Password: sharedmp3.net
° °Ü °
ß°° ° ° ° ° ° °°
° Þ°ß°° -XX ° °ß° ° ° ° ° ° °ß°° °Ý °
°° Þ²°° ° ° ° ° °° ° °°Ü °° ° °°ß°° ° ° °° °°²Ý °°
° Û²²°±°°°°° Ü° ° ° ° °ß ° °° °° °°° °° ° °°° ° °Ü ° °±°²²Û °
Þ° Þ²²²Ûܱ±°Ü°° ° ß°°°Ü °° ° °° ° ° °°ß°° °°° ° °° °°°° °±±ÜÛ²²²Ý °Ý
ÞÜ ²²²²ÛÛÛܱ±° °° ° °° °° °±±±±±±±±±±±±±±±°°°°°Ü° ° ° °°±±ÜÛÛÛ²²²² ÜÝ
ÞÛ ²²²²ÛÛÛÛܱ° °°°°°±±±±±±²²ÛÛÛÛÛÛÛÛÛÛÛÛÛ²²±±±±±±°°°ß°°°±ÜÛÛÛÛ²²²² ÛÝ
ÛÛÛ ²²²²²ÛÛÛݱ°±±±±±²ÛÛÛÛÛÛÛÛßßßßßßßßßßßÛÛÛÛÛÛÛÛ²±±±±°°±ÞÛÛÛ²²²²² ÛÛÛ
Û²ÛÛÜ ß²²²²ÛÛÛ²±±²ÛÛÛÛÛßßßÛßß ÜÛÛÛÜܱ±±± ßßßßßßÛÛÛÛ²²±±²ÛÛÛ²²²²ß ÜÛÛ²Û
ÞÛ²ÛÛÛÛÜ ß²²²ÛÛÛÛÛÛßß ÜÜÜÜ ±ÛÛ²ÛÛÛÛÛÛÜ°±±± ÜÜÜÜ ßßÛÛÛÛÛÛ²²²ß ÜÛÛÛÛ²ÛÝ
ÞÛ²²ÛÛÛÛÛ ß²²²ÛÛßß ÜÛÛÛÛ²ÛÛÛ±ÛÛÛÛÛßßÛÛÛÛÛÜ ±±ÛÛÛ²ÛÛÛÛÜ ßßÛÛ²²²ß ÛÛÛÛÛ²²ÛÝ
ÛÛ²²²²ÛÛÛÛ ²²Ûß ÜÛÛÛÛßßÛ²ÛÛÛ Û²ÛÛÛ ßÛÛÛÛÛÜ ÛÛÛÛÛßßÛÛÛÛÜ ßÛ²² ÛÛÛÛ²²²²ÛÛ
ÛÛ²²²²²ÛÛÛÝ²Û ÜÛÛÛÛß ±±Û²Û²Û Û²ÛÛÛ±±± ÛÛ²Û²Û ÛÛÛÛÛ±± ßÛÛÛÛÜ Û²ÞÛÛÛ²²²²²ÛÛ
ÞÛ²²²²²²²ÛÛÝÞÝÛÛÛ²Û ±± ÛÛÛÛÛ°ÛÛÛ²Û±° ÞÛÛÛ²Û°ÛÛÛ²Û°±± Û²ÛÛÜÞÝÞÛÛ²²²²²²²ÛÝ
ÛÛ²²² ß²²²ÛÛÞÝÛ²Û²Û ±± ÛÛÛÛÛ±ÛÛÛÛÛ±± °ÛÛÛ²Û±ÛÛÛÛÛ °±± ÛÛÛÛÛÞÝÛÛ²²²ß ²²²ÛÛ
Û²²² Ûݲ²²ÛÛ ÝÛÛÛ²Û ±° ÛÛÛÛÛ±Û²ÛÛÛ± ±±±Û²ÛÛÛ°Û²ÛÛÛÜÛÛ± ÛÛÛ²ÛÞ ÛÛ²²²ÞÛ ²²²Û
Û²² ÛÛÛÜß²ÛÛÝ ßÛÛÛÛÛܱ °Û²ÛÛÛ ÛÛÛ²Û±±± Û²ÛÛÛ ÛÛÛÛÛÛÛß± ÛÛÛ²Û ÞÛÛ²ßÜÛÛÛ ²²Û
Û²²ÞÛ²²ÛÛ ÛÛÝ ±±ÜÛÛÛÛÛÛ ÛÛÛ²Û±±ÜÜÛÛÛÛ²Û ÛÛÛÛÛ ± Û²ÛÛÛ ÞÛÛ ÛÛ²²Ûݲ²Û
Û² ÛÛßÛÛ²ÛÜßÝ ÜÛÛÛÛÛÛÛÛÛ²Û ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ±Û²ÛÛÛ ±± Û²ÛÛÛ ÞßÜÛ²ÛÛßÛÛ ²Û
ÛÝÞÛ Ý ßÛ²ÛÜ ÜÛÛÛÛß±° ÛÛÛÛÛ ÛÛÛÛÛßß°± Û²ÛÛÛ±Û²ÛÛÛ°±±ÜÛÛÛÛß ÜÛ²Ûß Þ ÛÝÞÛ
ÞÝÛÝÞ²Ü ßÛÛÝ ÛÛÛ²Û ±±Û²ÛÛÛ±ÛÛÛÛÛ ±±°ÛÛÛÛÛ±Û²Û²Û±± ÞÛÛß Ü²ÝÞÛÞÝ
Þ ÞÛ Û²Û ÞÛÛ Û²Û²Û ±Û²ÛÛÛ°ÛÛÛÛÛ ±±±±ÛÛÛ²Û°ÛÛÛ²Û± ÜÛÛ²Ü ÛÛÝ Û²Û ÛÝ Ý
ÛÝÞ²ÛÛ ÛÛ ÛÛÛ²ÛÜ Û²Û²Û ÛÛÛ²Û±° ÛÛÛ²Û ÛÛÛ²Û ²ÛÛÛ² ÛÛ ÛÛ²ÝÞÛ
ÜÛßÜÛ²²ÛÝ ÛÛÝ ßÛÛÛÛÛÛÛÛÛ²ÛÛß±ÛÛÛ²Û Û²Û²Û±ÛÛÛ²Û ß²²Ûß ÞÛÛ ÞÛ²²ÛÜßÛÜ
ÞÝ ßß²²²²Û Þ²ÛÜ ßßßßßßßß ÜÛ²ÛÛÛܱ±±ÜÛ²ÛÛÛÜ ßßßßß ÜÛÛÝ Û²²²²ßß ÞÝ
ÛÜÛÛ²ÜÞ²²Û Û²ÛÛÜ ÜÛÛ²Û Û²²ÝÜÛ²²ÜÛ
Þ²ÛÛÛ²Þ²²Ý ÞÛ²²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÛÝ Þ²²Ý²ÛÛÛ²Ý
ß²Û²ßÞ²Û ßÛÛ²ÛÝ°±±±±±±±±±±²²²²²²±±±±±±±±²²±±±±±±±±±°ÞÛ²ÛÛß Û²Ýß²ÛÛß
ßß ßÛ²Û Û²Ûß ßß
ßÛÛ [aUDIO ARCHIVE FORCE] ÛÛß
ßÛ Ûß
Û eSTABLISHED: JANUARY 2001 Û
Û Û
² KEEP IT REAL! ²
± ±
Þ Þ ° ° Ý Ý
Ü²Ý Þ² ° ° ° ° ° ²Ý ²Ü
Û²Û Þ²ÛÝ ° ° ° °ÜÜÜ ° °° °° ° ° ° ° ÞÛ²Ý Û²Û
ÛÛ²Ý ²²²ÛÜÜ °° °ÜܲÛßßßßßÛÛÜÜ° ° ° ° ° ° ° °° ° ° ÜÜÛ²²² Þ²ÛÛ
ÞÛ²²ÛÜ ß²²²ÛÛ °±ÜÛßß° ° ° °ßßÛÛ²Üܱ °± °ÜÜÜÜÜÛ²ÛÜÜÜ°° °° ÛÛ²²²ß ÜÛ²²ÛÝ
Û²²²²ßß ß²²ÛÛÜ²ß ° ° ° ° ° ° °±ßÛ²Û²ÜÜÜÛÛ²²Û²ßß° °ßßßÛÛÛÜܱ°ÛÛ²²ß ßß²²²²Û
Û²²Ýܲ²ÛÜ ßÛÛÛ± ° °° °° °°° °°°±°±Û²²ÛÛÛÛ²²ß±°° ° °° °ßßÛÛÛÛÛß ÜÛ²ÛÜÞ²²Û
Þ²²Ý²ÛÛ²² ܲßÛÛܱ° °°°°°°°°°±±ÜÜÛ²ÛÛÛßÛ²²Û°°° °° °°° °°ÜÛÛ²Ü ²ÛÛ²²Þ²²Ý
Û²ÝßÛÛ²ß ²ß ß²Ûܱ±±°°°±±ÜÜÛ²ÛÛßßß ßÛÛ²Üܱ± °° °°±°°±Ü²ß ß² ß²ÛÛßÞ²Û
ßß ÜÜß ßßÛ²ÛÛÛÛ²Ûß ßß߲۲ܱ±±°±ÜÜÜßß ßÜÜ ßß
ßß ß²Ûß ßÛÛÛßßß ßß
ÞÛ RELEASE iNFORMATION ²Ý
ÛÜ ÜÛ
ß²ÛÛÛÛÛ²ÛÛÛÛÛÛ²ÛÛÛÛ²ÛÛÛ²ß
Artist : Bob Seger
Album : Greatest Hits 2
Tracks : 16
Time : 1:07 hours
Bitrate : 192kbps
Size : 92MB
Label : Capitol
Str.date: 11/04/2003
Rip.date: 11/04/2003
Ripper : Team aAF
Þ Þ Ý Ý
Ü²Ý Þ² ° ° ° ° ° ²Ý ²Ü
Û²Û Þ²ÛÝ ° ° ° °ÜÜÜ ° °° °° ° ° ° ° ÞÛ²Ý Û²Û
ÛÛ²Ý ²²²ÛÜÜ °° °ÜܲÛßßßßßÛÛÜÜ° ° ° ° ° ° ° °° ° ° ÜÜÛ²²² Þ²ÛÛ
ÞÛ²²ÛÜ ß²²²ÛÛ °±ÜÛßß° ° ° °ßßÛÛ²Üܱ °± °ÜÜÜÜÜÛ²ÛÜÜÜ°° °° ÛÛ²²²ß ÜÛ²²ÛÝ
Û²²²²ßß ß²²ÛÛÜ²ß ° ° ° ° ° ° °±ßÛ²Û²ÜÜÜÛÛ²²Û²ßß° °ßßßÛÛÛÜܱ°ÛÛ²²ß ßß²²²²Û
Û²²Ýܲ²ÛÜ ßÛÛÛ± ° °° °° °°° °°°±°±Û²²ÛÛÛÛ²²ß±°° ° °° °ßßÛÛÛÛÛß ÜÛ²ÛÜÞ²²Û
Þ²²Ý²ÛÛ²² ܲßÛÛܱ° °°°°°°°°°±±ÜÜÛ²ÛÛÛßÛ²²Û°°°° °° °°° °°ÜÛÛ²Ü ²ÛÛ²²Þ²²Ý
Û²ÝßÛÛ²ß ²ß ß²Ûܱ±±°°°±±ÜÜÛ²ÛÛßßß ßÛ۲ܰ±± °° °°±°°±Ü²ß ß² ß²ÛÛßÞ²Û
ßß ÜÜß ßßÛ²ÛÛÛ²Û²ß ßß۲۲ܱ±±°±ÜÜÜßß ßÜÜ ßß
ßß ßÛÛß ßÛÛ²ßßßßß ßß
ÞÛ ALBUM iNFORMATION ÛÝ
ÛÜ Ü²
ß²ÛÛÛ²Û²ÛÛÛÛÛÛÛÛÛÛ²ÛÛÛß
In 2003, when Deluxe Editions and Definitive Collections
are the name of the game in reissues, it's refreshing to
see Bob Seger's defiantly retro Greatest Hits, Vol. 2
hit the shelves. The title and the approach hearken back
to the days when a hits compilation was followed a few
years later by a supplement, covering roughly the same
territory and adding a few new singles. Seger's first
Greatest Hits had all the big hits, from "Night Moves"
to "Old Time Rock N Roll," and while it was very
effective at that level, many of his big hits weere
ballads, so by extension the hits collection downplayed
his rock & roll, which is was kind of odd for a
singer/songwriter known as a passionate rocker. And
while there was no arguing with what was on Greatest
Hits, it left off many songs that illustrated his depth
as a songwriter - and that's not even counting that it
left his handful of non-LP singles and songs unaccounted
for or the fact that it ignored his early Cameo/Parkway
singles, the Bob Seger System or his first seven albums.
Greatest Hits, Vol. 2 solves a lot of these problems and
it's a stronger album than the first Greatest Hits
because of it. While it's still frustrating that Seger
ignores his early material (the Cameo/Parkway songs are
owned by somebody else, but he certainly could dip into
the first seven albums, at least for "Rambling Gambling
Man"), it's also true that they're of a different
aesthetic than the anthemic blue collar rock that he
first etched out on 1975's Beautiful Loser. That is the
music that made him a star, and that's the music that
fuels this collection, all the way through to the
lesser-known latter-day sides "Manhattan" and "New Coat
of Paint," as well as the brand-new cuts "Satisfied" and
"Tomorrow," two hard-rocking songs that are some of his
best music in years. These are good, but they are
naturally overshadowed by the songs that form the heart
of this collectIon: the terrific plea for compassion
"Understanding," previously only available on the
soundtrack to Teachers; grinding hard rockers "The Fire
Down Below," "Her Strut" and "Sunspot Baby;" the
delrious Chuck Berry homage "Katmandu," one of his
funniest and toughest songs; the country-tinged ballads
"Shame on the Moon" and "Fire Lake;" the aching elegy
"Beautiful Loser;" the life-afirming "Rock & Roll Never
Forgets," one of the best songs about aging within rock
& roll. In this context, even the too-produced
heavily-synthesized "Shakedown" - his contribution to
1987's Beverly Hills Cop II and his only number one hit,
never available on a Seger album until now - turns into
a good time. Sure, there are a few songs that probably
should have made the cut - most notably "Feel Like a
Number" and "Even Now" - but as it stands Greatest Hits,
Vol. 2 is an excellent supplement to the first
collection and a hell of a lot more fun to listen to, as
well.
Þ Þ Ý Ý
Ü²Ý Þ² ° ° ° ° ° ²Ý ²Ü
Û²Û Þ²ÛÝ ° ° ° °ÜÜÜ ° °° °° ° ° ° ° ÞÛ²Ý Û²Û
ÛÛ²Ý ²²²ÛÜÜ °° °ÜܲÛßßßßßÛÛÜÜ° ° ° ° ° ° ° °° ° ° ÜÜÛ²²² Þ²ÛÛ
ÞÛ²²ÛÜ ß²²²ÛÛ °±ÜÛßß° ° ° °ßßÛÛ²Üܱ °± °ÜÜÜÜÜÛ²ÛÜÜÜ°° °° ÛÛ²²²ß ÜÛ²²ÛÝ
Û²²²²ßß ß²²ÛÛÜ²ß ° ° ° ° ° ° °±ßÛ²Û²ÜÜÜÛÛ²²Û²ßß° °ßßßÛÛÛÜܱ°ÛÛ²²ß ßß²²²²Û
Û²²Ýܲ²ÛÜ ßÛÛÛ± ° °° °° °°° °°°±°±Û²²ÛÛÛÛ²²ß±°° ° °° °ßßÛÛÛÛÛß ÜÛ²ÛÜÞ²²Û
Þ²²Ý²ÛÛ²² ܲßÛÛܱ° °°°°°°°°°±±ÜÜÛ²ÛÛÛßÛ²²Û°°°° °° °°° °°ÜÛÛ²Ü ²ÛÛ²²Þ²²Ý
Û²ÝßÛÛ²ß ²ß ß²Ûܱ±±°°°±±ÜÜÛ²ÛÛßßß ßÛ۲ܰ±± °° °°±°°±Ü²ß ß² ß²ÛÛßÞ²Û
ßß ÜÜß ßßÛ²ÛÛÛ²Û²ß ßß۲۲ܱ±±°±ÜÜÜßß ßÜÜ ßß
ßß ßÛÛß ßÛÛ²ßßßßß ßß
Þ² TRACK iNFORMATION ÛÝ
ÛÜ Ü²
ßÛÛ²ÛÛ²ÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛß
01 Understanding 3:44
02 The Fire Down Below 4:27
03 Her Strut 3:51
04 Beautiful Loser 3:27
05 Sunspot Baby 4:37
06 Katmandu 6:09
07 Shame on the Moon 4:53
08 Fire Lake 3:31
09 Tryin' To Live My Life Without You (live) 4:10
10 Shakedown 4:03
11 Manhattan 5:23
12 New Coat of Paint 3:28
13 Chances Are 4:18
14 Rock and Roll Never Forgets 3:51
15 Satisfied 3:30
16 Tomorrow 3:39
Þ Þ Ý Ý
Ü²Ý Þ² ° ° ° ° ° ²Ý ²Ü
Û²Û Þ²ÛÝ ° ° ° °ÜÜÜ ° °° °° ° ° ° ° ÞÛ²Ý Û²Û
ÛÛ²Ý ²²²ÛÜÜ °° °ÜܲÛßßßßßÛÛÜÜ° ° ° ° ° ° ° °° ° ° ÜÜÛ²²² Þ²ÛÛ
ÞÛ²²ÛÜ ß²²²ÛÛ °±ÜÛßß° ° ° °ßßÛÛ²Üܱ °± °ÜÜÜÜÜÛ²ÛÜÜÜ°° °° ÛÛ²²²ß ÜÛ²²ÛÝ
Û²²²²ßß ß²²ÛÛÜ²ß ° ° ° ° ° ° °±ßÛ²Û²ÜÜÜÛÛ²²Û²ßß° °ßßßÛÛÛÜܱ°ÛÛ²²ß ßß²²²²Û
Û²²Ýܲ²ÛÜ ßÛÛÛ± ° °° °° °°° °°°±°±Û²²ÛÛÛÛ²²ß±°° ° °° °ßßÛÛÛÛÛß ÜÛ²ÛÜÞ²²Û
Þ²²Ý²ÛÛ²² ܲßÛÛܱ° °°°°°°°°°±±ÜÜÛ²ÛÛÛßÛ²²Û°°°° °° °°° °°ÜÛÛ²Ü ²ÛÛ²²Þ²²Ý
Û²ÝßÛÛ²ß ²ß ß²Ûܱ±±°°°±±ÜÜÛ²ÛÛßßß ßÛ۲ܰ±± °° °°±°°±Ü²ß ß² ß²ÛÛßÞ²Û
ßß ÜÜß ßßÛ²ÛÛÛ²Û²ÛÛß ßß۲۲ܱ±±°±ÜÜÜßß ßÜÜ ßß
ßß ßÛÛÝ ßÛÛÛßßßßß ßß
ÞÛ GROUP MEMBERS ²Ý
ÛÜ ÜÛ
ß²ÛÛÛÛ²ÛÛÛÛÛÛÛÛÛÛ²ß
Rippers: Umm Yea We Have a few ;)
Þ Þ Ý Ý
Ü²Ý Þ² ° ° ° ° ° ²Ý ²Ü
Û²Û Þ²ÛÝ ° ° ° °ÜÜÜ ° °° °° ° ° ° ° ÞÛ²Ý Û²Û
ÛÛ²Ý ²²²ÛÜÜ °° °ÜܲÛßßßßßÛÛÜÜ° ° ° ° ° ° ° °° ° ° ÜÜÛ²²² Þ²ÛÛ
ÞÛ²²ÛÜ ß²²²ÛÛ °±ÜÛßß° ° ° °ßßÛÛ²Üܱ °± °ÜÜÜÜÜÛ²ÛÜÜÜ°° °° ÛÛ²²²ß ÜÛ²²ÛÝ
Û²²²²ßß ß²²ÛÛÜ²ß ° ° ° ° ° ° °±ßÛ²Û²ÜÜÜÛÛ²²Û²ßß° °ßßßÛÛÛÜܱ°ÛÛ²²ß ßß²²²²Û
Û²²Ýܲ²ÛÜ ßÛÛÛ± ° °° °° °°° °°°±°±Û²²ÛÛÛÛ²²ß±°° ° °° °ßßÛÛÛÛÛß ÜÛ²ÛÜÞ²²Û
Þ²²Ý²ÛÛ²² ܲßÛÛܱ° °°°°°°°°°±±ÜÜÛ²ÛÛÛßÛ²²Û°°°° °° °°° °°ÜÛÛ²Ü ²ÛÛ²²Þ²²Ý
Û²ÝßÛÛ²ß ²ß ß²Ûܱ±±°°°±±ÜÜÛ²ÛÛßßß ßÛ۲ܰ±± °° °°±°°±Ü²ß ß² ß²ÛÛßÞ²Û
ßß ÜÜß ßßÛ²ÛÛÛ²ÛÛÛÛß ßßÛ²ÛÜܱ±±°±ÜÜÜßß ßÜÜ ßß
ßß ßÛ²Ý ßÛ²Ûßßßßß ßß
ÞÛ GROUP GREETINGS ÛÝ
ÛÜ Ü²
ß²ÛÛÛÛÛÛÛÛ²²ÛÛÛ²ÛÛÛÛß
The Scene!
Þ Þ Ý Ý
Ü²Ý Þ² ° ° ° ° ° ²Ý ²Ü
Û²Û Þ²ÛÝ ° ° ° °ÜÜÜ ° °° °° ° ° ° ° ÞÛ²Ý Û²Û
ÛÛ²Ý ²²²ÛÜÜ °° °ÜܲÛßßßßßÛÛÜÜ° ° ° ° ° ° ° °° ° ° ÜÜÛ²²² Þ²ÛÛ
ÞÛ²²ÛÜ ß²²²ÛÛ °±ÜÛßß° ° ° °ßßÛÛ²Üܱ °± °ÜÜÜÜÜÛ²ÛÜÜÜ°° °° ÛÛ²²²ß ÜÛ²²ÛÝ
Û²²²²ßß ß²²ÛÛÜ²ß ° ° ° ° ° ° °±ßÛ²Û²ÜÜÜÛÛ²²Û²ßß° °ßßßÛÛÛÜܱ°ÛÛ²²ß ßß²²²²Û
Û²²Ýܲ²ÛÜ ßÛÛÛ± ° °° °° °°° °°°±°±Û²²ÛÛÛÛ²²ß±°° ° °° °ßßÛÛÛÛÛß ÜÛ²ÛÜÞ²²Û
Þ²²Ý²ÛÛ²² ܲßÛÛܱ° °°°°°°°°°±±ÜÜÛ²ÛÛÛßÛ²²Û°°°° °° °°° °°ÜÛÛ²Ü ²ÛÛ²²Þ²²Ý
Û²ÝßÛÛ²ß ²ß ß²Ûܱ±±°°°±±ÜÜÛ²ÛÛßßß ßÛ۲ܰ±± °° °°±°°±Ü²ß ß² ß²ÛÛßÞ²Û
ßß ÜÜß ßÛÛÛ²²²Û²ÛÛÛßß ßßÛ²ÛÜܱ±±°±ÜÜÜ²ß ßÜÜ ßß
ßß ßÛ²ÛÛßß ßßß²Û²²Û²ß ßß
ÛÛ ßÛ²ß
Þ² GROUP iNFORMATION AND NEWS ÛÝ
ÛÜ ÜÛ
ßÛÛÛÛÛÛ²ÛÛÛÛÛ²ÛÛÛÛÛÛÛ²ÛÛÛÛÛÛÛÛ²ß
aAF was created in Jan 2001 to fill a void left in the scene
by groups who would refuse to release anything but current
year music.Well since that time we have been rocking the
scene with classic rock rips.We have made classic music
mainstream in the scene and have been on top in that area as
the number one group in classic rips. We finished 2001 with
3800 rips.As we moved forward in 2002 we found we were also
releasing alot of quality 2k2 rips and saw that we were competing
in that area.In 2002 we finished with over 5000 rips.In 2003 we
plan to move forward and continue to release "THE NEW STUFF" and
strive to be on top in 2k3 rips.We will also continue to remain
on top like we have for 2 years in the classic rock scene.
It's not the Year that Matters it's the Music
aAF Forever
What We're looking for :
ppl who can get promos or pre street rls
ppl who have large cd collections
ppl with skill and experience who feel they can help us
ppl who can supply legal shells or bnc's
ppl who can supply hardware
siteop's who host 100mbit+ 500 gig+ mixed sites for affils
Siteop's invite the force to pre 2k3 on your site
Come to the force with us
° °Ý °Þ ° ° °°
Þ Û Û Þ °
ÜÛÛÛÛ²ÛÛÛ²ÛÛÛÜ [NEW YEAR, SAME FORCE] ÜÛÛ²ÛÛÛÛÛÛ²ÛÛÜ Ü²Ü
ÛÛ²ÛÛÛÛÛÛÛÛÛ²Û ÛÛ²ÛÛÛ²ÛÛ²ÛÛ²Û ß °°
ÛÛ²Ûß° ßÛ²²ÛÛ² ÜÛÛÛÛ²ÛÛÛÛÜ ÜÛ²ÛÛÛ²ÛÛÜ Û²ÛÛß °°°°°°°° Ü °
ÛÛÛÛ Ü²Ü²ÛÛÛÛÛ ²²ÛÛÛÛÛ²ÛÛÛ ²ÛÛÛ²ÛÛ²ÛÛ Û²°°°°°°Û±±±±°° ß²ß
ÜÛÛÛÛ ß ÛÛÛ²ÛÛ ÛÛÛ ²ÛÛ²ÛÛ ÛÛÛ °ÛÛÛÛ²°°°°°°Ü±±±±±±±Û°° °°
Þ ÛÛ²Û ° ²ÛÛÛÛ² ÛÛÛ °²ÛÛÛÛ² Û²Û Û²°°°°°Û±±±±±±±±Û°°°° °°
° ÛÛÛÛ ÜÛÛ²²ÛÛ ÛÛÛ °ÛÛÛ²ÛÛ Û²Û°°°°°Û±±±±±±±±ß°°°°°ÛÛ °
°ÛÛÛß ÜÛÛÛÛÛÛÛß ²ÛÛ° Û²ÛÛ²Û°°°°°Û±±±±±±±±Û°°°°°ÛÛÛÛÛ²
Þ ÜÛÛÛ²²ÛÛß ²ÛÛ ÛÛ°°°°°Û±±±±±±±±Û°°°°° Û²ÛÛÛÛÜ
ÜÛÛÛ²ÛÛÛßÜÜÜ ÛÛÛ°°°°°Û±±±±±±±±Û°°°°°ßÛ²ß ÜÛÛ²Û²Û Ý
ÛÛÛ²ÛÛÛß ²ÛÛ²Û°°°°°Ü±±±±±±±±Û°°°°ÛÛ²Û °ÜÛÛ²²ÛÛÛ
ÜÛÛÛÛÛß ÛÛ²Û°°°Û±±±±±±±±Û°°°°° ²ÛÛÛÛ ÜÛÛÜÞ ßÛÛÛ²ÛÛ
°Þ ÛÛ²ÛÛ ßßÜܲ±±±±±±±Û°°°°° ÛÛÛ ²ÛÛ²Û Û²ÛÛ° °ÛÛ²ÛÛÛ
° °° Û²ÛÛß ÜÜÛÛÛÛÛ±±±Û°°°°°²ÛÛÛ Û²Û ÛÛ²Û² ÛÛ²Û °ÛÛÛÛ²ÛÜ
Ü ßÜÜÛÛÛÛÛÛÛÛßß°°°° ÛÛ²ÛÛÛ ÛÛÛ° ÛÛÛÛÛ ÛÛÛÛÜ²Ü ÛÛÛÛ²Û Ý
ß²ß ÜÛÛÛÛÛÛÛÛßßÜÜÛÛ Û²Û ÛÛÛÛÛÛ ²Û² °²Û²ÛÛ Û²Û² ß° Û²ÛÛ²Û
°° ÛÛÛÛÛßß ÛÛÛ²ÛÛ ÛÛÛ Û²Û²ÛÛ ÛÛ² °ÛÛ²Û² Û²ÛÛ °° ÛÛÛÛ²Û
° Ü²Ü ßßÜÜÛÜ ÜÛ²ÛÛÛ² ßÛÛ²ÛÛ²ÛÛÛß ß²ÛÛÛÛ²ÛÛß ÛÛÛÛÜ ÜÛÛÛ²ÛÛ
ß ÛÛÛ²ÛÛ²ÛÛ²²ÛÛÛ Û²Û²ÛÛÛÛÛ²ÛÛ²Û
° °° ßÛÛÛÛÛÛ²ÛÛÛÛ²ß [STILL GOiNG STRONG] ßÛÛÛÛ²Û²ÛÛ²ÛÛß
° Û Þ Þ Û
Part: 2 : Niels Vejlyt - The Pretador (2006)
Inspired by artist such as Shawn Lane, Allan Holdsworth, George Bellas, Paganini, Symphony X, J.S. Bach, Yngwie Malmsteen, Borislav Mitic, Vitalij Kuprij and Mark Boals, My Empty Room guitarist Niels Vejlyt has relesaed his instrumental solo CD, entitled The Predator. Filled with shred, neo-classical and hard rock riffs, solos and six-string mayhem, Vejlyt plays off of drummer Jakob Vnad (also from My Empty Room) and bassist Mads Damgaard. Vejlyt invokes the classical masters on "Paganini Vs. Strauss", and gives Paganini the spotlight on the album's closer "Moto Perpetuo". The Predator is ready for fans of classically inspired metal tracks. Instrumental Guitar (Electric (Heavy)/Shred/Neo-Classical Metal), total running time, 43:39