Password: mov-world.net
ARTIST..[ static & j-kay
TITLE...[ no more bad dreams
GENRE...[ techno
SOURCE..[ vinyl
ENCODER.[ LAME 3.97 (VBR -V2 --vbr-new)
TRACKS..[ 03
LENGTH..[ 19:17 min
SIZE....[ 29,0 MB
QUALITY.[ VBRkbps / 44,1kHz / joint-stereo
DATE....[ nov-15-2008
NOTES
LiKe??? = BuY!!!
TRACKLIST
NR. TRACKNAME TIME
01 static & j-kay - no more bad dreams 06:59
02 da emperor - the way we rock it 06:12
03 static & j-kay - noise overdrive 06:06
TOTAL[ 19:17 min
SIZE.[ 29,0 mb
Part: 2 : MGMT - Oracular Spectacular (2007)
Password: sharedmp3.net
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²Û²²Û Artist.....[ MGMT ßÛÛÛÛÜÛ²
ÛÛ²ß Album......[ Oracular Spectacular ß²ÛÛ
Ü Û²Û Û Label......[ Red Ink / Columbia Û Û²Û Ü
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²ÛÜ ßÜ ÛÛ² Genre......[ Indie ²ÛÛ Üß ÜÛ²
²²Û²ß ÛÛ Language...[ English ÛÛ ß²Û²²
ß ÜÛÛÛÛ Rip Date...[ 2007-10-12 ÛÛÛÛÜ ß
Ü ß ²Û² Store Date.[ 2007-10-02 ²Û² ß Ü
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Û² 01 Time To Pretend 4:21 ²Û
Û² 02 Weekend Wars 4:12 ²Û
Û² 03 The Youth 3:48 ²Û
Û² 04 Electric Feel 3:49 ²Û
Û² 05 Kids 5:02 ²Û
Û² 06 4th Dimensional Transition 3:58 ²Û
Û² 07 Pieces Of What 2:43 ²Û
Û² 08 Of Moons, Birds & Monsters 4:46 ²Û
Û² 09 The Handshake 3:39 ²Û
Û² 10 Future Reflections 4:00 ²Û
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Û² 40:18 ²Û
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Û°Û 40 years after the Summer of Love (and 30 years Û°Û
Û°Û after the Summer of Hate), MGMT is celebrating Û°Û
Û°Û the grand re-opening of the third eye of the Û°Û
Û°Û world with Oracular Spectacular, the duo's Û°Û
Û°Û much-anticipated first full-length album, an Û°Û
Û°Û enigmatic and prophetic collection of Û°Û
Û°Û hallucinatory sounds and hook-riddled pop tones Û°Û
Û°Û for the new millennium. Û°Û
Û°Û Û°Û
Û°Û MGMT is: Andrew Vanwyngarden and Ben Goldwasser, Û°Û
Û°Û two psychic pilgrims whose paths first Û°Û
Û°Û intersected in the green pastures of Wesleyan Û°Û
Û°Û University in Middletown, Connecticut, circa Û°Û
Û°Û 2002. "We weren't trying to start a band," Ben Û°Û
Û°Û remembers. "We were just hanging out, showing Û°Û
Û°Û each other music that we liked." Û°Û
Û°Û Û°Û
Û°Û Andrew and Ben realized that -- despite their Û°Û
Û°Û opposing views on methodology (one is Û°Û
Û°Û spontaneously practical, the other is practically Û°Û
Û°Û spontaneous) -- they shared a common love of Û°Û
Û°Û mystic paganism (ironic indeed on a campus named Û°Û
Û°Û for the founder of Methodism), psychotropic Û°Û
Û°Û sounds, and the belief that a joke (or a joke Û°Û
Û°Û song) could be sad, profound, and funny at the Û°Û
Û°Û same time. Û°Û
Û°Û Û°Û
Û°Û The pair was drawn to the music of other duos and Û°Û
Û°Û found themselves incorporating the implications Û°Û
Û°Û of the hallucinatory power-twee of the Incredible Û°Û
Û°Û String Band, the roaring subway minimalist Û°Û
Û°Û electronica of Suicide, the silky pop-soul of Û°Û
Û°Û Hall & Oates, the pulsing narcotic trance of Û°Û
Û°Û Spacemen 3, the avant-garde industrial Û°Û
Û°Û romanticism of Royal Trux and much more into the Û°Û
Û°Û constantly evolving sounds of MGMT. Û°Û
Û°Û Û°Û
Û°Û As on-campus performance art provocateurs, Andrew Û°Û
Û°Û and Ben began staging a series of "these Û°Û
Û°Û obnoxious, noisy live electronic shows -- we Û°Û
Û°Û never planned on having it be a recorded project Û°Û
Û°Û -- where we would write these weird techno loops Û°Û
Û°Û and arrangements that we could play with live. Û°Û
Û°Û Most of it was running live off the computer and Û°Û
Û°Û we had a turntable plugged into some guitar Û°Û
Û°Û pedals, a radio, and a tape player. It was all Û°Û
Û°Û electronically generated at that point. We would Û°Û
Û°Û write a new song for each show and our shows Û°Û
Û°Û would be 15 minutes long." Û°Û
Û°Û Û°Û
Û°Û The One Song/One Show ethos is manifest in the Û°Û
Û°Û tracks of Oracular Spectacular, each song on the Û°Û
Û°Û album shimmers with its own diamond-hard Û°Û
Û°Û compression of elements interconnecting within Û°Û
Û°Û MGMT's "unusual or unconventional pop Û°Û
Û°Û structures." Continually inverting expectations, Û°Û
Û°Û the music of MGMT owes as much to chaos theory as Û°Û
Û°Û it does to fractal geometry. In contrast to the Û°Û
Û°Û group's early live shows, which were mainly Û°Û
Û°Û electronically generated, Oracular Spectacular is Û°Û
Û°Û filled with "more traditional rock instruments: Û°Û
Û°Û electric guitar, bass, drums, keyboards, Û°Û
Û°Û synthesizers all played live." Û°Û
Û°Û Û°Û
Û°Û Restlessly experimental and consumed with divine Û°Û
Û°Û discontent, the members of MGMT embarked on a Û°Û
Û°Û series of temporary guises. "We went on a tour Û°Û
Û°Û with a drummer once," Andrew confesses, "after Û°Û
Û°Û we'd written these weird California Creedence Û°Û
Û°Û Clearwater-style songs in two weeks. We went Û°Û
Û°Û out, played them, and never did the songs again. Û°Û
Û°Û A lot of people hated it. That used to be the Û°Û
Û°Û goal of our shows. We were still trying to be Û°Û
Û°Û obnoxious and somehow people got into it. Some Û°Û
Û°Û songs we wrote just because we wanted to learn Û°Û
Û°Û how to be really bad within a certain genre and Û°Û
Û°Û then people started liking the song because they Û°Û
Û°Û liked the genre. It was an accident that people Û°Û
Û°Û started liking us." Û°Û
Û°Û Û°Û
Û°Û Some of those first fans included a group of NYU Û°Û
Û°Û students who formed an indie label, Cantora Û°Û
Û°Û Records, in order to issue the very first MGMT Û°Û
Û°Û commercial release, Time To Pretend (a 6-song EP, Û°Û
Û°Û currently available on iTunes). Two of the songs Û°Û
Û°Û from that EP -- "Time To Pretend" (the MGMT Û°Û
Û°Û "mission statement") and "Kids" ("filled with all Û°Û
Û°Û those college feelings: naivety, idealism, Û°Û
Û°Û nostalgia, happiness, sadness") -- have made it Û°Û
Û°Û on to Oracular Spectacular. Û°Û
Û°Û Û°Û
Û°Û Following the release of the EP and a couple of Û°Û
Û°Û one-month long tours, MGMT took six months off, Û°Û
Û°Û with Andrew moving to Brooklyn for a post-college Û°Û
Û°Û "existential crisis" and Ben hanging out in Û°Û
Û°Û Connecticut before heading to upstate New York to Û°Û
Û°Û work woodland construction. Û°Û
Û°Û Û°Û
Û°Û Following their hiatus from MGMT, Ben and Andrew Û°Û
Û°Û reconnoitered in Brooklyn and began recording new Û°Û
Û°Û songs for the sheer fun of it on an "Mbox Û°Û
Û°Û computer set-up." Those humble home sessions -- Û°Û
Û°Û at once Apollonian and Dionysian -- lay the Û°Û
Û°Û groundwork for what would become Oracular Û°Û
Û°Û Spectacular. Û°Û
Û°Û Û°Û
Û°Û Oracular Spectacular opens with "Time To Pretend" Û°Û
Û°Û ("fanciful but with an undercurrent of impending Û°Û
Û°Û doom") and closes with "Future Reflections" Û°Û
Û°Û ("premonitions of a post-apocalyptic future where Û°Û
Û°Û colonies of young people live on the beach and Û°Û
Û°Û lead savage yet refined primitive lifestyles and Û°Û
Û°Û go surfing"). In between lie the refractions of Û°Û
Û°Û the "current chaotic vibrations of the world" on Û°Û
Û°Û a album which distills the essence of the past, Û°Û
Û°Û promises and portends the future, and offers an Û°Û
Û°Û absorbing transformative experience between the Û°Û
Û°Û molecules in the pulsations of the present. Not Û°Û
Û°Û to mention an authentic "4th Dimensional Û°Û
Û°Û Transition." Û°Û
Û°Û Û°Û
Û°Û "Kids are going to be inheriting their parents Û°Û
Û°Û MP3 collections," Ben predicts. "And, in that Û°Û
Û°Û aesthetic, corrupted MP3 files will be like the Û°Û
Û°Û way people glorify scratched-up records now. In Û°Û
Û°Û 20 years, people will listen to these 30th Û°Û
Û°Û generation MP3s and say, 'I love that sound!'" Û°Û
Û°Û Û°Û
Û°Û MGMT invites you to open your mind to the Û°Û
Û°Û multi-dimensional vibrating Technicolor sounds of Û°Û
Û°Û Oracular Spectacular. Û°Û
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