The Night originally featured on the first Phenomena album, which featured Hughes, but not Thrall, another version appeared on the John Norum album Face the Truth, again featuring Hughes. This is the first time the original version has been released. An immediate follow up to the Hughes/Thrall album was planned and some tracks were written and demoed, however the project did not go any further and the album was scrapped. In 2006 it was announced that a follow-up album was being written and recorded and is due for release in 2008. ............. Friggin dogs bolox this is :woop: :thum: Code:Code: Pass: tiger
Part: 2 : Ufo - ufo (ufo 1) 1971-1999
UFO - UFO (UFO 1) 1971-1999 flac+cue+art | 251 MB RS | Remastered For diehard UFO fans, this is the begining of the band, and the start of a hard rock story that endures to this day. This album is a product of the times in which it was created, the echoes of the sixties were fading, and the violence and upheaval of the seventies were on the horizon, and UFO was there to create some sounds that were different than the peace and love era, and a preview of things to come. With the first incarnation of this band, they delivered some solid tunes, "Timothy" is a great tribute to the orginal guru of the acid days, "Boogie" is a solid rockin tune as well, all the songs are cool, and this is a must have album for the collector, and a good intro to the band before they became the icons of the area shows of the seventies during the Michael era. Give it a listen, and turn on, tune in, and drop out back to a time when the winds of change were a coming.
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Steppenwolf - steppenwolf original recording 1968 Deathlike silence - saturday night evil [2009]

Part: 1 : Steppenwolf - steppenwolf original recording 1968
Steppenwolf - Steppenwolf Original Recording 1968 FLAC + Art | 280 MB RS 3% Recovery | Source - My House Steppenwolf entered the studio for their recording debut in mid-1968 with a lot of confidence, based on a heavy rehearsal schedule before they ever got signed, and it shows on this album. "Steppenwolf" is a surprisingly strong debut album from a tight hard rock outfit who was obviously searching for a hook to hang their sound on.
Part: 2 : Deathlike silence - saturday night evil [2009]
Deathlike Silence - Saturday Night Evil - 2009 Release: January 28th, 2009 Genre: Melodic Heavy Metal/Hard Rock Country: Finland (Turku) Format: mp3/VBR 213kbps Total playing time: 44:22
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Thursday, May 21, 2009

Damageplan - New Found Power (2004) Steppenwolf - steppenwolf 7 original recording 1970

Part: 1 : Damageplan - New Found Power (2004)
Password: sharedmp3.net
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 ßÛ     ÞÝ                                 Damageplan  - New Found Power
         Ü
  ÞÝ
 
 ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
 
 
          Artist:      Damageplan
          Album:       New Found Power
          Label:       Elektra/Asylum
          Genre:       Metal
          Rip date:    Feb/02/2004
          Street date: Feb/10/2004
          Size:        96,5 MB
          Type:        Album
          Quality:     VBR kbps / 44.1kHz / Joint-Stereo
 
 
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    ßßßßßßßßßßßßßßßßßßß
 
 
          That other group brought you the clean retail or
          something earlier yesterday, and we bring you the
          explict retail today. If you don't know who
          Damageplan is, read on:
 
 
          'When we first started putting this band together,
          we knew we were going to have to get a kick ass
          vocalist,' says Vinnie. Enter PAT LACHMAN former
          HALFORD and DIESEL MACHINE guitarist. 'We tried
          several people, and they just weren't working out.
          Patrick was traveling to back and forth to Dallas,
          and during this time, he had formed a friendship
          with Dime. The two were hangin' out, listenin' to
          jams, and drinkin', when Dime played him the new
          music we had been workin' on.  Pat was blown away
          and immediately expressed interest in being part of
          the band, but Dimebag had the guitar already
          covered, so when Pat said he wanted to sing they
          were totally surprised.
 
          Dimebag recalls how Lachman proved his vocal
          prowess. 'We gave him a track and he went back to
          L.A. and just killed it. He Fed Ex'd it to me and
          Vinnie and we put an ear to it that night...and it
          crushed! So we gave him a few more tracks and he
          kept fuckin' killin' 'em. The key was, he had that
          aggression, which has always been crucial to what
          we do, but at the same time, we love a fucking
          melody, and Pat can bring that too. His style is
          very diverse. Vinnie and I have always been about
          the 'Power Groove', as well as good songwriting.'
 
          Pat says he was very cautious, at first, stepping
          up to the plate with two members of a group that he
          had grown up with. 'At first it was a little
          intimidating, but the personal relationship I had
          with Dime relaxed me a little bit. There was also
          that mutual respect on a professional level. I
          think with good singers, your musical roots have to
          be there, and the fact that I played guitar also
          helped. They knew I was coming from solid ground.'
          Patrick's musical influences are very broad, from
          Pink Floyd to Meshuggah. Born in Portland, Oregon,
          he started playing guitar and writing songs at the
          age of twelve. When he was twenty years old, he
          relocated to L.A., where in addition to his work in
          Diesel Machine, he wrote and recorded 3 albums with
          Rob Halford, and also collaborated with Tommy
          Victor. Now he finds himself in Texas where he has
          found his true calling... as the voice of
          Damageplan.
 
          New Found Power is indeed a fright-gallery of
          scorching, molten hard rock masterpieces, from the
          crushing eye-opener 'Wake Up,' to the thankfully
          self-explanatory 'Fuck You' - 'the people who think
          that song is about them know who they are,' says
          the ever-quotable Dimebag - to the relentless crank
          of 'Blunt Force Trauma.' But the boys do expand
          their musical palette. You can hear the difference,
          even in the gradations of dynamics in a song like
          'Reborn' or the feverish 'Crawl'. 'That was one of
          the first songs Pat attacked,' says Dime. "He
          wanted that to be the first, because he felt there
          were so many ways he could express his vocal
          ability.' As Pat states, 'That song was important;
          it was an open playing field. I could show what I
          could do in a variety of ways. It was the one that
          enabled me to put my foot in the door and make sure
          it didn't slam shut in my face.'
 
          Dime and Vinnie also approached their craft
          slightly differently on the Damageplan debut. 'Of
          course, we did our usual thing where we just jammed
          with a fucking hangover,' says Dime. 'But we also
          trusted our chemistry so much, that we made
          individual pieces that we each could put our own
          vision to.' Vinnie elaborates, 'Dime would lay down
          five to ten riffs and I'd go in and do my thing,
          just to see where it would go. There was an
          incredible amount of freedom. It was cool to
          interject on top of one another like that, and
          bleed off each other as a part of the creative
          process. We'd never done that before.'
 
          To add the final completion to the plan, Bob Zilla
          was brought into the fold. As Dime informs us, 'We
          really wanted a true bass player with a monstrous
          sound. We had seen Bob play in various local bands,
          along with various styles of music. We knew he had
          the diversity, and he still had the same heavy
          influences we had grown up on, not to mention, he's
          one hell of a tattoo artist too. So he was our
          first choice to audition. He came down to the
          studio one night, and after we jammed a few songs
          together,' Vinnie says, 'Man, dude sounds like
          Godzilla comin' outta that rig!' Henceforth, he
          would be notorious, as 'Bob Zilla.'
 
          Born in Waikiki, Hawaii, Bob Kakaha grew up in
          Southern California, where his mom raised him on
          Black Sabbath, Deep Purple, and Led Zeppelin. He
          started playing drums at age 14, but picked up the
          bass shortly after. 'I played in a band with my
          brother for awhile, other than the backyard
          keggers, we played a gig at the Troubadour when I
          was almost 18...I was hooked! My music style is
          aggressive and damaging. I wanted to learn as much
          music as possible, so I experimented with various
          styles while playing with bands in L.A., everything
          from death metal to reggae, funk to rock, but my
          heart is PURE METAL!!! I'm a huge Maiden fan!'
 
          Eventually moving to Dallas, Zilla explains how he
          came to know the brothers. 'Over a period of time,
          I had struck up a friendship, as well as a tattoo
          relationship with Dime and Vinnie, so when I got
          the call, I was honored.' When asked how he feels
          about Damageplan, 'I couldn't ask for a more killer
          opportunity. Not only were these guys such a great
          influence on me musically, but they're also my
          friends, and guys I get totally boozed up with.
          Something like this only happens to a person once,
          if ever, in their career. I feel honored to play
          with such awesome musicians. I couldn't be happier
          about the entire situation. I have nothing but the
          best feelings about the outcome, and with the
          chemistry with what we are creating, how can you go
          wrong.'
 
          Pat views Damageplan as a natural progression of
          the nucleus that made Pantera a legend in the first
          place. 'Comparisons are going to come because it's
          the evolution of a legacy, even though we're not
          trying to be Pantera. We're trying to evolve and do
          something different. As Vinnie states, 'We know we
          have been very influential on today's music. Bands
          tell us all the time how much we influenced them,
          so we have that legacy, but at the same time, we
          like a lot of the great fucking music that's out
          there now, and with Pat and Bob Zilla, we feel
          there's nothing we can't accomplish. Dime and I
          lived on the road for 12 years. We can't wait to
          get back out there. No pun intended - but we want
          to unleash some real fucking 'damage' on these
          motherfuckers.'
 
          Dimebag, as always, is downright philosophical
          about such a protest. 'After kickin' ass for so
          long and realizing you're starting over, it re-
          energizes you. We know a lot of fucking bands don't
          make it past their second record, much less, match
          the damage we laid down over the years. And then
          when it's over and you've done it - most of the
          motherfuckers run from it like 'Goddamn, I can't
          believe I'm still alive.' We take the opposite
          fucking approach. Like goddamn, we were just
          getting good at this... Really motherfucker...we're
          just getting warmed up.'
 
          So, I ask you... how can you go wrong with four
          badass motherfuckers like Damageplan? The name says
          it all...Devastation is truly on the way.
 
 
 
    ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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    ßßßßßßßßßßßßßßßßßßß
 
 
 
         01. wake up                                         [04:30]
         02. breathing new life                              [03:49]
         03. new found power                                 [03:25]
         04. pride                                           [04:17]
         05. fuck you                                        [03:09]
         06. reborn                                          [04:02]
         07. explode                                         [03:14]
         08. save me                                         [03:34]
         09. cold blooded                                    [04:57]
         10. crawl                                           [05:30]
         11. blink of an eye                                 [04:19]
         12. blunt force trauma                              [04:57]
         13. moment of truth                                 [06:50]
         14. soul bleed                                      [05:13]
                                                            ÄÄÄÄÄÄÄÄÄ
                                                             61:40 min
 
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    ßßßßßßßßßßßßßßßßßßß
 
 
 
         FNT is more alive and kicking in 2004 than ever before, we stress
         quality as our #1 issue and we're bringing you guys the best
         new music from all genres.  We have developed FNTx for everything
         that doesn't fall into the usual FNT releases.  We're not going
         anywhere either... lets make 2004 a good one!
 
         Providing quality releases since June 3rd, 2002
 
         We are a CLOSED group! We are not accepting any new people, so don't
         bother...
 
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        and all other groups releasing quality stuff.
 
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Part: 2 : Steppenwolf - steppenwolf 7 original recording 1970
Steppenwolf - Steppenwolf 7 Original Recording 1970 FLAC+cue+log | Cover Art | 233 MB RS | 3% Recovery| Source - My House "Steppenwolf 7" is pretty trippy for hard rock but remember this is at the height of the drug counter culture. Steppenwolf recorded seven discs for Dunhill Records in the short span between 1968 and 1971, six of them studio albums, and one allegedly "live", though there was early Sparrow material recorded in May of 1967 not released by the label until 1972. Throw in a greatest-hits package along with Columbia's reissue of yet more Sparrow recordings, and how they came up with Steppenwolf 7 for the title of this, their fifth studio recording for Dunhill, is a question for hardcore fans of the band to debate (don't even bring the movie soundtracks into this equation).
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W.a.s.p. - double live assassins -1998 - 2cd - hq v0 vbr[eac rip with log] Jorn - out to every nation (2004)

Part: 1 : W.a.s.p. - double live assassins -1998 - 2cd - hq v0 vbr[eac rip with log]
------------------------------------------------------------------ W.A.S.P. - Double Live Assassins ------------------------------------------------------------------ Artist...............: W.A.S.P. Album................: Double Live Assassins Genre................: Heavy Metal Source...............: CD Year.................: 1998 Ripper...............: Exact Audio Copy (Secure mode) Codec................: LAME 3.97 Version..............: MPEG 1 Layer III Quality..............: Extreme,V0 VBR Bitrate..............: CD1 Avg-282kbps,CD2 Avg-274kbps Channels.............: Joint Stereo / 44100 hz Tags.................: ID3 v1.1, ID3 v2.3 Information..........: My Rip Total File Size......: 201MB ------------------------------------------------------------------ CD1 ------------------------------------------------------------------ 1. (00:11:33) W.A.S.P. - The Medley i) On Your Knees ii) I Don't Need No Doctor iii) Hellion iv) Chainsaw Charlie (Murders In The New Morgue) 2. (00:! 06:03) W.A.S.P. - Wild 3. (00:04:13) W.A.S.P. - Animal (Fuck Like A Beast) 4. (00:04:16) W.A.S.P. - L.O.V.E. Machine 5. (00:03:51) W.A.S.P. - Killahead 6. (00:06:27) W.A.S.P. - I Wanna Be Somebody 7. (00:05:34) W.A.S.P. - U 8. (00:03:37) W.A.S.P. - The Real Me 9. (00:06:34) W.A.S.P. - Kill Your Pretty Face 10. (00:09:11) W.A.S.P. - The Horror Playing Time.........: 01:01:20 Size..................: 122.65 MB ------------------------------------------------------------------ CD2 ------------------------------------------------------------------ 1. (00:05:34) W.A.S.P. - Blind In Texas 2. (00:05:46) W.A.S.P. - The Headless ren 3. (00:06:14) W.A.S.P. - The Idol 4. (00:10:37) W.A.S.P. - Crimson Idol Medley 5. (00:04:17) W.A.S.P. - Little Death 6. (00:03:51) W.A.S.P. - Mean Man 7. (00:03:53) W.A.S.P. - Rock 'N' Roll To Death Playing Time.........: 00:40:13 Size.................: 78.72 MB NFO generated on.....: 15/02/2009 13:18:24 Line Up: Blackie Lawless - Vocals/Guitar Chris H! olmes - Guitar Mike Duda - Bass Stet Howland - Drums There onc! e was a time when the only way to capture a band's power was through live in-concert recordings. The technology of studio recordings just didn't do certain bands justice. Then the studio technology caught up and the anticipation surrounding the release of a live album subsided. That is until now... W.A.S.P returns, rocking like never before with their ninth album, Double Live Assassins. With, in my opinion, their best line-up ever. Blackie Lawless on vocals and rhythm, Chris Holmes on lead, Mike Duda on bass, and Stet Howland on the drums. Recorded in Switzerland, Chicago, Cleveland and Los Angeles during the Kill Fuck Die Tour, Double Live Assassins really captures all the excitement and electricity that is a W.A.S.P Concert. I could easily say that anyone who appreciates the spirit of true rock n' roll will, without a doubt, also appreciate this. "You're just looking for a moment to capture, and you just hope the tape machines are rolling when it occurs. I think we got pretty ! lucky. I mean, there's a lot of mistakes on this record, but that's part of it's charm"- Blackie Lawless. As the first track starts spinning you'll immediately hear the rising cheers of the excited crowd. And as usual, W.A.S.P starts off with their ever-changing Medley. On your knees - I don't need no Doctor - Hellion - Chainsaw Charlie (Murders in the new Morgue) is a well-chosen four piece medley because, well, simply put, those songs won't fail in getting the crowd started, that's for sure. There's also no doubting that the musical partnership between Lawless and Holmes is an amazing yin-yang relationship as they constantly feed off of each other while pushing themselves to a new musical limit in this hard rock genre. Then it's on with Wild , probably the album's strongest track, a phenomenal live-version with absolutely great vocals and a killer performance by Mr. Holmes. The album flows with songs from "The Headless ren," "The Crimson Idol," "W.A.S.P (Win! ged Assassins)" and of course "K.F.D (Kill Fuck Die)" with a t! remendou s mixing amongst the songs, including almost all their hits, like Animal, I Wanna Be Somebody, Blind in Texas and the Idol . As for notice, Blackie and his men have chosen to take some of the industrial edges off the K.F.D songs, which cleary makes the songs much more characteristic, and by that, much better. However, the introduction of the song "Mean Man" (Dedicated to Holmes) almost itself makes this album a somewhat privilege, you'll have to hear it by yourself as a nice extra that'll make the album slightly more enjoyable than it would have been without it. Metal mayhem :bravo Code:Code: Pass: tiger
Part: 2 : Jorn - out to every nation (2004)
Jorn - Out to every nation (2004) CloneCD Image (IMG+CCD) | WinRAR compression (best) - 405 MB | Ogg Vorbis (VBR, average round 220 kbit/sec) - 91,3 MB | Advanced audio AAC (M4A) - 89,7 MB | Covers - 5,73 MB Melodic hard rock / Heavy metal "Wiki: Jørn Lande is a Norwegian heavy metal and hard rock singer who has sold over 1.5 million records. Jorn Lande is considered by such famed artists as Ken Hensley, Glenn Hughes and Arjen Lucassen (Ayreon), plus many others to be one of the greatest hard rock and metal singers in the world today. He is known for his powerful, melodic voice, wide vocal range, and for not only putting out album after album from numerous side-projects and bands and as an occasional guest musician, but also for his largely successful solo career. Jørn Lande has performed with bands such as Vagabond (with Ronni Le Tekrø from TNT), Yngwie Malmsteen, ARK, Beyond Twilight, Mundanus Imperium, Nikolo Kotzev's Nostradamus, Millennium, Ken Hensley and The Sna! kes as well as his own self-titled solo effort. He also sang lead vocals on the Norwegian national football team's song for the 1994 World Cup, "Alt for Norge" (All for Norway). More recently, Jørn joined the global metal scene fronting Masterplan, with whom he released two albums. In 2005, Jørn also teamed up with Symphony X vocalist Russell Allen on the album The Battle, and their following album, The Revenge, released May 11, 2007. In 2007, Jørn Lande lent his voice to the Ayreon album 01011001 and the latest Avantasia album The Scarecrow, both being released in January 2008."
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Wednesday, May 20, 2009

Bloc party--live de la semaine-dvbs-2008-emmlive Bodysnatcher-the ninth floor-2008-fwyh

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