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Evans Blue - The Pursuit Begins When This Portrayal Of Life Ends
ARTIST.....: Evans Blue
TITLE......: The Pursuit Begins When This Portrayal Of Life Ends
LABEL......: Hollywood Records / The Pocket Studios
URL........: http://www.evansblue.com/
RIP DATE...: May-23-2007
STORE DATE.: Jul-24-2007
GENRE......: Hard Rock
QUALITY....: VBR / 44.1Hz / Joint-Stereo
SIZE.......: 84,1 MB
Track Listing:
01 - In A Red Dress And Alone 03:09
02 - Shine Your Cadillac 03:45
03 - Q 03:57
04 - Kiss The Flag 04:32
05 - My Damsel: A Confession To An Adversary 05:43
06 - Pin-Up 04:54
07 - Caught A Light Sneeze 04:06
08 - Fear 03:58
09 - Dear Lucid, Our Time Is Right Now 03:45
10 - Painted 09:19
11 - The Pursuit 04:26
ÄÄÄÄÄ
51:34 min
Release Notes:
The Pursuit Begins When This Portrayal Of Life Ends is the second
album from Canadian based rock group Evans Blue. It is scheduled
to be released on July 24th 2007.
Part: 2 : The Moody Blues - Live At The BBC 1967-1970 (2007) (2 CD)
Password: sharedmp3.net
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/_____ / : The Moody Blues:
: /____\ : To Our [CENSORED]ren's [CENSORED]ren's [CENSORED]ren (Deluxe Edition)
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:..:... Supplier : SER 2006 Release Date : 12/18/2006 ...:..:
: : Ripper : SER 2006 Street Date : 00/00/2006 :..:...
...:..: Genre : Rock Source : CD : :
: : Label : Decca Music Tracks : 26 Tracks ...:..:
: : Quality : VBR/APS/44.1kHz Channels : Joint Stereo : :
:..:... Language : English Size : 112 MB :..:...
: : Software : EAC v0.95 Beta 4 Encoder : LAME v3.90.3 : :
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Recorded in the late spring and summer of 1969 and released in October
of that year, To Our [CENSORED]ren's [CENSORED]ren's [CENSORED]ren marked the first
release from the Moody Blues' own Threshold Records label -
- essentially a finished work right down to the jacket design as
delivered to Decca/London Records, without any of the fighting and
negotiation that had been required to get their prior albums issued in
the desired form. Mostly written and conceived on a long rest after
extensive touring behind their prior album, the record showed the band
pulling effectively in several directions at once, generating rich,
powerful electronic/psychedelic pieces such as "Beyond" and "Higher
and Higher," driving rock & roll -- John Lodge's bass was rapidly
becoming their anchor and their most formidable rock instrument -- and
lush, trippy psychedelic ballads ("Out and In," "Watching and
Waiting"), plus one catchy, hook-laden psychedelic pop number
("Gypsy"), all of it somehow held together across two sides, the hard
rock and the trippy sensibilities, the idealism and the hedonism all
balanced in a kind of perfect harmony that gave the album something
for almost every rock listener above the age of 13 to enjoy. Although
there was never a hit single off of the album, it still reached number
two in England and number 14 in America, demonstrating that the group
was in a position to hold onto the audience it had developed over its
previous three albums and even expand it slightly as a pure LP
listenership, without the benefit of AM radio play to reach the most
casual listeners. It took longer to get certified gold than their
preceding or succeeding albums, but its sales were won via retail, one
LP listener at a time (with a tiny boost from the relatively new field
of FM radio), rather than wholesale from AM play of some catchy single
or other, and that showed how big the group's actual fan base had
become in just two years. Their next tour of the United States would
find them booked into a festival alongside the likes of the Rolling
Stones, Janis Joplin, Ten Years After, and the Band, all then among
the elite of the rock world. Although To Our [CENSORED]ren's [CENSORED]ren's
[CENSORED]ren was remastered quite nicely in 1997 as part of the "Moody
Blues Remasters" series, the 2006-released Deluxe Edition of To Our
[CENSORED]ren's [CENSORED]ren's [CENSORED]ren features the cleanest mix and mastering
of the album ever heard. The first disc offers a dual-layer SACD/CD
edition of the album, on which every one of the dozens of guitar parts
and massed vocal parts can be heard in sharp relief, without any
compromise in the total listening experience of each song. At the same
time, hearing the album in this way, one goes get a close-up look at
the corner into which the group had painted itself by relying on the
recording studio's capabilities for overdubbing -- numbers like
"Watching and Waiting" or "Eternity Road," with their subtleties
revealed right down to the six or more guitars in evidence on the
latter, come across as pure studio creations that would have been
(and, indeed, were) impossible to re-create on-stage. Even "Watching
and Waiting," the group's chosen single off of the album, proved
impossible to do in concert, and only "Gypsy" ever found a place in
their repertory (though in concerts from 2005, using technology
available 30-some years later and an augmented lineup, it was possible
for them to do "Higher and Higher" on-stage). The second disc, which
runs even longer than the original album, opens with the original,
unfaded master of "Gypsy," which is not only a generation up on any
prior version of the song but offers it complete, without the cross
fades needed for its inclusion on the album. "Candle of Life" and "Sun
Is Still Shining" are also here. The main body of the CD, however, is
given over to eight songs performed live by the group for the BBC's
David Symonds Show on December 17, 1969. This is just about worth the
price of admission by itself, as a live-in-the-studio re-creation
(complete with invited audience) of much of their concert set from
this period, which was also captured live at Royal Albert Hall during
the same period and later issued as part of Caught Live + 5; it isn't
too different from the Albert Hall performance except that the
fidelity is superior and the sound much closer and more intimate, and
the vocals by Mike Pinder, Justin Hayward, and others are generally
more expressive. Ironically, because "Gypsy" was the only song off the
album at hand to make it into their concert set, everything else on
the program is from their three prior LPs; this includes a beautifully
sung rendition of "Never Comes the Day" and the complete "Threshold of
a Dream" suite, plus "Nights in White Satin" and "Legend of a Mind."
Despite some overloads and tape distortion (especially on Ray Thomas'
flute and parts of the suite, and Pinder's Mellotron solos), it's all
worth hearing and worth the extra investment. The extensive annotation
is also well written and researched, and the original Peter Travers
jacket design has been restored and enhanced, with lyrics included
along with the annotation.
http://www.moodyblues.co.uk
Scans: Cover/2xCD
Tracks:
CD #1
01. Higher And Higher
02. The Eyes Of A [CENSORED] - Part One
03. Floating
04. The Eyes Of A [CENSORED] - Part Two
05. I Never Thought I'd Live To Be A Hundred
06. Beyond
07. Out And In
08. Gypsy
09. Eternity Road
10. Candle Of Life
11. Sun Is Still Shining
12. I Never Thought I'd Live To Be A Million
13. Watching And Waiting
CD #2
01. Gypsy (Alternate Version)
02. Candle Of Life (Alternate Version)
03. Sun Is Still Shining (Extended Version)
04. Gypsy (BBC Radio One Concert 1969)
05. Sunset (BBC Radio One Concert 1969)
06. Never Comes The Day (BBC Radio One Concert 1969)
07. Are You Sitting Comfortably (BBC Radio One Concert 1969)
08. The Dream (BBC Radio One Concert 1969)
09. Have You Heard, The Voyage, Have You Heard (BBC Radio One Concert 1969)
10. Nights In White Satin (BBC Radio One Concert 1969)
11. Legend Of A Mind (BBC Radio One Concert 1969)
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